VALUTAZIONE IMDb
5,6/10
4587
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaLone survivor Cynthia Weston of the Unity Fields cult's mass suicide wakes from a thirteen-year coma in a psychiatric ward, where other patients suddenly start dying under mysterious and gru... Leggi tuttoLone survivor Cynthia Weston of the Unity Fields cult's mass suicide wakes from a thirteen-year coma in a psychiatric ward, where other patients suddenly start dying under mysterious and gruesome circumstances.Lone survivor Cynthia Weston of the Unity Fields cult's mass suicide wakes from a thirteen-year coma in a psychiatric ward, where other patients suddenly start dying under mysterious and gruesome circumstances.
- Regia
- Sceneggiatura
- Star
Elizabeth Daily
- Lana
- (as E.G. Daily)
Melissa Francis
- Young Cynthia
- (as Missy Francis)
Recensioni in evidenza
The First time I remember seeing this movie was back in the late 80s, when it was being played on HBO late one night. I remember at the time I thought the movie was pretty cool. I didnt see the movie again until about a year ago , when I picked up a used copy of it. Since then I have watched the movie a couple times, and I think its pretty awesome. its got some scary sences, and its definately got that old style 80s horror feel to it, which I miss. Its also crazy how similar this movie is to the 1987 masterpeice,A Nightmare on Elm Street 3- Dream Worriors. This movie's main star is Jennifer Ruben, who played Taryn in Nightmare 3...and just like in Nightmare 3, Bad Dreams is about a group of troubled kids who are in a mental institution, being haunted in there dreams by a burned boogeyman. It was cool to see Jennifer Ruben in another horror movie. This, and Nightmare 3, are the only two movies I can remember her in. Check out "Bad Dreams" if you want to see another cool late 80s horror movie.
I'm kind of caught here. I somewhat liked it, but came away rather under-whelmed because it was all too familiar and there was something more interesting within this strange horror/thriller premise than what was chalked up. Even with some creative cracks, it should've been better. The story's direction seems a little uneven if it wants to go out to shock (a good amount of blood splatter is spilt), or play its cards for psychological torment. Something about it never entirely fulfils. The performances are the main reason this one doesn't slip off the mind too quick. The beautiful Jennifer Rubin is exceptional in brining out a vulnerable side, which is counter-punched by determination. Alongside her are a very good Bruce Abbott and a towering Richard Lynch brings an uneasy subtly to his menacing character. Harris Yulin, Sy Richardson, Susan Ruttan and an amusingly batty Dean Cameron chip in with durable support. Andrew Fleming's leisured direction is stylish, but has that breakable quality to it. Good use of lighting, colouring and composition in pockets drips of atmosphere. The material is enjoyable (if minimal), as the protagonist tries to overcome the hallucinations that might be because of her unstable state of mind or the simple reality of being haunted by a restless spirit. There's some black humour evident, but the by-the-numbers script goes about things rather seriously. As well it has a fine and compelling soundtrack to boot. The special effects and make-up FX stands-up well enough. A decent little film.
This film definitely had the 1980's vibe going strong in it's look and feel. Usually, if you are one to like the 'Classic' Slasher films of that time period, you pretty much know what to expect. Unfortunately, although there ARE some scattered good moments in the film, overall I honestly got the impression that overall it just didn't hold together terribly well. The IDEA was pretty good, and for me anyway, ANY film that starts with almost a full rendition of The Electric Prunes 'I Had too Much to Dream Last Night' is pretty damn awesome.
Some of the soundtrack choices were effective too. And, at times the director did create a nice mood. But, I don't know exactly what it was, probably the direction since the director usually has final control of how the movie comes across, flows, and ties together. You kind of got the feeling that the actors were just not quite really into it and I feel that that comes across in the performances. Also, there are many awkward moments where the patients would be acting odd or doing their thing, but to me, it didn't come across as believable. To me, many times it seemed like a number of odd, sub-par performances roughly strung together.
