La città maledetta

Deputy Langley (Franc Luz) picks up the trail of Kate (Catherine Hickland), a runaway bride. Soon, he finds out that she has been abducted by otherworldly forces. He ends up in strange territory, in a century old town that has been cursed for a long, long time. Langley, a fairly unflappable man who adjusts rather well to bizarre circumstances, realizes that he will have to be the one who frees this town of its curse. To do this, he will avenge the long ago sheriff, Harper (Blake Conway), by taking on psychotic, undead outlaw Devlin (Jimmie F. Skaggs) and his minions.

"Ghost Town" bucks the odds to rank as above average for Empire Films product. While some movies from this company are really no more than goofy fun, this one can be taken quite seriously. It benefits a lot from a script (by Duke Sandefur, based on a story by original director David Schmoeller) that is actually not overly predictable from scene to scene. The scenario may test the patience of some, with extended footage devoted to Langley stumbling through his surroundings and taking his bearings, but those who stick it out are rewarded with the perennially strange atmosphere of "Ghost Town". The visual effects are actually nicely done, with a juicy amount of gore as well and some effective makeup on Devlin. The extremely prolific Mac Ahlberg was the cinematographer, and Harvey Cohen composed the eerie score.

Luz is a personable lead, and he's well supported by lovely ladies Hickland, Penelope Windust as barmaid Grace, and Laura Schaefer as the young Etta, as well as an enigmatic Bruce Glover as the "dealer", Zitto Kazann as the blacksmith, and Michael Alldredge as Sheriff Bubba. The standout performance is by Skaggs, who appears to be having a good time as the creepy nemesis.

If you're a fan of '80s genre movies, this is a modestly enjoyable sleeper worthy of discovery.

Seven out of 10.

Late 80's western horror which has a police officer following up a missing person on a desert highway ending up way off the beaten path. While walking a corpse of a sheriff pops out of the ground telling him that he is their only hope before crumbling into dust. This sets things in motion as he figures out he's not in Kansas anymore. A time warp takes place as he is suddenly doing battle with a demon cowboy at a small town in the late 1800's.

The special effects in this one were pretty good. The demon bad guys rotting flesh was decent. At times this was boring but would compensate with some action. Nothing too heavy in this one.

I don't have a lot to say about this movie other than it was a damn fine little horror film. I found it to be in the style of The Evil Dead series. The main character of Langly goes from being a seeming 3rd rate heavy metal addicted stumpwater deputy into being a hero fighting evil. The difference here is that rather than an old spooky woods or a medieval keep, the he is tossed into a western ghost town. I highly recommend this movie to anyone who appreciates a little camp and a lot of fun tossed together with their living dead.

Possibly the most overlooked and under-rated horror movie of all time. An original idea, well put together, should deserve more respect than the 'getting dusty on a video store shelf' this film received. Good movie. 8/10.

Perhaps "Ghost Town" isn't one of the best horror movies of the 80's, but at least you'll have to admit the concept is refreshing, courageous, original and semi-successful. This one of the very few horror/western hybrids ever made and particularly the accomplished atmosphere is praiseworthy. "Ghost Town" maintains an unsettling and ominous ambiance throughout, and I have to confess that was certainly the last thing I expected to find in a Charles Band production. The basic plot and conceptual ideas (thought up by David Schmoeller of "Tourist Trap" and "Puppet Master") are reasonably ingenious as well, but the script is sadly very incoherent and occasionally even forgets to make the slightest bit of sense. "Ghost Town" opens with the mysterious disappearance of a young woman who literally gets sucked into a time-tornado after being deviated from the main roads and chased by an invisible horseman. The young and straight-shooting deputy Langley follows her trail and ends up in a forsaken and seemingly cursed ghost town in another era. The town's dominated by an immortal and sadistic outlaw named Devlin, and he also kidnapped the young woman (for reasons still unknown to me) and keeps the cursed villagers under a siege of terror. "Ghost Town" often feels incomplete, as if several extended parts of the screenplay were left out. Many things remain unexplained, but you strongly feel that - somewhere in the original script - there must have been perfectly reasonable answers to all questions; only the ended up on the cutting floor instead of in the film. There's the aforementioned WHY regarding the kidnapping of the girl, but also the background of Devlin's character remains too vague. Still, if you manage to overlook the few shortcomings in the script, you'll reckon that "Ghost Town" is actually scarier than most contemporary horror movies, and this even without the use of gory make-up effects or many gruesome killings. This movie has other trumps for generating suspense, like the sublime choice of locations, uncanny music and creepy characterizations. Devlin is a fascinating villain and Jimmie Skaggs did a tremendous job playing him. He looks menacing, talks nasty and just loves raising hell wherever he goes. I really enjoyed those copious times where he stood in the saloon or out in the streets, spotted the deputy and shouted out "Lawman!!" Other supportive characters are pretty cool & creepy too, like The Dealer and the blacksmith. The end sequences are a bit weaker again, but by then "Ghost Town" will already have made a lasting impression on you … and it's most likely going to be a positive one.