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IMDbPro

Voci lontane... sempre presenti

Titolo originale: Distant Voices, Still Lives
  • 1988
  • T
  • 1h 24min
VALUTAZIONE IMDb
7,4/10
5503
LA TUA VALUTAZIONE
Lorraine Ashbourne, Freda Dowie, Angela Walsh, and Dean Williams in Voci lontane... sempre presenti (1988)
Guarda Trailer
Riproduci trailer1: 34
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74 foto
DramaMusic

Aggiungi una trama nella tua linguaThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part... Leggi tuttoThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.

  • Regia
    • Terence Davies
  • Sceneggiatura
    • Terence Davies
  • Star
    • Pete Postlethwaite
    • Freda Dowie
    • Angela Walsh
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    5503
    LA TUA VALUTAZIONE
    • Regia
      • Terence Davies
    • Sceneggiatura
      • Terence Davies
    • Star
      • Pete Postlethwaite
      • Freda Dowie
      • Angela Walsh
    • 38Recensioni degli utenti
    • 32Recensioni della critica
    • 86Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 11 vittorie e 7 candidature totali

    Video1

    Trailer
    Trailer 1:34
    Trailer

    Foto74

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    + 69
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    Interpreti principali35

    Modifica
    Pete Postlethwaite
    Pete Postlethwaite
    • Father
    Freda Dowie
    Freda Dowie
    • Mother
    Angela Walsh
    • Eileen
    Dean Williams
    • Tony
    Lorraine Ashbourne
    Lorraine Ashbourne
    • Maisie
    Sally Davies
    • Eileen as a Child
    Nathan Walsh
    • Tony as a Child
    Susan Flanagan
    Susan Flanagan
    • Maisie as a Child
    Michael Starke
    • Dave
    Vincent Maguire
    • George
    Antonia Mallen
    • Rose
    Debi Jones
    • Micky
    Chris Darwin
    • Red
    Marie Jelliman
    • Jingles
    Andrew Schofield
    Andrew Schofield
    • Les
    Anne Dyson
    Anne Dyson
    • Granny
    Jean Boht
    • Aunty Nell
    Alan Bird
    • Baptism Priest
    • Regia
      • Terence Davies
    • Sceneggiatura
      • Terence Davies
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti38

    7,45.5K
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    Recensioni in evidenza

    sbamp49

    not a false note

    Pete posthlewaite hits a performance that is so unique it is frightening. so true was the passion there where times in the movie when I wished he would die! The episodic and random nature of the flashbacks made it seem like memories from one's own childhood which reinforced the naturalistic acting and indeed made it almost voyeuristic! The true beauty of the film lies in the realism of the scenes and in the accurate depiction of life as it really is in all it's ugliness! Above all the movie said to me that out of "brutallity" can come "compassion and humanity". One scene really hits home is the Christmas scene where the camera pans up an idyllic British street where the Christmas lights are shining and by nature our faces are starting to smile and then dissolves into the living room where the family are sitting in expectation. You can feel the tension as you see the first shot and when he pulls the tablecloth off the table and shouts "CLEAN THIS UP",I remember jumping up!!! MASTERPIECE In my eyes yes! 10 OUT OF 10
    boundandgagged1

    why are these films not on DVD

    Both distant voices and the long day closes are remarkable films for their style, and insight into the subtlety of human feelings and failings. They certainly won't be to everyones taste but as pieces of classic cinema they are priceless. Because of their limited appeal it is maybe understandable that they are not films to bring in millions, however it is tragic that they are not available on DVD so that at least they can attract a wider audience. I have the original VHS copies of these films, (bought when they were available - they are not now) and will have to dig these out of storage and have them transferred to DVD.
    10the_cinesexual

    One of the most rewarding and unique films I've ever seen.

    It's difficult to say exactly what this luminous masterpiece is about. It's a memoir of sorts but a highly stylized one where memories are re-experienced and conveyed through songs, frequently communally sung; painful familial interactions powerfully shot as if the scenes were paintings or sets on a stage. This formal approach resonates simultaneously with richness and alienation, pathos and ecstasy. Difficult to shake.

    Not at all what I expected and there's certainly nothing quite like it anywhere in the history of cinema. Powerfully acted and masterfully directed: One of the great works of British movie-making.

    I also highly recommend Davies' two other great works: "The Long Day Closes" and the recent, made for Showtime movie starring an amazing Gillian Anderson, "The House of Mirth." I personally didn't care that much for "The Neon Bible."
    7mjneu59

    easier to appreciate than enjoy

    Terrance Davies' two-part nostalgia exercise is, depending on your tolerance for unembellished honesty, either a sentimental trip down memory lane or a cold-eyed wallow in drab English monotony. The British writer director went to great lengths to re-create a facsimile of working class family life circa 1940-1950, and his meticulous attention to detail sets an almost too perfect mood: the film is both painfully realistic and totally depressing. Using a fragmented, hopscotch style approximating the actual process of memory itself, Davies mixes bits and pieces of autobiographical detail to show how cultural traditions have a way of repeating themselves for a typical Liverpool family, held together by stifling blue collar conditions and a good deal of recreational singing (38 period songs are featured on the soundtrack). The snapshot style doesn't allow for any dramatic momentum, but the film is constructed more as a sampling of brief, transient moments, and is extremely well crafted and emotional despite the often oppressive melancholy.
    10Moviespot

    Amazing

    This film caught me 14 years ago when I first saw it.. and yesterday I was really touched by it again. A registration of 'forgotten' times somewhere during....the first half of the 20th century in Britain...a Totally Overwhelming sense of melancholy filmed in an extraordinary way by Terence Davies.A true work of art. The excellent idea of calling up emotions by letting the characters sing the sing-along songs of the era.... Then there is the photography of this film...seldom have i seen a modern day movie that brings up past times as this piece of wonder.... very , very tastefully done...the coloring and costume designs , the decorations...everything works to give you the idea that you'r staring into a timemaschine...wow.. amazing ! Heartbraking story of 'normal lives , by normal people , who are all gone and 'forgotten'... Still one of the most amazing pieces of cinema around !

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The film was a 'labour of love' for director, cast and crew. Due to the very low budget, it had to be shot intermittently over a period of two years, often at weekends when equipment was cheaper to hire or free.
    • Blooper
      The names of art-director Jocelyn James and first assistant director Andy Powell are listed twice at the end credits.
    • Citazioni

      Micky: When they're not using their big stick, they're farting. Aren't men horrible?

    • Connessioni
      Featured in Century of Cinema: A Personal History of British Cinema by Stephen Frears (1995)
    • Colonne sonore
      There's a Man Goin' Round
      (uncredited)

      Traditional

      Performed by Jessye Norman

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    Domande frequenti19

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    Dettagli

    Modifica
    • Data di uscita
      • 18 novembre 1988 (Italia)
    • Paesi di origine
      • Regno Unito
      • Germania occidentale
    • Lingua
      • Inglese
    • Celebre anche come
      • Distant Voices, Still Lives
    • Luoghi delle riprese
      • Liverpool, Merseyside, Inghilterra, Regno Unito
    • Aziende produttrici
      • British Film Institute (BFI)
      • Channel Four Films
      • Zweites Deutsches Fernsehen (ZDF)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 693.563 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 10.021 USD
      • 30 lug 1989
    • Lordo in tutto il mondo
      • 771.745 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 24 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby
    • Proporzioni
      • 1.78 : 1

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