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Big

  • 1988
  • T
  • 1h 44min
VALUTAZIONE IMDb
7,3/10
251.989
LA TUA VALUTAZIONE
POPOLARITÀ
587
1215
Tom Hanks in Big (1988)
Guarda Official Trailer
Riproduci trailer2: 25
4 video
57 foto
CommediaCommedia Body SwapCommedia di alto livelloDrammaFantasiaRaggiungimento della maggiore etàRomanticismo

Dopo aver espresso il desiderio di diventare grande, un ragazzo si risveglia il mattino dopo magicamente trasformato in un adulto.Dopo aver espresso il desiderio di diventare grande, un ragazzo si risveglia il mattino dopo magicamente trasformato in un adulto.Dopo aver espresso il desiderio di diventare grande, un ragazzo si risveglia il mattino dopo magicamente trasformato in un adulto.

  • Regia
    • Penny Marshall
  • Sceneggiatura
    • Gary Ross
    • Anne Spielberg
  • Star
    • Tom Hanks
    • Elizabeth Perkins
    • Robert Loggia
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    251.989
    LA TUA VALUTAZIONE
    POPOLARITÀ
    587
    1215
    • Regia
      • Penny Marshall
    • Sceneggiatura
      • Gary Ross
      • Anne Spielberg
    • Star
      • Tom Hanks
      • Elizabeth Perkins
      • Robert Loggia
    • 303Recensioni degli utenti
    • 107Recensioni della critica
    • 73Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 2 Oscar
      • 11 vittorie e 14 candidature totali

    Video4

    Official Trailer
    Trailer 2:25
    Official Trailer
    Big
    Trailer 1:16
    Big
    Big
    Trailer 1:16
    Big
    'Big' 30th Anniversary Mashup
    Clip 1:01
    'Big' 30th Anniversary Mashup
    What Roles Has Tom Hanks Turned Down?
    Video 3:22
    What Roles Has Tom Hanks Turned Down?

    Foto57

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    + 51
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    Interpreti principali67

    Modifica
    Tom Hanks
    Tom Hanks
    • Josh
    Elizabeth Perkins
    Elizabeth Perkins
    • Susan
    Robert Loggia
    Robert Loggia
    • MacMillan
    John Heard
    John Heard
    • Paul
    Jared Rushton
    Jared Rushton
    • Billy
    David Moscow
    David Moscow
    • Young Josh
    Jon Lovitz
    Jon Lovitz
    • Scotty Brennen
    Mercedes Ruehl
    Mercedes Ruehl
    • Mrs. Baskin
    Josh Clark
    Josh Clark
    • Mr. Baskin
    Kimberlee M. Davis
    • Cynthia Benson
    Oliver Block
    • Freddie Benson
    Erika Katz
    Erika Katz
    • Cynthia's Friend
    Allan Wasserman
    • Gym Teacher
    Mark Ballou
    Mark Ballou
    • Derek
    Gary Howard Klar
    Gary Howard Klar
    • Ticket Taker
    • (as Gary Klar)
    Alec Von Sommer
    • First Brother
    Chris Dowden
    • Second Brother
    Rockets Redglare
    Rockets Redglare
    • Motel Clerk
    • Regia
      • Penny Marshall
    • Sceneggiatura
      • Gary Ross
      • Anne Spielberg
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti303

    7,3251.9K
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    Recensioni in evidenza

    bppihl

    A terrific comedy/fantasy and great early role for Tom Hanks

    Tom Hanks earned his first Oscar nomination in the late 1980s with the Penny Marshall comedy/fantasy "Big." I saw it for the first time when I was about 9, and have loved it ever since. I like how it is aimed at both the kid and adult in all of us!

    Young Josh Baskin (David Moscow) goes with his family to a carnival one evening, and sees the girl of his dreams. When he finally works up the nerve to talk to her, her date appears with her. Then, he does not meet the height requirement for the roller coaster ride he wants to go on. So, off he goes to a deserted part of the carnival to the "Zoltar" machine, a devil's head encased in glass, to "make his wish." He wishes he "were big." Suffice it to say, Josh wakes up the next morning to discover he is an adult (Tom Hanks). Mom (Mercedes Ruehl) thinks he kidnapped her son, and calls the police. Josh eventually convinces best friend Billy (Jared Rushton) that he (Josh) is his true 13-year-old self trapped in a man's body. They take off to New York, where Josh manages to get a job as a product tester for a large toy company. He befriends the boss (Robert Loggia), who likes Josh's understanding of the toys kids really like. However, Josh finds himself at odds with Paul (John Heard), vice president of marketing, who perceives Josh's simplistic views as an invasion of Paul's more experienced, competitive ways. Never fear, as successful co-worker Susan Lawerence (Elizabeth Perkins) finds comfort in Josh's views and company, and falls in love with him. But the more Josh experiences the privileges and responsibilities of adulthood, the more he longs for his youth again. Should he stay with Susan or find the Zoltar machine and wish to be a kid again?

    An impressive film about growing up and making wishes. When you're a kid, you can't wait to grow up. But when you're an adult, you have to make sacrifices and accept responsibility, ideal and not-so-ideal. Also, be careful what you wish for, as you might get it! A Broadway musical version of "Big" opened in the mid-1990s. The piano dancing sequence is its trademark. I had the privilege to play the role of Paul (the John Heard character) in a summer musical production, and loved it! I highly recommend both the film and the musical!
    mermatt

    Keeping Your Inner-Child

    This charming, sweet, hilarious gem of a film works because Tom Hanks makes you believe he actually is a small boy in the body of an adult.

