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Eight Men Out provides a "Reader's Digest" version of the complicated events surrounding the 1919 World Series.

If you forgive the fact the film has to simplify certain aspects of the conspiracy in order to make the film easier to digest, then you will find that Eight Men Out is a worthy film and in the category of "baseball movies" it's one of the best.

There are anachronisms in the film here and there, the worst of which is Buck Weaver's question asking which of the lawyers was the "Babe Ruth" of law. Sure Babe Ruth was coming into his own by 1920, but most ballplayers in that era would not have place Ruth in the class of Cobb, Tris Speaker or Walter Johnson. For baseball fans, this line in particular really comes off as shallow, especially since the rest of the film really tries to capture the "dead-ball" era. For the most part though, this film feels and sounds a lot like America right after World War I ends, a fascinating time and place.

Studs Terkel steals the show in my estimation. His character in the film is not far from whom he is in real life and his authenticity is undeniable. John Sayles is a little stiff by comparison and his singing in the railway car (which according to legend did actually happen), is rather difficult to bear. None the less, his direction makes up for his foibles as an actor.

Straitharn is another gem in this movie, and once again this actor seems to get right to the soul of the characters he is given to play. Eddie Cicotte's dilemmas are written all over Straitharn's face in every scene, he's also given some of the best dialog in the film. Cusack plays his part well, despite the fact that many of his scenes are reduced to clichés. Cusack's best moments are when he is frustrated about his inclusion in the conspiracy trial, despite the fact he gave his all to try and win the series. His outbursts in the courtroom seem perfect, as if drawn from the trial transcripts themselves.

Joe Jackson is given unfair treatment. If "Field of Dreams" mythologizes Jackson to point of hyperbole, "Eight Men Out" plays up his illiteracy with too much of a heavy hand. Joe Jackson wasn't stupid, indeed if you read his last major interview before he died, he speaks about the "Black Sox" with great alacrity and clarity. He was not as ignorant as this film would have you believe. One day someone will produce a film about Joe Jackson, that will portray him accurately, but Eight Men Out is not that film.

Although their roles are very minor, Kid Gleason and Ray Schalk are really well played and written. These two went through a very difficult time during the series, and this is well demonstrated. One minor beef is that Nemo Leibold, Shano Collins and other players outside of the conspiracy are never touched upon at all. This is understandable to a degree given the relatively short length of the film, despite the complexity of the subject matter.

The baseball scenes themselves are well done. The bats, balls, gloves and uniforms look like the equipment of that era and the ballparks are successful mock ups for the most part. There are even a couple of nifty athletic displays in the outfield that must have taken several takes to pull off.

Overall, this is my second favorite baseball movie, next to "Bull Durham". Its a little light on some of the details of the conspiracy, but it makes up for it in other areas. It has some great music, some great sets, some solid acting and overall seems genuine and fair to all the major players in the conspiracy.

Eight Men Out isn't perfect, but it isn't as flawed as Roger Ebert would have you believe. If you a fan of baseball in fact, I'd say its mandatory viewing.

This is one of the greatest sports stories ever told, the real story about how and WHY they fixed the World Series. Eliot Asinof's book should be read by anyone interested in history, and Sayles does an admirable job of tying it all together into a script (Sayles even cast Asinof in the movie, and then cast him again in Sunshine State.) It's a story that anyone interested in a history of America, a history of labor and management, a history of the greatest game will definitely enjoy. After reading it, the Shoeless Joe character from "Field of Dreams" suddenly has a resonance which that particular film could never explain (though it is nicely explained in the source for that film "Shoeless Joe") Also worth reading is "The Glory of Their Times" an oral history of early baseball.

