VALUTAZIONE IMDb
7,4/10
5503
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part... Leggi tuttoThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.
- Premi
- 11 vittorie e 7 candidature totali
Recensioni in evidenza
Pete posthlewaite hits a performance that is so unique it is frightening. so true was the passion there where times in the movie when I wished he would die! The episodic and random nature of the flashbacks made it seem like memories from one's own childhood which reinforced the naturalistic acting and indeed made it almost voyeuristic! The true beauty of the film lies in the realism of the scenes and in the accurate depiction of life as it really is in all it's ugliness! Above all the movie said to me that out of "brutallity" can come "compassion and humanity". One scene really hits home is the Christmas scene where the camera pans up an idyllic British street where the Christmas lights are shining and by nature our faces are starting to smile and then dissolves into the living room where the family are sitting in expectation. You can feel the tension as you see the first shot and when he pulls the tablecloth off the table and shouts "CLEAN THIS UP",I remember jumping up!!! MASTERPIECE In my eyes yes! 10 OUT OF 10
Both distant voices and the long day closes are remarkable films for their style, and insight into the subtlety of human feelings and failings. They certainly won't be to everyones taste but as pieces of classic cinema they are priceless. Because of their limited appeal it is maybe understandable that they are not films to bring in millions, however it is tragic that they are not available on DVD so that at least they can attract a wider audience. I have the original VHS copies of these films, (bought when they were available - they are not now) and will have to dig these out of storage and have them transferred to DVD.
It's difficult to say exactly what this luminous masterpiece is about. It's a memoir of sorts but a highly stylized one where memories are re-experienced and conveyed through songs, frequently communally sung; painful familial interactions powerfully shot as if the scenes were paintings or sets on a stage. This formal approach resonates simultaneously with richness and alienation, pathos and ecstasy. Difficult to shake.
Not at all what I expected and there's certainly nothing quite like it anywhere in the history of cinema. Powerfully acted and masterfully directed: One of the great works of British movie-making.
I also highly recommend Davies' two other great works: "The Long Day Closes" and the recent, made for Showtime movie starring an amazing Gillian Anderson, "The House of Mirth." I personally didn't care that much for "The Neon Bible."
Not at all what I expected and there's certainly nothing quite like it anywhere in the history of cinema. Powerfully acted and masterfully directed: One of the great works of British movie-making.
I also highly recommend Davies' two other great works: "The Long Day Closes" and the recent, made for Showtime movie starring an amazing Gillian Anderson, "The House of Mirth." I personally didn't care that much for "The Neon Bible."
Terrance Davies' two-part nostalgia exercise is, depending on your tolerance for unembellished honesty, either a sentimental trip down memory lane or a cold-eyed wallow in drab English monotony. The British writer director went to great lengths to re-create a facsimile of working class family life circa 1940-1950, and his meticulous attention to detail sets an almost too perfect mood: the film is both painfully realistic and totally depressing. Using a fragmented, hopscotch style approximating the actual process of memory itself, Davies mixes bits and pieces of autobiographical detail to show how cultural traditions have a way of repeating themselves for a typical Liverpool family, held together by stifling blue collar conditions and a good deal of recreational singing (38 period songs are featured on the soundtrack). The snapshot style doesn't allow for any dramatic momentum, but the film is constructed more as a sampling of brief, transient moments, and is extremely well crafted and emotional despite the often oppressive melancholy.
This film caught me 14 years ago when I first saw it.. and yesterday I was really touched by it again. A registration of 'forgotten' times somewhere during....the first half of the 20th century in Britain...a Totally Overwhelming sense of melancholy filmed in an extraordinary way by Terence Davies.A true work of art. The excellent idea of calling up emotions by letting the characters sing the sing-along songs of the era.... Then there is the photography of this film...seldom have i seen a modern day movie that brings up past times as this piece of wonder.... very , very tastefully done...the coloring and costume designs , the decorations...everything works to give you the idea that you'r staring into a timemaschine...wow.. amazing ! Heartbraking story of 'normal lives , by normal people , who are all gone and 'forgotten'... Still one of the most amazing pieces of cinema around !
Lo sapevi?
- QuizThe film was a 'labour of love' for director, cast and crew. Due to the very low budget, it had to be shot intermittently over a period of two years, often at weekends when equipment was cheaper to hire or free.
- BlooperThe names of art-director Jocelyn James and first assistant director Andy Powell are listed twice at the end credits.
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Botteghino
- Lordo Stati Uniti e Canada
- 693.563 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.021 USD
- 30 lug 1989
- Lordo in tutto il mondo
- 771.745 USD
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By what name was Voci lontane... sempre presenti (1988) officially released in India in English?
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