L'agente di polizia di New York John McClane cerca di salvare sua moglie Holly Gennaro e tutti le altre persone prese in ostaggio dal terrorista tedesco Hans Gruber durante una festa di Nata... Leggi tuttoL'agente di polizia di New York John McClane cerca di salvare sua moglie Holly Gennaro e tutti le altre persone prese in ostaggio dal terrorista tedesco Hans Gruber durante una festa di Natale al Nakatomi Plaza di Los Angeles.L'agente di polizia di New York John McClane cerca di salvare sua moglie Holly Gennaro e tutti le altre persone prese in ostaggio dal terrorista tedesco Hans Gruber durante una festa di Natale al Nakatomi Plaza di Los Angeles.
- Regia
- Sceneggiatura
- Star
- Candidato a 4 Oscar
- 8 vittorie e 8 candidature totali
- Alexander
- (as Joey Plewa)
- Kristoff
- (as Gerard Bonn)
Riepilogo
Recensioni in evidenza
For one thing the action is explosive and consistently exciting, and the cinematography is astounding being very inventive and colourful. John McTiernon(The Hunt for Red October, Last Action Hero) directs briskly and efficiently, and the pacing a vast majority of the time is exhilarating.
Then there is a terrific score by Michael Kamen, some intelligent and witty scripting and a plot that doesn't feel forced or convoluted. Not to mention some excellent acting. As good as Bruce Willis is, yes his character is somewhat two-dimensional, but he is also resourceful and world-weary and Willis handles this really well, it is Alan Rickman who steals the acting honours as Hans Gruber. Gruber is cold, calculating, suave and menacing, in my opinion only Rickman could do justice to such a character. Overall, a superb movie, not only the best of the Die Hard franchise but one of the best of the action genre. 10/10 Bethany Cox
I usually have an aversion to Christmas movies as they all tend to turn into cheesy rom-coms but this was pretty awesome. And I think the reason for that is because that even though it was Christmassy where it mattered, the plot didn't completely revolve around it.
I've got to admit, most of it was guns and explosions and there was very little plot to go off of besides a pretty traditional three-act structure, but it was still pretty damn entertaining. And you know it's a good movie when about 90% of it was guns and blood and explosions and the other 10% was Bruce Willis saying badass things and crawling through vents in an ever-disintegrating tank top, and you stilled enjoyed it.
There was never a still moment in this movie, but unlike most times, where I just end up getting bored of the CGI-fest explosions, I was actually pretty captivated through the entire runtime. I'm actually really pleasantly surprised. The ending is predictable, but it's nice. Not all movies have to be intellectual masterpieces. Sometimes you just need to switch your brain of a little and watch Bruce Willis kick ass.
So, Jake of B99 was right. I mean, it's badass, Bruce Willis has the best one-liners, you have cool explosions. There's not too much more I could say about this movie. Yippie kayak, other buckets.
-Sasha.
Special praise must go out to Alan Rickman too whose performance as chief baddie Hans is to this day one of cinemas finest, moving convincingly from cool, calm and collected to desperate and nervous, never once seeming anything less than utterly ruthless and calculating. Even after we discover that Hans isn't there as a political terrorist but simply as a thief, he loses absolutely no villain credibility when he responds to Holly McClane's criticism by saying "I am an exceptional thief, Mrs. McClane and since I'm moving to kidnapping you should be more polite." Although we know Hans is capable of vile acts, he actually sees those as merely means to a greater and somehow justifiable end. His disposition is almost humanitarian and you would imagine him as quite a gentleman outside of the context of the crimes he commits in Die Hard's arc. In the end though, Hans is a pure sociopath that even the audience is conned into sympathizing with. I would actually argue that Die Hard is the greatest pure action film ever made. Yippie-ki-yay *muddy funster*... and happy holidays.
Overall rating: 9 out of 10.
Die Hard is a classic film because it completely revolutionized action films. The 80s were a time of unrealistic action sequences, predictable characters, and rudimentary plots. Die Hard changed all that. Die Hard takes place in a real world setting, or at least about as real as you can get with an action movie, so the action sequences, while insane, are slightly believable. The plot of the movie is simple, yet it's so brilliant at the same time. And the characters in this movie are engaging and a lot of fun to watch. John McClane is a really likable everyman kind of guy, we can all relate to him. Hans Gruber is an awesome villain, both cold and ruthless, yet very human. The supporting characters on the outside of the building are all great as well. Another great thing about Die Hard is that even though it's a hardcore action movie, it manages to be extremely funny at some parts, almost to a point of being able to call it a comedy. This makes the movie really easy to watch over and over again. There's really nothing wrong with this movie whatsoever in any department.
The acting is great. Bruce Willis is hilarious and hardcore as John McClane, and he portrays the adrenaline and the frustration of the situation very well. Alan Rickman is awesome in one of his earlier roles as the main villain Hans Gruber. Reginald VelJohnson is enjoyable as McClane's outside contact Officer Al Powell, and Paul Gleason is funny as a hardheaded and incompetent deputy chief of police.
