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IMDbPro

Voci lontane... sempre presenti

Titolo originale: Distant Voices, Still Lives
  • 1988
  • T
  • 1h 24min
VALUTAZIONE IMDb
7,4/10
5505
LA TUA VALUTAZIONE
Lorraine Ashbourne, Freda Dowie, Angela Walsh, and Dean Williams in Voci lontane... sempre presenti (1988)
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Riproduci trailer1: 34
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74 foto
DramaMusic

Aggiungi una trama nella tua linguaThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part... Leggi tuttoThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.

  • Regia
    • Terence Davies
  • Sceneggiatura
    • Terence Davies
  • Star
    • Pete Postlethwaite
    • Freda Dowie
    • Angela Walsh
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    5505
    LA TUA VALUTAZIONE
    • Regia
      • Terence Davies
    • Sceneggiatura
      • Terence Davies
    • Star
      • Pete Postlethwaite
      • Freda Dowie
      • Angela Walsh
    • 38Recensioni degli utenti
    • 32Recensioni della critica
    • 86Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 11 vittorie e 7 candidature totali

    Video1

    Trailer
    Trailer 1:34
    Trailer

    Foto74

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    Interpreti principali35

    Modifica
    Pete Postlethwaite
    Pete Postlethwaite
    • Father
    Freda Dowie
    Freda Dowie
    • Mother
    Angela Walsh
    • Eileen
    Dean Williams
    • Tony
    Lorraine Ashbourne
    Lorraine Ashbourne
    • Maisie
    Sally Davies
    • Eileen as a Child
    Nathan Walsh
    • Tony as a Child
    Susan Flanagan
    Susan Flanagan
    • Maisie as a Child
    Michael Starke
    • Dave
    Vincent Maguire
    • George
    Antonia Mallen
    • Rose
    Debi Jones
    • Micky
    Chris Darwin
    • Red
    Marie Jelliman
    • Jingles
    Andrew Schofield
    Andrew Schofield
    • Les
    Anne Dyson
    Anne Dyson
    • Granny
    Jean Boht
    • Aunty Nell
    Alan Bird
    • Baptism Priest
    • Regia
      • Terence Davies
    • Sceneggiatura
      • Terence Davies
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti38

    7,45.5K
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    Recensioni in evidenza

    10Moviespot

    Amazing

    This film caught me 14 years ago when I first saw it.. and yesterday I was really touched by it again. A registration of 'forgotten' times somewhere during....the first half of the 20th century in Britain...a Totally Overwhelming sense of melancholy filmed in an extraordinary way by Terence Davies.A true work of art. The excellent idea of calling up emotions by letting the characters sing the sing-along songs of the era.... Then there is the photography of this film...seldom have i seen a modern day movie that brings up past times as this piece of wonder.... very , very tastefully done...the coloring and costume designs , the decorations...everything works to give you the idea that you'r staring into a timemaschine...wow.. amazing ! Heartbraking story of 'normal lives , by normal people , who are all gone and 'forgotten'... Still one of the most amazing pieces of cinema around !
    7mjneu59

    easier to appreciate than enjoy

    Terrance Davies' two-part nostalgia exercise is, depending on your tolerance for unembellished honesty, either a sentimental trip down memory lane or a cold-eyed wallow in drab English monotony. The British writer director went to great lengths to re-create a facsimile of working class family life circa 1940-1950, and his meticulous attention to detail sets an almost too perfect mood: the film is both painfully realistic and totally depressing. Using a fragmented, hopscotch style approximating the actual process of memory itself, Davies mixes bits and pieces of autobiographical detail to show how cultural traditions have a way of repeating themselves for a typical Liverpool family, held together by stifling blue collar conditions and a good deal of recreational singing (38 period songs are featured on the soundtrack). The snapshot style doesn't allow for any dramatic momentum, but the film is constructed more as a sampling of brief, transient moments, and is extremely well crafted and emotional despite the often oppressive melancholy.
    8Wryter47

    Wonderful but difficult film

    This is an important film and evidently is regarded as such by many serious reviewers, so I watched it and found it sometimes very hard to sit through because it struck more than a few painful chords in my own memory of my family when I was growing up in the 40s and 50s. Indeed.

    My continuing impression is that men of that era, not only in the UK and US as well as elsewhere, were really almost clinically unreflective in that they were so used to being tolerated and getting away with murder that they were nearly incapable of seeing themselves in anything resembling a true light.

    How women both sustained family life by themselves and because of their friendships with other women belies the fact that they felt powerless to change anything for the better, at least for more than five minutes.

    My fantasy is that it would be great for a lot of men of my generation (now 70) to be tied down with their mouths taped and their eyes propped open with toothpicks, if need be, and forced to watch this movie about forty times! Since that's not going to happen, all I can do is recommend that the peers of my generation at least consider watching it. It can only do us good!

    Peter
    10the_cinesexual

    One of the most rewarding and unique films I've ever seen.

    It's difficult to say exactly what this luminous masterpiece is about. It's a memoir of sorts but a highly stylized one where memories are re-experienced and conveyed through songs, frequently communally sung; painful familial interactions powerfully shot as if the scenes were paintings or sets on a stage. This formal approach resonates simultaneously with richness and alienation, pathos and ecstasy. Difficult to shake.

    Not at all what I expected and there's certainly nothing quite like it anywhere in the history of cinema. Powerfully acted and masterfully directed: One of the great works of British movie-making.

    I also highly recommend Davies' two other great works: "The Long Day Closes" and the recent, made for Showtime movie starring an amazing Gillian Anderson, "The House of Mirth." I personally didn't care that much for "The Neon Bible."
    isnogud-der-grosswesir

    Stunning 60´s piece

    This film grows on you - the first time I saw it, it was rather bleak and just a bit boring.

    However, the more you think about it and if you were lucky enough to record it and watch it again, it slowly but surely turns into a masterpiece.

    The characters, the setting, the atmosphere is true England - England which has all but disappeared. This film is so unique it deserves a place up there with the likes of Citizen Kane, Pelle The Conqueror etc. etc.

    Don´t miss it!!!

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The film was a 'labour of love' for director, cast and crew. Due to the very low budget, it had to be shot intermittently over a period of two years, often at weekends when equipment was cheaper to hire or free.
    • Blooper
      The names of art-director Jocelyn James and first assistant director Andy Powell are listed twice at the end credits.
    • Citazioni

      Micky: When they're not using their big stick, they're farting. Aren't men horrible?

    • Connessioni
      Featured in Century of Cinema: A Personal History of British Cinema by Stephen Frears (1995)
    • Colonne sonore
      There's a Man Goin' Round
      (uncredited)

      Traditional

      Performed by Jessye Norman

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    Domande frequenti19

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    Dettagli

    Modifica
    • Data di uscita
      • 18 novembre 1988 (Italia)
    • Paesi di origine
      • Regno Unito
      • Germania occidentale
    • Lingua
      • Inglese
    • Celebre anche come
      • Distant Voices, Still Lives
    • Luoghi delle riprese
      • Liverpool, Merseyside, Inghilterra, Regno Unito
    • Aziende produttrici
      • British Film Institute (BFI)
      • Channel Four Films
      • Zweites Deutsches Fernsehen (ZDF)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 693.563 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 10.021 USD
      • 30 lug 1989
    • Lordo in tutto il mondo
      • 771.745 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 24 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby
    • Proporzioni
      • 1.78 : 1

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