John Sayles' Eight Men Out is a fantastic historical movie. We are told the story of the 1919 White Sox from so many angles with so many well developed characters that the result is beautifully authentic. If you have any questions about why and how the World Series was fixed your answers are here. Every character seems so true to the point were you can see yourself maybe taking the path of many of those players if you were in their shoes. That sums up the movie perfectly, in this movie better then any other historical drama I've ever seen, you are in the shoes of the characters. The acting is phenomenal, David Strathairn gives the performance of the movie as veteran pitcher Ed Cicotte. Strathairn in particular along with John Cusack (Buck Weaver) and John Mahoney (Manager) elevate the movie from a history book to a heart-breaking story about real people without resorting to cheap sentiment tricks. Sayles nicely downplayed the role of Joe Jackson (DB Sweeney). Jackson was not the focus of the scandal, he was simply the best player involved. We see Jackson as ignorant and vulnerable, (unable to read and write) the scene when he tells Kid Gleason he doesn't want to play is a fabulous touch, Jackson worries about the scandal and like a child, he tries to run away. All supporting characters do a fine job especially Christopher Lloyd, Charlie Sheen, Sayles himself, Michael Lerner and the actors who played "College Boy" Eddie Collins (good court scene) and Commissioner Landis (dead ringer). Although this is the greatest sports movie ever made, it goes far beyond sports and it will appeal to non-sports fan as a touching morality tale about real people. ****

This is probably the best film to be completely ignored by every major award in film in the last 25 years. For all that its about baseball players, it is NOT a baseball movie. The Black Sox scandal and its effect on baseball transcended baseball. The ensemble cast does a marvelous job, particularly Straithairn and Sweeney, who plays "Shoeless" Joe Jackson, one of the more tragic figures of the whole mess. In spite of taking money to throw the Series, Jackson went out and batted .375 for the Series. The Chicago payers in on the payoff (and one poor soul who didn't go along, but was approached) were banned from baseball for life. No less an authority than Ted Williams believes Jackson should be in the Hall of Fame. But I digress. The film goes into the motivations of the players, who were playing for a pittance and had no say over where they played. Thus they were perfect targets for the fix in the first place. Excellent and gripping film about human reactions to stress and temptation. Most recommended.

I especially enjoyed Studs Terkel and John Sayles as the two sportswriters, Fullerton and Lardner. They're very droll. They act as a kind of Greek chorus, making cynical wisecracks, keeping the audience clued in on what's supposed to be going on. As the White Sox play out yet another crooked game, Sayles said to Terkel, "Nothing but fast balls." "Nice, sloow ones," adds Terkel. It gets better. Terkel writes a column for the Chicago paper accusing gamblers of corrupting the game of baseball and Sayles is reading it aloud. "Writers are tainting the game," or something, says Sayles. "Keep reading," says Terkel. "The game would be better off without the long-nosed, thick-lipped Eastern element preying on our boys in the field." Terkels smiles around his cigar and says, "Makes you proud to be a sportswriter, doesn't it?"

The rest of the movie is pretty good too, although I sometimes get the characters and their motives a little mixed up. The baseball scenes are very well done. I say this, being no big fan of the sport myself. Charlie Sheen (a true aficionado) looks like he's heaving a heavy bat as he clunks out a hit, not a rubber prop. I admired too the way the series games swung back and forth as the players on the take tried to figure out if they were playing for the money or for themselves. It's tough to throw a game because part of one's self always wants to do what one does best -- in this case, play baseball well. The German ethologists call it "Funktionslust." In the end, despite some indecision, they do however lose.

The movie isn't kind to the gamblers or to the owners. Comisky was incredibly cheap and greedy. The script gives this as one of the reasons why the players agreed to throw the game. As Strathairn says when someone offers him a part payment, "I don't care about the money." He's throwing the games to foul up Comisky who has just denied him a promised bonus because Strathairn, playing the pitcher Cicotte, has only played 29 games instead of the 30 they'd agreed upon. Comisky has made him sit on the bench for the last few games so he wouldn't cross the bonus threshold. (Question: Given that Comisky cheated Cicotte of the contracted bonus, was Cicotte morally justified in throwing the games?)

The movie isn't nice to the gamblers either. Not only don't they pay off but they treat the players with contempt. Arnold Rothstein ("A.R.") treats EVERYBODY rudely. He never says hello when he enters a room, never says good-bye when leaving, and never smiles.

I kind of liked this. Sayles may not be a master but his films are always highly individualized. I cannot visualize him directing "Die Hard With A Sardonic Grin."