Cocaina

I once lived in LA in 1987 and a friend of mine was working on the film The Boost. He asked if I would be interested in being in it, and I took him up on the offer. I was an extra and can be seen in the background of the "pool party" scene (my other up close scene was edited out of the final product). I only worked two nights at a mansion leased for the film from a professional golfer, and was witness to the behind-the-scenes antics of Hollywood. The strangest behavior was actually after the film wrap, when a doll was found hanging on the doorstep of James Woods' home, along with threats which were linked to a specific someone working on the film. Just for the record, James Woods was extremely friendly to all of us on the set. A true gentleman.

I appreciated this movie more after the second viewing. Although dark, it leaves a powerful statement. James Woods is a silver-tongued real estate salesman that for the first time in his life he is successful and rolling in money. So much money and so quick, he turns to cocaine to stay in high gear. His wife (Sean Young)wishes things could stay plain and simple; but after slipping into the high life, she too needs drugs to remain functional. Steven Hill is the mentor that suddenly is disgusted with Woods character. The profitable real estate business dries up leaving Woods ass deep in debt and no way to support his drug habit. Woods finally clean and sober still can't repair the damage done to his life and marriage.

John Kapelos and Kelle Kerr are noteworthy in support. Woods is dynamic and very convincing. Young on the other hand seems quite bland and exhibits little acting skills. Young however is not afraid to get naked! THE BOOST is dark, moody and all too realistic.

This film has suffered some unjustified criticism.

Woods and Young are really doing great performances, as usual. One criticist stated that it was difficult to see any difference between J Woods "before" and "after", just as with J Nicholson in "the Shining". He may be true there, but taking things not too seriously, this is a believable and well-acted movie. To put it simply: It could have happened in real life.

I wouldn't rate this as a masterpiece, but given the good performances of Young and Woods, it's clearly above average.

Yes, it is an anti-drug film, but if you are against drugs you should see it. If you're pro-drugs, it is even more important for you to see it!

Most people say James Woods best might be "The Onion Field," or maybe "Once Upon a Time in America," or possibly "Salvador." But this gets my vote for the best work in his career, as he's an absolute powerhouse. He plays Lenny, an ambitious businessman who gets his chance to move to L.A., live in a kick ass house, own great cars, and obviously make amazing money. But then the hole falls through his tax shelter venture and he's left with nothing. But he finds new life with cocaine, the thing he thinks makes him more aggressive and will get him back on top. Instead he and his wife keep heading down, unbelievably down in utterly convincing, strongly developed scenes. The houses get smaller, the money gets scarcer, and Lenny gets more near death. Woods' best scene ever, in my opinion, occurs in this movie, when he violently explodes during a business dinner, totally ruining any chances he had. The way he so quickly says his lines, is amazing. He's incredibly wired throughout the moment and its awesome to watch. The only downside for me is the end of the film, which doesn't lead to a redemption for Lenny. Woods is still as strung out as ever, and has a terrific final moment as he reads directly into the camera the pain his character is still feeling. So despite a downer (no pun) of a finish, this is still great storytelling, with James Woods at his strongest.

One of the Finest Actors of Cinema History, James Woods delivers A Yet Another Fabulous Performance in 'The Boost'. A dark & depressing flick, that works mostly because of Woods.

'The Boost' Synopsis: A real-estate hustler & his wife see success, only to fall deep later-on.

'The Boost' is more about the side-effects of failure, rather than a story of drug-addicts. The struggle & the depression its pivotal characters go through, are very off-putting, as they depict reality.

Ben Stein & Darryl Ponicsan's Screenplay, though fairly engaging, gets a bit too serious & disturbing towards the second-hour. Harold Becker's Direction is proficient.

Woods is the biggest merit of 'The Boost'. He's so good as a suffering man, that my heart literally went out for him, even after he gives in to drug-addiction. Woods tops himself in here!

On the whole, 'The Boost' caters to a niche audience, but if Fine Acting is what you're looking for, then watching Woods's Masterful Performance in here, should top your list.