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Le relazioni pericolose

Titolo originale: Dangerous Liaisons
  • 1988
  • VM14
  • 1h 59min
VALUTAZIONE IMDb
7,5/10
77.941
LA TUA VALUTAZIONE
POPOLARITÀ
3449
525
Michelle Pfeiffer, Glenn Close, and John Malkovich in Le relazioni pericolose (1988)
Guarda Official Trailer
Riproduci trailer1: 33
1 video
75 foto
Dark RomancePeriod DramaPsychological DramaRomantic EpicSteamy RomanceTragedyTragic RomanceDramaRomance

Una vedova calcolatrice e il suo ex amante manipolatore fanno una scommessa riguardante la possibilità che l'uomo riesca a sedurre una donna sposata da poco.Una vedova calcolatrice e il suo ex amante manipolatore fanno una scommessa riguardante la possibilità che l'uomo riesca a sedurre una donna sposata da poco.Una vedova calcolatrice e il suo ex amante manipolatore fanno una scommessa riguardante la possibilità che l'uomo riesca a sedurre una donna sposata da poco.

  • Regia
    • Stephen Frears
  • Sceneggiatura
    • Christopher Hampton
    • Choderlos de Laclos
  • Star
    • Glenn Close
    • John Malkovich
    • Michelle Pfeiffer
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,5/10
    77.941
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3449
    525
    • Regia
      • Stephen Frears
    • Sceneggiatura
      • Christopher Hampton
      • Choderlos de Laclos
    • Star
      • Glenn Close
      • John Malkovich
      • Michelle Pfeiffer
    • 185Recensioni degli utenti
    • 61Recensioni della critica
    • 74Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 3 Oscar
      • 21 vittorie e 23 candidature totali

    Video1

    Official Trailer
    Trailer 1:33
    Official Trailer

    Foto75

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    Interpreti principali22

    Modifica
    Glenn Close
    Glenn Close
    • Marquise de Merteuil
    John Malkovich
    John Malkovich
    • Vicomte de Valmont
    Michelle Pfeiffer
    Michelle Pfeiffer
    • Madame de Tourvel
    Swoosie Kurtz
    Swoosie Kurtz
    • Madame de Volanges
    Keanu Reeves
    Keanu Reeves
    • Chevalier Danceny
    Mildred Natwick
    Mildred Natwick
    • Madame de Rosemonde
    Uma Thurman
    Uma Thurman
    • Cécile de Volanges
    Peter Capaldi
    Peter Capaldi
    • Azolan
    Joe Sheridan
    Joe Sheridan
    • Georges
    Valerie Gogan
    • Julie
    Laura Benson
    Laura Benson
    • Emilie
    Joanna Pavlis
    • Adèle
    Nicholas Hawtrey
    • Major-domo
    Paulo Abel Do Nascimento
    • Castrato
    François Lalande
    • Curé
    François Montagut
    François Montagut
    • Belleroche
    Harry Jones
    • Armand
    Christian Erickson
    Christian Erickson
    • Bailiff
    • Regia
      • Stephen Frears
    • Sceneggiatura
      • Christopher Hampton
      • Choderlos de Laclos
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti185

    7,577.9K
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    Recensioni in evidenza

    bob the moo

    A lavish and superbly cruel film that easily engages with a strong story, great characters and strong performances

    The Marquise Isabelle de Merteuil is a harsh and cold woman who views other women as her rivals as clearly as she holds them publicly close as friends. Victomte Sebastien de Valmont is equally out for the destruction of women but does so by seducing and destroying them. Merteuil turns to Valmont to seduce the chaste Cecile de Volanges, thus destroying her marriage but Valmont cannot help and feel that it is all too easy and instead wagers sex with Merteuil against him being able to seduce the notoriously moral Marie de Tourvel.

    While children flock to the infinitely inferior Cruel Intentions, the viewer of more discerning taste will always stick with this classy, rich and enjoyable version of Dangerous Liaisons. The plot can be summarised simply but has several strong threads running together to create an involving game of seduction and cruelty. The say the film is nasty and cruel is to perhaps not stress highly enough how enjoyable it is for being so; it is done with such a taste for it that it makes it engaging while also being repulsive in the depths the games go to. It develops very satisfyingly and I easily found myself drawn into it. It is to the credit of Hampton's script that I found the characters both horrible but yet also engaging – unlike Cruel Intentions where I just hated their vacuous selfishness and couldn't barely bring myself to care about them enough to even dislike them. No, with DL the characters are much stronger and much more appealing while simultaneously managing to be cruel and repulsive.

    The cast rise to the material and I'm hard pressed to think of a similarly starry cast where all involved turn in such rich performances. Close is maybe not the most obvious of roles but she is all the better for it, turning in one of the most deliciously scheming and cruel characters I can recall seeing. With the excesses it is to her credit that she is so subtle and restrained for the majority. Malkovich has more fun with a showier character and makes it look easy where really it is challenging to play such an anti-hero and keep the audience onside while also pushing them away. Although these two make up the majority of the film, the smaller roles are also very well filled. Pfeiffer is brilliant; Thurman gets the mix of innocence and sexuality just right and Reeves is, well, not rubbish. I refrain from giving any credit to Kurtz simply because I think she lost whatever she was due by appearing in the same role in the MTV remake. Frears' direction is great and he makes good use of close-ups and other reoccurring techniques; he is well supported by his costume and set designers who combine to produce a tangible sense of time and place that is befitting the lavish feel of the whole film.

