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I really enjoy this quirky, sensual film, but even after several viewings, I am still a bit confused about the plot. It's not one of those bizarre films where you shake your head and say "what?", but rather one that keeps you going up and down different alleyways. Tommy Lee Jones is very sexy and perfectly cast as the rough and tumble private eye hired to get a man's dead wife off his trail. But, is the wife really dead? What is fantasy and what is reality? Virginia Madsen is drop dead gorgeous, no pun intended. She and Tommy Lee Jones have a very hot sexual chemistry between them. This is the only movie with the formidable Mr. Jones that I have seen him engaged in a passionate, nude love scene. This alone is worth renting the movie. It's not great, but it's very old-fashioned, gritty film noir, and extremely sexy, and definitely not predictable.

Q: What do you get if you put a naturaly gifted actress with powerful screen presence, together centre stage with an actor who exudes raw, truthful bearing? A: An extremely interesting and tantilising mind game. Sadly, too few films, since the 1940's, allow both the male & female leads to both shine absolutely equaly, profiting the end result. The culmination of Jones & Madsen's performances is a retro work of art. The casting & editing is vibrant, but this narrative should have been directed by an Art House impresario, because lost in mainstream tv it becomes merely a taxing jigsaw.

PLOT: The two titles are part of the puzzle aspect to this film. For 'Gotham', read as - Goth-ham or Gothic 'ham', as in a noir spoof, or if you equate Gotham with Batman, then evolve this to the catchphrase 'the dynamic duo' and you have the Madsen & Jones chemistry. For 'The Dead Can't Lie', read as - why tell us, unless they can, therefore is this a single or double bluff? These are clues, but they could be a 'red herring'. It's a dark tale about lies within lies and whether there is any point in unraveling them. There are repeated motifs in the dialogue that are inconsistant, so it probably isnt possible to assert the truth, since each character is potentially lieing! Even the music is designed to deliberately mislead!

RATEING: 7/10 as a film, but 9/10 as a brain teaser.

WHO should watch this film?: Adults only, because of content. Women will enjoy the exuberantly feminine power of Madsen, whereas men will enjoy looking at it in action! Watch out for the 'Rubik's Cube', as it's a barometer of Jones' confusion and ours! If you like doing puzzles and can cope if you dont solve them, you will love & watch this film repeatedly.

I thought the storyline was provocative, and the writing was good but not superlative (Kevin Jarre is a wonderful writer, and I'm willing to bet the script would have been lots better if the director had left it alone.) Tommy Lee Jones was fantastic, as usual- his leading lady was a beautiful woman but a mediocre actress. Liked the Russian Orthodox priest, too; a fun addition. Really liked the lady singer doing 'Where Or When' in a club where the couple met. 'Danny Boy' was lovely, as well, as was the Latin piece the leading lady danced on the roof to. Fun movie to critique and "improve" in your mind as you're watching it. the soap opera crowd would probably love it without reservation. The meticulous might very well cringe. All and all very entertaining.

I first saw Gotham in 1989 and then in 2001 and it stood up well: Gotham is on the one hand an ironic tribute to hard-boiled detective movies, but it chooses to keep its irony under the surface rather than over-the-top, telling a susupenseful and carefully unfolded story with real twists and turns even as it tosses the occasional wink taht we've seen the set-pieces before. There is real suspense as we watch Tommy Lee Jones get in way over his head--he takes it well enough when he discovers, early on, that he is indeed dealing with a malicious ghost--but from there on he is forced to watch with his own investigators detatchemht as he fall in love with this ghost, going down hill physically and every other way step by step--at the end, he is faced with a battle for his soul as serious as Sam Spades faces at the end of "Maltese Falcon"--and, even at the end, the wry humor returns to wrap it all nicely up. By the way--keep yuour eye out for spooky oddities at ther corner of your vision--they are there!

