Daffy Duck acchiappafantasmi

This is one of several Looney Tunes compilations made by Warner brothers in the 80s, and it was the one I watched the most- and still do when it's on TV- as a youth. It's another example from the others of old 50s cartoons put together into a plot that is meant just to string one short to the next, with Mel Blanc's obviously inconsistent voice filling in. Not that his voice at 80 is hard to take at all, but it does become jarring on repeat viewings to suddenly get that age gap just in-between lines of dialog, as if we as the audience didn't notice. The story for the film springs off from a short where Daffy- selling goofy objects on the cheap- tries to sucker JP Cubish for all of his loot by getting him to laugh (which he does finally, hilariously, by getting hit with pies). He leaves his fortune to Daffy with the provision that he use it in a 'service' kind of fashion. So, he opens up shop as a Ghostbuster racket, hiring out Bugs Bunny and Porky Pig for odd jobs out in Transylvania and haunted houses. It all leads up, in the end, to a humiliation due to a tiny elephant.

Like with the less successful string-together flicks of the early 80's, the storyline that is put together for Quackbusters is less than great, even a little too clunky. As a kid I didn't really put much bother to it, but again on repeat viewings it becomes about as obvious as Sylvester's jitters get. One such example is the very flat and ill-conceived bit where Daffy goes to the possessed woman's place. On the other hand, out of the all of the other animated films put together with the shorts- save for the Bugs Bunny and Road Runner Movie- this has the best shorts. My favorites include when Tweety gets the Heckle & Hyde treatment (very, very funny), or when Sylvester gets terrified by mice under a sheet. But the most indelible lines, in just sheer ludicrous and hysterical, fall-on-the-floor funny parts, are when Bugs tricks around the Blood Count ("Walla-walla-Washington", still gets me every time), and when Bugs and Daffy visit the Imbominable snowman. The film is also topped with a pre-short by a fairly humorous song sung by Mel Torme.

So, if you're one of those fans of Looney Tunes that hasn't seen the compilation films before, this is probably the best place to start, as the sum of the shorts are far greater and worth your time than what might be found in the other string-together films. That it still remains memorable more for the older shorts than the newer material is a credit of the late, great Chuck Jones, Friz Freleng, and Robert McKimson (the three ORIGINAL directors of the films, not of the in-between segments).

This is yet another old Looney Tunes classic that I have treasured for years and watch when I can. I'd really recommend it to Daffy Duck fans since the movie brings back some old throwback episodes with slight edits. You can clearly tell when the old scenes and the new scenes are meshing with one another due to the animation, but I wasn't too bothered by that.

Daffy is on his way to millionaire J.P. Cubish's house to try and make him laugh one last time. If he does so, Cubish will give him one million dollars. I'm not going to reveal anything else since that is not my style (it's also against the rules here to do so without putting up a warning, I believe), but you'll see for yourself how good the movie is if you watch it.

There were quite a few of these "movies" made during mainly the 1980's and they were all basically the same thing. A bunch of the original shorts tied together by some new animation featuring those crazy characters. However, some of the shorts are not fully in there, and the new animation sequences are quite weak compared to the old shorts which makes one probably want to just watch the old shorts again. This movie's theme is basically a ghostbuster kind of theme with Daffy Duck taking the helm. I would enjoy this except it is not the old really Daffy Duck, but the newer less daffy and more smartaleck one. The new stuff is basically copying the "Ghostbusters" movie especially the scene where the female duck is possessed. Still, the shorts are funny as we have some involving Porky pig and Sylvester and Bugs and that Snowman dude. All in all a rather boring effort on their part creating new stuff that just is not all that good. However, you are still treated to some rather good classic shorts anyway.

Another cartoon compilation?! Yes, and this one's pretty clever. It features Daffy Duck opening a business to battle supernatural forces, a la "Ghostbusters". Probably the funniest part was the cartoon where Bugs Bunny stays in Count Dracula's castle and upsets the count's (after)lifestyle, but it was also really something when the sick millionaire threw all the pies at Daffy, and when Daffy scared Porky. Still, I never quite understood the whole part about the money disappearing.

So, "Daffy Duck's Quackbusters" isn't quite the same as the classic cartoons, but it's still worth seeing. Don't be surprised if, after watching this, you go around saying "abracadabra" and "hocus pocus".

If I may add something, the two segments with Sylvester were also neat.

Occasionally, you'll dig up a movie that exists in your life without anyone else to whom you've talked about it, and without ever having read a word about it from a critic. I was a child when I would watch this silly little cartoon patchwork in my basement full of VHS's, before there was an IMDb for me to go to surfing around for trivia. Now, it is a rare avenue of escape for me. Every other movie I can recall watching in my adult life, despite whatever genre, cast, production history or director, has some sort of cultural connection to the outside world. Except for this.

Daffy Duck's Quackbusters is not a great movie, nor is it much of a good one, but that doesn't matter to me. In some indescribable way, it has a placebo effect because all I've ever known of it has been as a videotape in a yellow-sleeve with Warner Bros. heading that my parents must've grabbed for me at Half-Price Books a lifetime ago. I would watch it repeatedly as a young kid with no developed need for coherent plot progression, beginnings, middles, ends, any capacity to judge performances, frame compositions, narrative consistency or whether a comedy sketch could hold up as a concept at all were it not comprised of anthropomorphic animals with goofy stereotypical voices.

What are we laughing at when Daffy arrives at the manse of J.P. Cubish only to have every endeavor to enter thwarted by Cubish's jowly British bloodhound butler? The fact that the butler inexplicably uses whatever means necessary to ban Daffy from the premises? That is after all the core of the matter. Is it just the incidental slapstick schemes Daffy impetuously uses to outwit the butler? Well, not exactly. It's not so much what is happening as that it is happening at all. In the world of Looney Tunes, character motives don't exist. Neither does an actual story, despite the fact they are probably he most accessible and popular short films in movie history. It is simply that these are outlandish drawings, portraying wildly embellished actions endowed with the arbitrary freedom not to have consequences, disdaining any and all laws of physics, until the characters realize their dilemmas.

This is why Daffy Duck's Quackbusters can work. It is no more than a compilation of classic Looney Tunes shorts bridged by original sequences which clearly look and sound different than the found cartoons, which don't even always look and sound like each other. However, as well as the original opening credits sequence, the original storyline is very funny. After a completely unrelated musical dream sequence starring the eponymous duck and various likenesses of horror film icons, a desperately entrepreneurial Daffy makes an ailing millionaire die laughing, inadvertently after all his conscious attempts to make him laugh have failed, and inherits a fortune. But the millionaire Cubish's spirit scrutinizes all of Daffy's cavalier decisions now that he's rich, and as punishment each time makes some of the money disappear. So Daffy decides to placate Cubish's ghost so that he can keep the money long enough to start a business not unlike the Ghostbusters, ostensibly so that he can eventually eliminate Cubish and not have to worry about any more evaporating money.

So here we have a clear case of character motivation making a story hilarious. And yet, these very minimally constructed scenes are meant mainly to trigger the already done segments of stand-alone classic Bugs, Porky, Sylvester and Tweety, etc., most of which are funny, though the misnomers are still watchable for those nostalgic, atmospheric reasons, and yet they aren't at all funny because they complement Daffy's premise. They simply have some correlation with paranormal activity. Whatever happens in those segments happens and then back to the bridging sequences we go and around again. This is all to say, Quackbusters, as a story like that which movies tend to fundamentally aim to be, is catastrophically uneven and incoherent, but as a dated, tangible artifact, it is wondrously entertaining.