    The interesting trick of what makes the story appealing is not so much the magic that the boy gets his wish to be "big." It's that once he is in an adult, he has to navigate the adult world with the mind of a child -- and ultimately realizes that he is missing something if he makes the leap from boy to man without going through all the fun and the struggle in between. There are several other films that have the boy-to-man switch, but none of them have the depth of understanding about human nature that this film portrays.

    The story is wonderfully written and directed, and Tom Hanks is a star. The film made me laugh, and it made me cry. What more can you ask of one movie?
    8Andreas_N

    Growing up as a lesson of life

    This movie is great. I mean, really. That's what every boy dreams of - becoming an adult overnight! It's absolutely gorgeous to see Tom Hanks' performance - that's real acting, it requires a lot to play this part as genuinely and cordial as he did. The message is so clear and so honest. The nostalgic edge is of such profound significance to the story. It's about the differences between being a kid and being an adult. It's about two very different perceptions of the same world that surrounds us. It's just us and how we make the best out of every day of our lives, and all it needs is to see the world through the eyes of a kid. A kid perceives all the things differently, with much more native and modest simplicity - the keystone to imagination and magic, the keystone to cherish the daily miracles in our lives. This movie has a deep and very pervasive message. It has so much charm and vitality mingled with nostalgia and witchcraft. One of those movies I enjoyed watching when I was a kid. Recommended.
    10toffeefan

    This movie captures the innocence of youth beautifully

    I saw this film again yesterday for what must now be the tenth or so time and it's a film that makes me stop whatever I'm doing and immerse myself in the unfolding story. Never mind the fact that I am by now familiar with the premise, which incidentally far exceeds similar ones of the genre released at this time - Vice Versa and 18 Again (the latter being truly dire).

    I think this is one of Hanks' finest hours and see it as the pinnacle of his early pre-90's career. His later performance in Philadelphia would eclipse this role, although this was obviously more serious in its message.

    It takes real talent to act the young boy in the body of a thirty something and Hanks' copes admirably, from the comical leaping around the bedroom when he is trying to put on the jeans of the child on discovering his transformation to the child-like reaction displayed on Perkins' advances toward him. He captures the essence of youthful innocence both in the company of his younger peers and older 'work' colleagues.

    Elizabeth Perkins complements the performance of Hanks' and it seems a shame that on searching the database that her career perhaps hasn't mirrored the success of Hanks' since making 'Big'.

    I don't know why, but I always shed a tear at the end of the film. Perhaps it is the longing in all of us to want to return to the days of our youth and that we cannot turn back the clock as one can in the imaginary world of film.

    As I grow older, and watch my children grow-up it makes me realise that time is a precious commodity and that life is a gift that should be cherished and nurtured carefully. This film somehow reinforces these feelings.
    9PredragReviews

    The best Elizabeth Perkins performance from the 80's!

    "Big" instantly became one of my favorite films. 20 years later, I can still say the same thing. This film not only "holds up" well, it is still a timeless classic. Hanks & Perkins give outstanding performances; instead of "playing" a 12 year old, Hanks actually becomes one. His innocence is totally believable. Perkins plays the part of the ambitious Susan to perfection, and she is the perfect love interest for Hanks. Talk about chemistry here! The acting was great and the entire cast did an superb job. The movie is definitely a feel-good piece, but it's more than just fluff. If you think about some of the messages, it's telling us just to take things at face value and enjoy life. Josh succeeds because he has no ulterior motives. We are regularly reminded about the importance of friendship, and how events in our lives can sometimes threaten our relationships with established friends when we find something or someone new that we think deserves our full attention. Of course, a good friend will forgive you for such indulgences.

    Overall, the movie deserves more stars for it's clever laughs, amazing acting, magnitude of imagination and nostalgia. Nonetheless, when the ending came along, I was left in shock wondering what just happened. Is that it? What happens next? There has to be additional footage. It cannot end like this. It called for a sequel perhaps, but I don't know if it ever came out. If you never watched this movie and would like to experience 80's nostalgia, it is highly recommended! My Ratings: 9 out of 10.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      According to Robert Loggia, on the day they filmed the famous Walking Piano scene at FAO Schwarz, he and Tom Hanks noticed that doubles dressed like them were on hand just in case they could not do the dance moves correctly. It became their goal to do the entire number without the aid of the doubles. They succeeded.
    • Blooper
      Before Josh and MacMillan play the Walking Piano at FAO Schwarz, Josh throws a bag down on the ground. When they leave he leaves it there and doesn't take it with him.
    • Citazioni

      Josh: Will you please leave? I got a deadline to meet. Gosh.

      Billy: Who the fuck do you think you are ?

      Josh: *Hey*!

      Billy: You're Josh Baskin, remember? You broke your arm on my roof! You hid in *my* basement when Robert Dyson was about to rip your head off!

      Josh: You don't get it, do you? This is important!

      Billy: I'm your best friend. What's more important than that, huh?

      [Turns to leave]

      Billy: And I'm three months older than you are, *asshole*!

    • Versioni alternative
      The Extended Edition is 130 minutes. It was released in 2007, and contains 26 minutes of previously deleted scenes, including Frances Fisher's role as Mrs. Kopecki.
    • Connessioni
      Edited into 5 Second Movies: Big (2008)
    • Colonne sonore
      The Way We Were
      Written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch

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    Dettagli

    Modifica
    • Data di uscita
      • 22 settembre 1988 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Facebook
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • Quisiera ser grande
    • Luoghi delle riprese
      • Rye Playland, Rye, New York, Stati Uniti(where Josh finds Zoltar at the end of the film)
    • Aziende produttrici
      • Twentieth Century Fox
      • Gracie Films
      • American Entertainment Partners II L.P.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 18.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 115.227.281 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 8.216.190 USD
      • 5 giu 1988
    • Lordo in tutto il mondo
      • 151.927.281 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 44 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Stereo
    • Proporzioni
      • 1.85 : 1

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