Giochi di morte

I certainly didn't have high expectations as I rented this movie. I hadn't heard of it before so I figured it would be some B-version of Mad Max. The reason it caught my eye was that it featured Rutger Hauer in the leading role. His acting skills is limited but his charisma gives his characters a weight that many better actors can't provide.

David Webb Peoples have done more writing than directing. He is behind movies such as "Blade Runner" , "Twelve Monkeys" and "Soldier", all of them similar to "Salute of the Jugger".

It's easy to tell that this movie have a low budget. Most of it takes place out in an apocalyptic desert kind of landscape. The rest in an underground colosseum. No panoramic shots. There are no special effects whatsoever, and that enforces the sense of gritty, futuristic realism that sets this movie apart from many others in the same genre.

You never get to know any of the characters well, but they all have a certain depth thanks to the good acting performances. Luckily this movie has no humoristic sidekick character. That's a relief. Most of these movies have one or several of those.

This movie is no masterpiece, but it's a well-played movie that kept me entertained for the time it lasted. I wouldn't mind seeing it again. With some character development and a bigger budget it could have been a true classic, and it deserves more recognition.

If you haven't seen this movie already I suggest you do it.

Sand, scars and blood just about sums up Salute of the Jugger (the title for the full 104 minute version, not the 90 minute US "Blood of Heroes" cut). Salute is an unapologetically brutal story, perfectly cast, well played and very competently filmed. All the cast acquit themselves well; Hauer is suitably grizzled, and Chen manages (believably) to be cute, scary, vulnerable and savage all at once.

There's very little plot or dialogue in Salute, but this isn't necessarily a bad thing. The showcase here is the heart pounding Jugger matches, which are genuinely gripping and gritty action sequences, shown to a sparse percussive soundtrack that only very occasionally veers slightly too close to smug Americana triumphalism.

Top marks go to the stunt, makeup and continuity people. There are no Jackie Channish balletic combats here - faces smash open under brutal blows, and the face remains smashed in the following scenes. The wounds heal slowly over time, but the grimly realistic scars of the Juggers remain consistent throughout. Continuity is often underemphasised, as you only miss it when it isn't there, but there are no slip ups in Jugger despite its low budget.

One interesting point is the change of emphasis in the 90 minute cut. The title changes to "Blood of Heroes", and the message of "Salute" that there *are* no heroes, only winners who sleep in silk sheets, is diluted by ending prematurely on a victory high. In the full Salute, there's a frank message that for some, beyond "happily after after" lies more sand and scars and blood. If you get the choice, the 104 minute "Salute" is a more complete and consistent film.

It's difficult to adequately describe this amazing movie A truly remarkable film. It tells a simple story in a beautiful and brutal way. The writing stays out of the way and allows the story to be told with out getting gunked up with a lot of preachy dialogue. The performances by Hauer, D'Onofrio, and Chen are intense when they have to be and minimalistic when they ought to be. But the true genius of this movie is the production design. The details are what leap out at me. The little things. Everything seems right and nothing is out of place. The constant brutality is underscored by the moments of beauty and heroics. SEE THIS MOVIE

On the surface, `The Blood of Heroes' comes across as a poor man's `Road Warrior' -- somewhere in the far-flung future, survivors of a nuclear apocalypse are doing their best to survive and thrive. In `Blood of Heroes', though, these survivors at least have some form of entertainment -- a sport calling `Jugging', which can best be described as a cross between football, lacrosse, and a gladiator death match, serves as popular entertainment. One of the teams of `Juggers' that travels from city to city is lead by Sallow (Rutger Hauer) a former world-class champion looking for one last shot at glory.

Essentially, `The Blood of Heroes' is a cross between a sports film and `The Road Warrior', but that's okay, since it manages to lift the best elements from its source and blends them into something fun, if not necessarily original. Rutger Hauer puts in a cool performance as Sallow, a man who acts like he doesn't care about anything -- even though he desperately wants to taste greatness again, even if it's only for a brief moment.

The `Jugger' matches are great, mainly because they're quick, bloody and brutal. Characters limp after matches, wounds get infected and take forever to heal . . . ironically enough, while the film is cartoonish in many ways, there's a certain gritty realism at its heart. Nothing comes for free, and anything that Sallow and his ragtag team of `Juggers' want, well, there's always a price.

`The Blood of Heroes' is full of action and full of fun, even if some of the dialogue is slightly cheesy and some of the scenes are bad, tired cliches. If you're a sci-fi/action fan, you'll definitely like it -- and if you're a Rutger Hauer aficionado, you'll probably love it.

Grade: B

I recently rewatched this movie for the first time in ages, and I was pleasantly surprised to find that it held up remarkably well to my older eyes. So many gritty post-apocalyptic hero type flicks that I liked when I was younger turn out upon a more sober "adult" viewing to be amateurish and juvenile. But this movie has real depth, and drew me back in from the opening scene. It fully deserves any cult status it may have achieved, and I went ahead and ordered the DVD (which is finally out) for my collection.

The film is set against the backdrop of a fully realized post-apocalyptic society that actually makes sense (and the "game" the movie is built around is well conceived and executed too). Unlike in many futuristic movies, there is no need for grand exposition explaining why everybody in the film is acting so bizarrely -- in this movie, you understand the people, their desperation, and the certain grim courage of those who dare to dream of more. The movie also has the courage to take itself seriously, while still retaining a light enough touch to throw in spots of humor throughout.

The cast here is several cuts above normal for this sort of thing, with a number of recognizable faces (Chen, D'Onofrio, Hauer, Lindo) making believable and sympathetic characters out of what easily could have been cartoonish cutouts in a lesser film. Chen and Hauer play the two main characters. For Chen, I think it can be argued this is her finest performance, deftly combining vulnerability with courage, innocence with savagery. And for Hauer, an actor who has in more recent times has become a parody of himself, I think this may have represented his last truly effective performance. The stories of these two characters are not stories of grandiose save-the-world heroes, but more down to Earth stories of courage, redemption, and most importantly hope in a world with little of it. The characters aren't pure, they're not pompous, they're just normal people trying to make the best of a tough life. And I think that makes rooting for them all the easier. Its not so important they win -- its important that the find the strength to strive rather than give up. Simple tenacity and the courage to never give up is far more inspiring than the vast majority of the superheroes in the modern comic book adaptation fad. It really is remarkable to find such deft handling of themes like these in an offbeat movie from a genre filled with Grade B quickies.

P.S. I have never seen the longer version, and actually don't really have an interest to. The shorter "Blood of Heroes" is appealing precisely because it manages to scrounge out hope and weary courage from the grim backdrop in a believable fashion.