"Eddie Mallard" (Tommy Lee Jones) is a down-on-his-luck private detective who is about to be evicted from his office for failure to pay his rent. Needless to say, he is surprised when a wealth man by the name of "Colin Bruce" (Charlie Rand) walks into his office and offers to pay him a considerable amount of money to simply convince his ex-wife "Rachel Carlyle" (Virginia Madsen) to agree to leave him alone. But what really stuns Eddie is when Colin tells him that Rachel has been dead for ten years. Now, normally any private detective with an ounce of integrity would turn down the job because their prospective client is obviously insane. But being that he is in serious financial straits Eddie takes the job anyway. However, once he finally meets Rachel things begin to take a horrifying turn from that point on. Now rather than reveal any more I will just say that this was a strange film which at times didn't seem to flow well from one scene to the next. Even so both Tommy Lee Jones and Virginia Madsen played their parts quite well and--strange as it was--I enjoyed this film for the most part and have rated it accordingly. Slightly above average.

Gotham usually gets confused with that city-with-a-comic-book-superhero in it. This is a horrible thing for such a terrific movie. It has nothing to do with that comic book! If you love film noir, and can actually FIND this movie(also known as "The Dead Can't Lie")-probably only on a VHS, then you'll be sorry if you DON'T get it!

I love this film because there are so many new things to find each time I watch it. It is a show about a Private Eye who is down on his luck until a man offers him an assignment no one else will take. His job is to find this man's ex-wife, who is continuously stalking him, and try to get her to cease and desist. The problem? She has been dead for 10 years! NO- this isn't some cheesy ghost story,and this is no comedy! It really sucks you in, and leaves you wanting to watch it again. I found Gotham to be an eerie yet believable film which still haunts me every time!!

This has to be the worst Jones film of all time. What was he thinking? Guess maybe back in 1988 he didn't know he would be as big as he is today and just took any part he could get. Takes the good with the bad. I really had to try not to turn the tape off; half the time you're wondering why they put this certain scene in there. If for some reason in your life you don't get the chance to watch this, your not missing much.

This, next to Volcano, is the worst Tommy Lee Jones film I've ever seen. The ghost bit didn't come off, the friends of Jones' character added nothing to the story...and the story! Just what was the story? Something about a ghost wanting her jewels back and her hubby running some creepy game on Jones. Stupid tale plus dull, plodding dialogue equals a real loser movie.

What REALLY happens inside a man when he "falls in love"? If you want to begin to get a clue, or - better yet - if you are tearfully trying to grasp what on earth has happened to you in particular, you should see "Gotham" - again and again. It is an American classic of the Inner Landscape.

I wonder how much idea Tommy Lee Jones and company had of just what they were enacting. Only as much as writer/producer/director, Lloyd Fonvielle, was able or willing to tell them. Siskel & Ebert, etc., totally missed the point. Why? Because people in our culture are not prepared for a movie whose plot/premise barely holds together as a tale of what occurs in the world but which, as an inner story (dream- or myth-like), works quite beautifully. (In that sense the movie's plot is rather like our lives!)

Your enjoyment/comprehension of this movie will be much enhanced if you have at least some familiarity with the Jungian Anima (I mean conceptually - we men all do experientally, although depressingly few know much about, or acknowledge, Her!). If you don't, I don't want to put you off. It will do quite nicely if a woman's image has - in whatever way - just devastated you, or some man you know, inside. I've never seen a movie where this is so graphically depicted. The decline and Fall. "How will I find you?" Eddie quaveringly asks. "Don't worry," she wryly replies, "I'll find YOU." Oh, yes.

This movie is incredibly rich in symbols and insight, and really repays multiple viewings. Even if you don't understand why Eddie's name is Mallard; why Rachel's face has suddenly become chalky white as she turns and emits her spine-chilling anger when challenged by Eddie on a matter of historical accuracy; the Doorman; why it is death to "sleep with a ghost"; what the pirate's sword is all about (re-read your Tristan & Isolde, the chapel); why She MUST emerge from the mist, at the brazier, to warn Eddie not to embark on his own destruction, before herself taking the executive role in bringing it about ("I've KILLED you, Eddie…and I'm GLAD I did!"); the role of the psychic detective (that's you - or could be); the splitting of the male psyche into Charlie and Eddie, as separate disastrous approaches to Her; the jewels (and this IS pretty murky!); the themes of watery immersion, pugilism, paganism vs Christianity, etc., EVEN THEN…something will scratch at you as watch this movie.

As you can probably tell, I'd love to bend your ears with a full-scale analysis, but the 1000 word limit protects you from people like me! Feel free to e-mail me if you want to talk about Gotham, I never found anyone on my wavelength (what a shock).

