Hit List - Il primo della lista

"Hit List" is a perfectly acceptable little actioner. Anyone who has seen a fair amount of action pics will agree that the quality of this movie is average, and not nearly as low as it often gets in this genre. An extremely untalented lead is a major disappointment here, but the good supporting roles (particularly a colorful Torn, who seems to slightly imitate De Niro's version of Al Capone from "The Untouchables") make up for that. The script is ordinary, and gets far-fetched at the end, but the slick production values keep the film watchable.

Hit List is an action film that has enough suspense and predictability to keep you on the edge of your seat and cheering at the same time. The story is about a mistaken identity murder and kidnapping that turns Jan-Michael Vincent from caring father, to an unstoppable killing machine. Like all action movies, there are points that are totally ridiculous, but the movie as a whole was adventurous and fun. Action film fanatics are sure to enjoy.

William Lustig certainly knows how to direct a gritty city based thriller; he succeeded admirably with the fantastically entertaining Maniac Cop series, and while Hit List isn't quite as memorable - it's still more than entertaining enough, and I'm sure any fan of Lustig's work won't regret tracking it down. It's slightly more serious overall than the majority of the rest of Lustig's filmography, although the director still manages to find time for some humour, and while the action isn't exactly groundbreaking - the film is, at least, not boring for a minute. The basis for the plot focuses on Vic Luca; a big-mouthed mob boss who is set to appear in court for his crimes. However, given his powers as the head of a criminal organisation, it's not difficult for him to track down and kill all the witnesses; much to the dismay of hard-bitten cop Tom Mitchum, who wants to see Luca rot in jail. The plot thickens when Luca's assassin Chris Caleek goes to kill witness Frank DeSalvo and ends up getting the wrong house, and kidnapping ordinary man Jack Collins' son...

William Lustig has put together a good cast for this film, with the likes of Lance Henriksen standing out the most and getting good support from memorable actors such as Charles Napier, Rip Torn, Jan-Michael Vincent and Leo Rossi. As he showed with the Maniac Cop films, Lustig certainly has an eye for atmosphere and this film revels in the same gritty urban feel as the earlier films did. I've got to say that I'm surprised this film isn't better known really; it may not have quite the same appeal that Maniac Cop did, but it's great fun and makes for easy viewing. The characters are all drawn in an intriguing manner, as no two are similar and thanks to the cast of character actors - all manage to be memorable in their own right. The film obviously had budget constraints as there's not a great deal of action sequences, and the ones that do feature aren't exactly over the top; but Lustig makes good use of his assets, and Hit List could have been a lot worse. It all boils down to a conclusion that isn't hard to see coming, but its good fun getting there and overall, I won't hesitate to recommend this film to anyone who can find it.

It's too bad that a solid cast of character actors working with a decent genre director can't quite improve upon, or merely disguise, their lead's mumbly, slurring performance. I remember seeing the film and wondering why so much of Jan-Michael Vincent's acting was dubbed, and why there were so many single shots of him by himself, the other actors being cut in for individual lines of dialogue, etc.

According to director William Lustig, Vincent was so inebriated they oftentimes had to just prop him up in some of the master shots and let the other actors "act around" the poor guy. One scene he's even lying down on a backyard bench.

If anything, it gives Lance Henriksen more room to chew up a lot of scenery, and then, of course, there's the stunts. Lots and lots of them. This is one movie that doesn't necessarily make you disappreciate dynamic car pursuits, but the tire squealing is enough to make you don headphones and listen to good heavy metal for the duration of the chases, especially the parking structure one.

All in all, it's a watchable movie. I especially like one of Vincent's decipherable lines (one that he repeats quite a few times) "But he's got my kid!!" because he says it with about as much despair as if he'd just ran out of cigarettes.

This hide and seek drama between the police with mob witnesses and the mob hit men who want to kill them, is played for maximum excitement and maximum stunt work in "Hit List". Even though Jan-Michael Vincent and Leo Rossi have top billing, it is Lance Henriksen and Charles Napier who carry the film. Rip Torn is the mob boss who sends an unhinged Henriksen after F.B.I. witness, Rossi. When the hit goes wrong and Vincent's son is kidnapped, all hell breaks loose. Seeing Lance Henriksen selling womens shoes is worth the ticket price by itself. Throw in some intense action, while throwing out most logic, and you pretty much have the idea. .................................. - MERK