VALUTAZIONE IMDb
7,4/10
5531
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part... Leggi tuttoThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.
- Premi
- 11 vittorie e 7 candidature totali
Recensioni in evidenza
This is an important film and evidently is regarded as such by many serious reviewers, so I watched it and found it sometimes very hard to sit through because it struck more than a few painful chords in my own memory of my family when I was growing up in the 40s and 50s. Indeed.
My continuing impression is that men of that era, not only in the UK and US as well as elsewhere, were really almost clinically unreflective in that they were so used to being tolerated and getting away with murder that they were nearly incapable of seeing themselves in anything resembling a true light.
How women both sustained family life by themselves and because of their friendships with other women belies the fact that they felt powerless to change anything for the better, at least for more than five minutes.
My fantasy is that it would be great for a lot of men of my generation (now 70) to be tied down with their mouths taped and their eyes propped open with toothpicks, if need be, and forced to watch this movie about forty times! Since that's not going to happen, all I can do is recommend that the peers of my generation at least consider watching it. It can only do us good!
Peter
My continuing impression is that men of that era, not only in the UK and US as well as elsewhere, were really almost clinically unreflective in that they were so used to being tolerated and getting away with murder that they were nearly incapable of seeing themselves in anything resembling a true light.
How women both sustained family life by themselves and because of their friendships with other women belies the fact that they felt powerless to change anything for the better, at least for more than five minutes.
My fantasy is that it would be great for a lot of men of my generation (now 70) to be tied down with their mouths taped and their eyes propped open with toothpicks, if need be, and forced to watch this movie about forty times! Since that's not going to happen, all I can do is recommend that the peers of my generation at least consider watching it. It can only do us good!
Peter
Both distant voices and the long day closes are remarkable films for their style, and insight into the subtlety of human feelings and failings. They certainly won't be to everyones taste but as pieces of classic cinema they are priceless. Because of their limited appeal it is maybe understandable that they are not films to bring in millions, however it is tragic that they are not available on DVD so that at least they can attract a wider audience. I have the original VHS copies of these films, (bought when they were available - they are not now) and will have to dig these out of storage and have them transferred to DVD.
Terence Davis moving, harrowing and elegantly artistic masterpiece is one of the few Britsh films of recent years to embody a distinctly British identity. The plot involves a family wedding in working class Liverpool just after the second world war and the various episodes in the family's past dealing with their sometimes brutal and disturbed father. The beauty of the film lies in the deeply artistic composition of various shots, coupled with Davis' enduring compassion and understanding for the chararcters, especially the father played brilliantly by Pete Postlethwaite. It is an incredible evocation of family life and even though at times it makes for hard viewing, this is a film that must be seen.
This film grows on you - the first time I saw it, it was rather bleak and just a bit boring.
However, the more you think about it and if you were lucky enough to record it and watch it again, it slowly but surely turns into a masterpiece.
The characters, the setting, the atmosphere is true England - England which has all but disappeared. This film is so unique it deserves a place up there with the likes of Citizen Kane, Pelle The Conqueror etc. etc.
Don´t miss it!!!
However, the more you think about it and if you were lucky enough to record it and watch it again, it slowly but surely turns into a masterpiece.
The characters, the setting, the atmosphere is true England - England which has all but disappeared. This film is so unique it deserves a place up there with the likes of Citizen Kane, Pelle The Conqueror etc. etc.
Don´t miss it!!!
I'm not the sentimental type, I don't know what it was in this movie, the rain, the singing or the sadness of live, but I just got all warm inside. It was such a beautiful film, and it had just the right length too. Very nice.
Lo sapevi?
- QuizThe film was a 'labour of love' for director, cast and crew. Due to the very low budget, it had to be shot intermittently over a period of two years, often at weekends when equipment was cheaper to hire or free.
- BlooperThe names of art-director Jocelyn James and first assistant director Andy Powell are listed twice at the end credits.
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Botteghino
- Lordo Stati Uniti e Canada
- 693.563 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.021 USD
- 30 lug 1989
- Lordo in tutto il mondo
- 771.745 USD
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