    Overall this is a fine film that is driven by so many factors that it is hard to pin down just one. The script is well written and produces an engaging and tasty plot for adults to get into. The characters are both engaging and repulsive and are well delivered by a cast that give roundly strong performances. All this comes together to produce a fantastically cruel film that just shows how poor Cruel Intentions was and what an insult to the intelligence it is.
    rcpropes

    Too bad they don't film the book

    I saw both "Dangerous Liaisons" and "Valmont" long before I read the original French novel, and now I understand why both movies left me feeling that something was missing, that the stories were lame, even though they were both good movies if one likes period pieces. It is necessary to read the chilling conclusion of the novel, in which both the lead characters are much more wicked than in the films, to appreciate Laclos' criticism of the prevailing morality, or lack of it, among the privileged aristocracy of his day. The other defect of the movie versions was the casting; granted that all the actors in both films were good actors, except of course Reeves, but they simply were not believable in their roles. Close and Malkovich were not beautiful enough, and Firth and Bening were not wicked enough, to make the plot believable. I wish someone, maybe a French director as has been suggested, would make the definitive version. (I did think Henry Thomas was perfect in the role of Danceny in Valmont, his sweet innocence combined with budding bravado was excellent--why haven't we seen more of him lately?)
    9TheJudge-2

    Oh what a tangled web we weave, when first we practise to deceive.

    You wouldn't necessarily think that an adaptation of an albeit famous 17th century French novel would make a relevant and fascinating piece of cinema... but it does.

    The first thing that strikes you is how well the film is lit and shot. The period locations and costumes are visually sumptuous and perfect. Better yet, the acting entirely matches the skill of the direction that takes its method from the theatre - emotions are conveyed by expression and not dialogue. Glenn Close gives her best performance on celluloid as the scheming Madame de Merteuil, amorally hellbent on bending everyone to her will, no matter the method or the cost, and John Malkovitch is her perfect foil as the cynical hedonistic but world-weary Valmont. Michelle Pfeiffer engages our empathy as the tortured and manipulated target of Malkovitch's desire and Close's plotting.

    The film is basically a morality tale, but one that fascinates in its exposure of ego, vanity, intrigue and the war between the genders, subjects that are timeless in their relevance, despite the period setting. The storyline, which sticks faithfully to the original novel, remains compelling throughout as we watch deceits within deceits take their tragic course. Whole-heartedly recommended - take your time over it, and enjoy.
    Arkaan

    Brilliant and darkly cold

    I believe this is the best of the four adaptations of the play/novel Dangerous Liaisons.

    Glenn Close plays Mertuil, who, with Malkovich's Valmont, manipulate and seduce others for entertainment. In comes Michelle Pfieffer's beautiful Madame de Tourvel, whose husband is off at a trial (or something to that extent). Valmont realizes what a capture it would be if he were to succeed in seducing her, and making her forget all her vows of fidelity. Uma Thurman also has a smaller part, one of those who was seduced by Valmont.

    Uma Thurman is great, Michelle Pfieffer is exquisite, but it's Close and Malkovich who dominate the screen. Close's mercilessly cunning character has most of the great lines. When asked if betrayal is her favourite word, she replies, "No. Cruelty is. It's much more nobler, don't you think". Malkovich plays a Machiavellian character you lies and cheats to get what he wants

    The climax is thrilling, and the finale is incredible. Glenn Close's performance was certainly worthy of the Oscar nomination, and maybe the award. It is her best performance.
    10fullthundermoon-36564

    Glenn close should have won an Oscar

    Easily, the best adaptation of book to film. Witty, daring, opulent and compelling. Visually stunning; and shining performances. Read the book, for sure. But film-going doesn't get much better,

    Altri elementi simili

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Michelle Pfeiffer was offered the role of the Marquise de Merteuil in Valmont (1989), but she chose to play Mme. de Tourvel in this film instead.
    • Blooper
      When Madame de Tourvel is about to surrender to Valmont, a tear comes out of her right eye; in the next shot, her eye is still dry.
    • Citazioni

      Marquise de Merteuil: One does not applaud the tenor for clearing his throat.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Beaches/We Think the World of You/Dangerous Liaisons/The January Man/36 Fillette (1989)
    • Colonne sonore
      La Cetra Op. 9, Concerto No. 9
      Composed by Antonio Vivaldi

    I più visti

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    Domande frequenti19

    • How long is Dangerous Liaisons?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 17 marzo 1989 (Italia)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Relaciones peligrosas
    • Luoghi delle riprese
      • Château de Champs-sur-Marne, 31 rue de Paris, Champs-sur-Marne, Seine-et-Marne, Francia(Madame de Rosemonde's palace: interiors and park, Merteuil's interiors, staircase, Hall of mirrors)
    • Aziende produttrici
      • Lorimar Film Entertainment
      • NFH Productions
      • Warner Bros.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 14.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 34.670.720 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 84.451 USD
      • 26 dic 1988
    • Lordo in tutto il mondo
      • 34.670.720 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 59 minuti
    • Mix di suoni
      • Dolby
    • Proporzioni
      • 1.85 : 1

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