A made-for TV supernatural noir, Gotham (AKA The Dead Can't Lie) starts out well enough, with down-on-his-luck gumshoe Eddie Mallard (Tommy Lee Jones) being hired by wealthy Charles Rand (Cloin Bruce) to get his wife Rachel (Virginia Madsen) to stop following him. The kicker? Mrs. Rand has been dead for ten years!

Throw in a box of jewellery worth a million dollars and an unlikely romance between the private eye and the ghost and what we have is an intriguing mystery with a unique twist. Unfortunately, somewhere along the way, it all runs out of steam (actually, there's quite a lot of steam, from Madsen's shower and the New York manholes, but you get my drift): the story becomes far too convoluted and the pace drags. There is zero chemistry between Jones and Madsen, but at least the softcore sex scenes allow us to check out Madsen in the altogether (in the interest of equality, we also get to see TLJ's ass).

The film fizzles out in unspectacular and forgettable manner, and more than a little confusion, leaving viewers pondering their life choices.

How do you stop your dead wife from harassing you? Hire a good detective who can tell her to stop. Tommy Lees Jones portrays a down on his luck gumshoe is approached by a man who is being followed by his dead wife. Jones figures if the man is crazy enough to offer his money, he's just crazy enough to help him. Is she dead? Check the refrigerator, take a cruise but stay out of the church. This made-for-tv film keeps you going, wondering just who is seeing things. Don't close your eyes for too long or you just might miss something. If you like a good mystery, this one is a sleeper-keeper. You might have to look on the back shelf of the video store to find it but however it's worth the search. A great movie for a rainy weekend afternoon.

Tommy Lee Jones certainly knows how to deliver a sharp line when he gets one: a man tells him "I want you to find my wife. She's following me everywhere", and he immediately responds "Why don't you slow down and let her catch up to you?". But soft-core sex scenes are not exactly his forte, especially when his partner is the 17-years-younger Virginia Madsen (though if your sole interest is seeing a young Madsen naked you WILL be satisfied, repeatedly). However, the main problem with the film is that it tries to be smart and unusual and hip, but counts on your not thinking about the story for more than a minute; if you DO think about it, it's really utterly stupid. To quote Jones, this film is like "a bad dream that you can't wake up from". (**)

This film was probably better if viewed when it is not one a.m. in the morning but the BBC in their wisdom decided to relegate a classy film like this to the slot around midnight. In fact if it had not been on straight after Highlander I probably would not have watched it. If I hadn't I would have missed a treat. Tommy Lee Jones was at his brilliant best as the private dick hired to find a man's dead wife. I did miss a bit in the middle which did not help but I was a little confused for quite a while about who was and who was not dead. Maybe that was the entire point of the film. But the film does carry an important message "The dead can't lie. It's something I've learnt."

If now Oscar-winner Tommy Lee Jones were allowed to delete all memory of one of his previous films, no doubt he would choose this incredible mess of a thriller to cast into oblivion. He plays a private dick who is hired by a rich husband to settle some matters with his ex-wife, who is holding some jewelry of his in her possession. Only that the woman apparently has been dead for a decade! He takes the case thinking of making easy money with a crackpot client, but the woman appears to be alive and well and even very seductive (Virginia Madsen, no less), all qualities painfully lacking in the film, which is slow, poorly acted (evidence of a great lack of enthusiasm on the side of Tommy and par for the course for Madsen)and disconcertingly ambiguous, undecided between a solid thriller of unexpected final twists (which it has not) and a run of the mill ghost-story that had traded horror for sensuality. Really dreadful.

Virginia Madsen is up for an Oscar.

I remembered her role in the Movie Gotham with Tommy Lee Jones. For those who would like to enter a different reality enjoy! I see that it was a TV movie I recommend this movie for all mature audiences.

Tommy Lee Jones was fantastic and you see another side of his acting style. Virginia Madsen carried the movie and does not disappoint!

The setting takes place in New York in the night with lighting and sets that are spare and allow the actors to fill the night with their mysterious liaison.

If I cannot make the 10 line minimum it would be a shame i don not want to "give" the movie away. The mystery is the movie.

I hope someone will see the movie and be able to fill in the needed ten lines to entice others to watch!