Overall, Die Hard is the ultimate action film because it's fast, funny, and hardcore. It also gave us one of the most famous action movie one liners of all time...You know the one.
8/10
When watching this film what becomes immediately apparent is how fresh it is. This hasn't been filmed with some cheap cameras for a quick buck, it looks professional and couldn't be less polished. The photography is clear and brings out the best of the surroundings, while the music has obviously been carefully chosen to convey the right mood. And, strangely enough for an action film, the acting is actually very good. Unheard of, as remember this was back in the days where Schwarzenegger and Stallone were the top stars of the action genre. Bruce Willis excels as the wisecracking, sardonic cop, and you can't fail to like him. He's consistently witty and provides a powerful presence when needed - it comes as no surprise as he lived off this image for the next six or seven years.
The supporting cast aren't half bad, either. The reliable Bonnie Bedelia takes a break from her usual highbrow, "moral dilemma", television movie fare as Willis' tough wife, while Reginald Veljohnson is also great as a sympathetic cop - you just want to hug him. But most memorable of all is Alan Rickman for his excellent turn as the cool, calculating terrorist with a carefully-crafted German accent and a fine line in natty suits. Rickman is THE bad guy of modern cinema, watch any subsequent action film with terrorists and you'll see people trying to be him. He's that good. The rest of the cast of terrorists have all been picked for their imposing looks, and they're not bad either. Keep your eyes peeled for fearsome Bond baddie Robert Davi in a minor role as an FBI man.
As well as the tense running around in corridors and stand-offs between Willis and the various creeps, this film really delivers in the action stakes. The guys here really do look like they are trying their hardest to kill each other, and we get people flying down stairs, getting chains wrapped around their necks, getting shot all over the place. Every kill that Willis makes is original and exciting. There are also plenty of ace stunts, like when Willis jumps off an exploding roof with only a fire hose tied around his waist. The gore level is high, graphic in fact, with people being shot apart wherever you look, and it's definitely a film for all cinema fans to enjoy. Consistently entertaining and strong enough to withstand repeated viewings, this is the first and final word on the "one guy versus lots of bad guys" sub-genre of the action flick.
Lo sapevi?
- QuizThe fictional Nakatomi Plaza is the headquarters of 20th Century Studios, so the studio could use one of its own buildings and didn't have to hold back on stunts and action sequences. While Jeb Stuart was writing the screenplay, he did a tour of the building, and immediately incorporated some of the locations and objects he found there into his script as set pieces (such as the cart that McClane and Karl end up riding during their fight). The company charged itself rent for the use of the then-unfinished building. Some of the middle floors were occupied by legal and administrative departments, so only empty floors were used for filming. Still, the filming of scenes that involved gunfire had to be postponed until after hours because some of the employees from the active floors started to complain about the noise.
- BlooperSeveral times during transmissions with the two-way radios, characters interrupt each other, which would be impossible given the type of radios they were using.
- Citazioni
John McClane: [huddled in an air vent, recalls his wife's invitation] "Come out to the coast, we'll get together, have a few laughs..."
- Curiosità sui creditiIn the widescreen version, the 20th Century Fox logo is stretched.
- Versioni alternativeThe Ultimate edition DVD contains the following deleted/extended scenes:
- Extended power shutdown sequence.
- Extended opening flight scene.
- Brief dialogue in the first Hans/McClane confrontation.
- Extended scene where Robinson/Powell brief the FBI on the tower situation.
- Brief dialogue when Hans interrogates Takagi.
- Brief dialogue after Theo says "You didn't bring me along for my charming personality".
- Extended/alternate dialogue in McClane/Powell conversation after McClane uses the plastic explosives.
- Brief scene of FBI agents getting stuck in thorn bushes as they make their way towards the building.
- At the end, McClane says "You got a warranty for this (Holly's watch, a gift from Nakatomi Corporation)?" to which Holly laughs.
- Argyle's dialogue as Powell's police cruiser flies by in the background.
- Brief Ellis dialogue reacting to the terrorist intrusion.
- City engineer briefly coughs before pulling out the power cord.
- Brief dialogue in Hans/Karl argument about "neutralizing" McClane.
- Additional Holly dialogue after seeing Karl's reaction to McClane's escape.
- ConnessioniEdited into Die Hard - Duri a morire (1995)
- Colonne sonoreSingin' in the Rain
Written by Arthur Freed and Nacio Herb Brown
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- A un passo dall'inferno : Trappola di cristallo
- Luoghi delle riprese
- Fox Plaza - 2121 Avenue of the Stars, Century City, Los Angeles, California, Stati Uniti(Nakatomi building, interiors filmed on the 29th and 35th floors)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 28.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 85.892.546 USD
- Fine settimana di apertura Stati Uniti e Canada
- 601.851 USD
- 17 lug 1988
- Lordo in tutto il mondo
- 143.651.650 USD
- Tempo di esecuzione2 ore 12 minuti
- Colore
- Proporzioni
- 2.39 : 1