Città Zero

Sadly I'm not a big fan of surrealist films. Zerograd (or City Zero) is a film that feels like it takes place in a strange unnatural world. It has some grounding in the fact that the main character seems to recognize how everything is strange, so he's going on this journey with us, but the lack of any cohesive story structure was more than I could bear. I do recognize that there is a purpose underlying all of this, because Zerograd was made at a particular time in Russian history when things were changing dramatically, and the filmmakers were trying to make a point about the strange new world they were experiencing. However, since I don't have a strong connection to that time and place in history, the film felt like nonsense. Not only did it feel strange, but it also had a somewhat frustrating storyline because the protagonist was being mistreated and forced into an unfair position. By the end, without spoiling anything, I was more annoyed than ever and it left me feeling hopeless. I'm confident that, for those who might have lived through these events or those who are interested in exploring the history of Post-Soviet Russia, Zerograd could be an interesting film to explore and analyze. For me, however, it was merely an oddity that meant very little. While there are strange and humorous moments that I'll never forget, that didn't make for a story that engaged me in any fashion.

I was quite surprised to see this another masterpiece from Karen Shahnazarov. This is real fantasy with the good presence of mystics and social criticism. The main character is an ordinary engineer who comes to an obscure town to fix some business questions. But instead of it he faces very gloomy and weird freedom there. The real hymn of irrationality and rock music. This film looks more like a nightmare dream of a narrow-minded person who comes to some other reality and succeeds to go away in the end. One can see some nudity, psycho- violence and questioning here, but the meaning lies beyond the moral standards of that time in in the USSR.

"If Shakhnazarov isn't a supernal filmmaker of visual finesse and most members of its male-dominant cast is far too grim and starchy by simply performing in rote, whereas their opposite sex is dismally reduced to peripheral ciphers, namely, a nude secretary, a glamorous woman functions merely as a chauffeur, or a voiceless matron whose sincere request of a dance is interrupted by the male intrusion, ZEROGRAD still remains a marvel to watch, not merely validated by Shakhnazarov's sensible political concerns and his homegrown compassion, but also, more impressively, by the astonishing tableaux vivants which crop up in the midstream and near the coda (offering ironic, anachronistic remarks to further muddy the waters), credited to its production designer Lyudmila Kusakova. It takes some time for viewers to discern that those museum exhibitions are actually actors in heterogeneous costumes and under maquillage, betrayed by tiny movements that are almost imperceptible, what billows out is that strange aroma of "magical surrealism" that is ever so fertile in the Eastern European cinema edifice."

read my full review on my blog: cinema omnivore, thanks

An unknown little treasure of the Soviet cinema, based on the story of a man sent to a town where nothing seems real. Definitely a feast for lovers of true cinema, while slow at times, is an intriguing, minimalistic piece of work. In fact this slowness, added to the lack of music and dialog at parts, becomes a plus for the film in a strange way. The whole movie has a dreamlike, Eraserhead-ish atmosphere, so slyly given that you often feel like you're watching someone's dream on the screen.

I can't help but agree that, as one other reviewer has mentioned, there are quite a number of references to the Soviet way of life of the period, but naturally they may be hard to catch for everyone. Still, this does not detach the audience.

Certainly not for fans of hollywood crap, but movie fans who want to see something unique should see Zero City.

This movie is a fable of our life - we eventually - every single of us - few exceptions happen, arrive to unknown place and get trapped there to never - most of us break free. And the rest of our life we spend watching without any disbelief at idiocy and absurd around us and abandoning any hope to take a train to Moscow. This movie is Checkov's Cherry Orchard retold in today's words with memory of absurd history of XX cent. So sweet for a Western heart explanation of Soviet system as "oppressive communist regime" has nothing to do with reality - oppression was not coming from KGB, it was in the hopeless idiotism, status quo, absolute stagnation. Sci Fi experiment, the one word which describes the life in USSR is "boring". We know that without sensory inputs, deprived of them our brain starts to generate illusions. This is what you see in this "movie", I put it in commas because for me it is not a fiction movie, it is a documentary.