VALUTAZIONE IMDb
7,0/10
24.630
LA TUA VALUTAZIONE
In una Baltimora del 1962, un'adolescente "piacevolmente rotondetta" ottiene un posto in un programma televisivo locale di ballo dando a tutti una piccola lezione sull'integrazione.In una Baltimora del 1962, un'adolescente "piacevolmente rotondetta" ottiene un posto in un programma televisivo locale di ballo dando a tutti una piccola lezione sull'integrazione.In una Baltimora del 1962, un'adolescente "piacevolmente rotondetta" ottiene un posto in un programma televisivo locale di ballo dando a tutti una piccola lezione sull'integrazione.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 7 candidature totali
Vitamin C
- Amber von Tussle
- (as Colleen Fitzpatrick)
Jo Ann Havrilla
- Prudence Pingleton
- (as Joann Havrilla)
Alan J. Wendl
- Mr. Pinky
- (as Alan Wendl)
Josh Charles
- Iggy
- (as Josh A. Charles)
Recensioni in evidenza
It is hard to believe that we are celebrating the 20th anniversary of this film this week. It is even harder to believe that just one week after it opened Divine left the world's stage forever.
But, the star of the show was Ricki Lake in her first year as a film actress. She camped up John Water's script and delivered an enjoyable musical movie with a message that is just as important today as it was 20 years ago.
It was really interesting seeing people like Sonny Bono, Blondie, Jerry Stiller, Pia Zadora, and, of course, writer/director John Waters himself.
A goofy satire that is just as good today as it was then.
But, the star of the show was Ricki Lake in her first year as a film actress. She camped up John Water's script and delivered an enjoyable musical movie with a message that is just as important today as it was 20 years ago.
It was really interesting seeing people like Sonny Bono, Blondie, Jerry Stiller, Pia Zadora, and, of course, writer/director John Waters himself.
A goofy satire that is just as good today as it was then.
1st watched 11/12/2008- (Dir-John Waters): Fun and surprisingly watchable John Waters film about an overweight teen trying to make it on a 50's dance show. Rikki Lake is great in the lead and Divine does a good job as her understanding mother. Despite the filmmakers reputation there are very few gross-out scenes and a good anti-racial theme protecting both overweight people and blacks. The movie has a silly premise and approach but actually does a good job of showing how stupid some of the laws against African-Americans were in the fifties and the sixties. The movie also just flat out entertains and doesn't try to take itself too seriously. I'm actually now looking forward to watching other John Water's films because of this one although I'm sure most of them are not as tame as this one.
As a HUGE fan of John Waters films, I have nothing but praise for this film. So fun, so campy, so enjoyable ( and you know...there IS a real plot inside the film. It's not just music and hair! ) The characters are at once silly and loveable, esp. Divine as Edna Turnblatt. And who can't love Ricki Lake as the voluptous teen sensation, Tracy Turnblatt!?! It's such a great movie. The one liners alone make me howl, as well as the great 60's look they were able to COAT the film with ( like hairspray? ) The clothes, the furniture, the makeup, EVERYTHING. Stellar pseudo B-movie casting ( Debbie Harry, Sonny Bono ). It's a favorite!!!
10lisado
I saw it when it first came out, I've seen it several times since, and my last viewing was just a few weeks ago. It never seems flat or old.
It takes a look at an issue that doesn't necessarily seem to be a goldmine of laughs (racial difficulties in the early '60s) and turns it into just that without robbing it of any dignity or sense of importance. John Waters seems to have pulled out all the stops to insure this outcome, and it really paid off.
The "pleasingly plump" pre-talk show Ricki Lake turns in a great performance in a role that's an inspiration to "chunky" girls everywhere.
As always, Waters picks cameo and supporting actors that are dead-on perfect. His own turn as a psychologist is an absolute scream! Brimming with hysterical lines and set-ups, this is a comedy you need to see, if you haven't already.
It takes a look at an issue that doesn't necessarily seem to be a goldmine of laughs (racial difficulties in the early '60s) and turns it into just that without robbing it of any dignity or sense of importance. John Waters seems to have pulled out all the stops to insure this outcome, and it really paid off.
The "pleasingly plump" pre-talk show Ricki Lake turns in a great performance in a role that's an inspiration to "chunky" girls everywhere.
As always, Waters picks cameo and supporting actors that are dead-on perfect. His own turn as a psychologist is an absolute scream! Brimming with hysterical lines and set-ups, this is a comedy you need to see, if you haven't already.
What a joyful and heartfelt movie this is, and totally different from many other US productions, thanks to John Waters ability to dare to stand out. First of all, this is the final movie from the late (great) Divine, who sadly passed away a short while after the film was released. He is really good in this film, and plays one of the lead characters with humour, passion and with a heart. The film has, as John Waters other films too, many funny, and strange cameo appearances, who are amusing and entertaining. Debbie Harry shows her acting talent in this film too. The story is light and cheerful, but underneath it has a message who deals with a more serious matter, racism. John Waters brings back a world of 50-music and Dance in this film, and it's very well done. This is so much better than the remake and no one can play Edna better better than Divine although John Travolta did his best. Ricky Lake does a good job here, but is not the films biggest asset. A must see.
Lo sapevi?
- QuizRicki Lake began rapidly losing weight due to the intense dance lessons she had to take for the film. She reportedly had to "eat like crazy" in order to stay plump.
- BlooperIn the closing credits, the 1988 production year is shown in Roman Numerals as "MCMDXXXVIII." It should be "MCMLXXXVIII."
- Citazioni
Tracy Turnblad: Oh, Link. This is so romantic. l wish - l wish l was dark-skinned.
Link Larkin: Tracy, our souls are black, even though our skin is white.
- Curiosità sui creditiDuring the ending credits, there are footsteps moving to the beat of the song playing in the background.
- Versioni alternativeThe main title credits in the Italian version misspell Ric Ocasek's name as "Rock Ocasek."
- ConnessioniEdited into I Love the '80s (2002)
- Colonne sonoreHairspray
Written by Rachel Sweet, Willa Bassen, and Anthony Battaglia
Performed by Rachel Sweet
Produced by Kenny Vance
Courtesy of Studio 900 Music, Sweet Rebel Music, and New Line Music
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Muévanse todos
- Luoghi delle riprese
- Perry Hall High School - 8100 Ebenezer Rd, Perry Hall, Maryland, Stati Uniti(should be 4601 Ebenezer Road, Perry Hall, MD)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 6.671.108 USD
- Fine settimana di apertura Stati Uniti e Canada
- 577.287 USD
- 28 feb 1988
- Lordo in tutto il mondo
- 6.679.788 USD
- Tempo di esecuzione
- 1h 32min(92 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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