Aggiungi una trama nella tua linguaWhen a hotelier attempts to fill the chronic vacancies at his castle by launching an advertising campaign that falsely portrays the property as haunted, two actual ghosts show up and end up ... Leggi tuttoWhen a hotelier attempts to fill the chronic vacancies at his castle by launching an advertising campaign that falsely portrays the property as haunted, two actual ghosts show up and end up falling for two guests.When a hotelier attempts to fill the chronic vacancies at his castle by launching an advertising campaign that falsely portrays the property as haunted, two actual ghosts show up and end up falling for two guests.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Gateman
- (as Little John)
Recensioni in evidenza
But Plunkett and the gang (nor their furious guests) would ever have imagined real ghosts showing up. And this is where the movie really starts to get funny because everyone, after their various confrontations with the undead and all the strange things that start to happen in the castle, start to become so neurotic as they try to figure out what's going on.
The movie is a romantic comedy, of course, though it could've worked simply as a story of the funny occurences in the haunted castle as Plunkett and his frantic guests scurry about trying to deal with the situation any way that they can. Guttenberg is Jack, a sorry guy who's married to a real dull lady (Beverly D'Angelo) that really can't stand to know him, especially when he drags her out to some stupid castle. Jack actually starts to fall in love with one of the ghosts, a Plunkett ancestry named Mary (Daryl Hannah), a sickley looking young girl who died by the knife of her husband (Liam Neesom). The ghosts keep playing out the murder over and over again, and Jack, accidently intervening in one of the reenactments, somehow frees Mary from the murder. And so, now she's in love with Jack. But how does a ghost and a human end up together (and they have to end up together...after all it's a Hollywood love story)? Well, that's why you have to watch the movie.
Everyone in the movie is fantastic because, though some may start out to be quite annoying (such as the self-declared "professional parasychologist" or the cynical Sharon (D'Angelo)), they eventually come to be very entertaining as the movie goes along. I especially like the goofy interaction between Meg Tilly as the nympho and Peter Gallagher as the soon-to-be Priest. Peter O'Toole is wonderful. He is also the last to realize what the heck is going on.
It's definitely a comedy worth watching.
The setting is authentic and O'Toole is at the top of his form. The wonderful mother (who tipples) is married to a ghost, AND SHE STEALS EVERY SCENE SHE'S IN!
People who don't like this film are trying too hard to make it into Shakespeare. This is not Macbeth. High Spirits is to be taken with a grain of salt and enjoyed.
Liam Neeson and Beverly D'Angelo are wonderful together! Just the difference in their height is hysterical.
Some of the jokes are a bit labored and I could have done without the ghost-buster, but he was very funny with his fried hair!
Not a great film, but a genuinely funny one and O'Toole is priceless!
It's a screwball comedy about what people will do to try to save their livelihood, marriages, etc. Some of the situations that the characters find themselves in are a bit corny; however, they are still funny. It's also somewhat of a ghostly movie. I thoroughly enjoyed the ending.
If you've ever lived in England, Ireland, or Scotland, the characters in this movie will remind you warmly of those people.
It is a movie that you can sit down with the family and some popcorn and enjoy.
Lo sapevi?
- QuizWriter and Director Neil Jordan has always maintained that the released version of this film is very different from the one he shot. He was more or less excluded from the editing process of the final cut. He insists that his version is still locked away in a vault.
- BlooperThere's no explanation given as to why Mary and Martin would repeat the murder scene twice in one night, as we see when Jack stumbles upon them. Everywhere else in the film, Mary implies that she was killed once a night.
- Citazioni
Peter Plunkett: [on the phone with Jim Brogan] Sir, once again I must remind you that my first name is not "Dick". Nor is my surname "face". It is simply "Peter". "Peter Plunkett"... No, I was not given a middle name but I'm sure if I had, my mother would not have chosen "shit-for-brains peckerhead"... Well then clearly you know a side to my mother that I have been happily sheltered from. Nevertheless I marvel at your colorfully creative ever-so-American colloquialisms which flow so trippingly from your razor-like tongue!
- Curiosità sui creditiThe end credits show the cast under three headings, first 'The Irish', then 'The Americans', and finally 'The Ghosts'
- Versioni alternativeThere exists a print of this film that was Neil Jordan's original vision of this movie. It contains a much more serious tone than the theatrical release, and is much more of a fun mystery. There is a lot more footage of Liam Neeson's character, and the ghosts are allowed to have much more of a plot, than in the theatrical release. Rumor has it, that when the studio saw this cut, they had no idea how to market it, so they had it re-cut against Neil Jordan's wishes (he was allegedly locked out of the editing room at this point). There was a shortened version of this cut available on video in Japan.
- Colonne sonoreChantilly Lace
Words and Music by The Big Bopper (as J.P. Richardson)
Performed by The Big Bopper
Fort Knox Music Inc./Trio Music Co., Inc.
Administrated by Hudson Bay Music Inc./Glad Music Company
Courtesy of Polygram Records
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- El Hotel de los Fantasmas
- Luoghi delle riprese
- Dromore Castle, County Limerick, Irlanda(as Castle Plunkett)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 17.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 8.578.231 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.308.250 USD
- 20 nov 1988
- Lordo in tutto il mondo
- 8.578.231 USD