Most decent Slashers usually keep a good pace and keep the action going so that the story moves quickly for the audience. I didn't get that here... I think that perhaps if it could have be tightened up a bit and if the performances elicited by the director and maybe the specific shots used had been done better, than the movie would have been much more involving and more entertaining. The only way I can think of to put it, to explain the overall feel that it gave me, is that it just didn't seem to 'Flow' quite right. But, like I said, it definitely had it's moments. But, I think just too many scenes were weak. For example, not giving anything away, but one scene with the hyper patient towards the end when he took Jennifer Rubin with him down into the basement or somewhere, the scene where he was throwing a fit dragged on and on and on and just really seemed like padding and was pretty stupid. Unfortunately, there were just too many weak moments, maybe not QUITE as bad as that scene, but weak all the same.
Also, without saying too much, the 'twist' towards the end was an excellent idea and gave a nice added punch to the story. But again, it was almost too little too late... I really like the guy playing the young doctor (wasn't he the romantic lead in 'REANIMATOR') but even he seemed like he was trying REALLY hard not to sleepwalk through the film. Jennifer Rubin didn't impress very much; she just looked kind of stoned the whole time. She was a HELL of a lot better in 'NIGHTMARE ON ELM STREET 3' Also, it would have been nice to see E.G. Daily do a bit more too.
So... just rating this against other Slashers, I really can't get too worked up by it. I felt that even though the premise was very good and even though there WERE some good moments in it, overall compared to most other average to decent Slashers, I just found this one a bit limp, mainly because it just didn't seem that sharply put together. The current rating of '5.5' is about right; I gave it a '5' because I couldn't quite give it a '6' In my honest, lowly and wretched opinion, I truly think that there are a LOT better Slasher films out there...
Some of the soundtrack choices were effective too. And, at times the director did create a nice mood. But, I don't know exactly what it was, probably the direction since the director usually has final control of how the movie comes across, flows, and ties together. You kind of got the feeling that the actors were just not quite really into it and I feel that that comes across in the performances. Also, there are many awkward moments where the patients would be acting odd or doing their thing, but to me, it didn't come across as believable. To me, many times it seemed like a number of odd, sub-par performances roughly strung together.
Most decent Slashers usually keep a good pace and keep the action going so that the story moves quickly for the audience. I didn't get that here... I think that perhaps if it could have be tightened up a bit and if the performances elicited by the director and maybe the specific shots used had been done better, than the movie would have been much more involving and more entertaining. The only way I can think of to put it, to explain the overall feel that it gave me, is that it just didn't seem to 'Flow' quite right. But, like I said, it definitely had it's moments. But, I think just too many scenes were weak. For example, not giving anything away, but one scene with the hyper patient towards the end when he took Jennifer Rubin with him down into the basement or somewhere, the scene where he was throwing a fit dragged on and on and on and just really seemed like padding and was pretty stupid. Unfortunately, there were just too many weak moments, maybe not QUITE as bad as that scene, but weak all the same.
Also, without saying too much, the 'twist' towards the end was an excellent idea and gave a nice added punch to the story. But again, it was almost too little too late... I really like the guy playing the young doctor (wasn't he the romantic lead in 'REANIMATOR') but even he seemed like he was trying REALLY hard not to sleepwalk through the film. Jennifer Rubin didn't impress very much; she just looked kind of stoned the whole time. She was a HELL of a lot better in 'NIGHTMARE ON ELM STREET 3' Also, it would have been nice to see E.G. Daily do a bit more too.
So... just rating this against other Slashers, I really can't get too worked up by it. I felt that even though the premise was very good and even though there WERE some good moments in it, overall compared to most other average to decent Slashers, I just found this one a bit limp, mainly because it just didn't seem that sharply put together. The current rating of '5.5' is about right; I gave it a '5' because I couldn't quite give it a '6' In my honest, lowly and wretched opinion, I truly think that there are a LOT better Slasher films out there...
Bad Dreams (1988) Director: Andrew Fleming (The Craft) ***out of**** Review After barely escaping crazy cult guru's (able Richard Lynch) fiery suicide pact, Cynthia (the very gorgeous and likable Jennifer Rubin) finds herself awaking 13 years later, in year 1988. Trying to get on with her life, she starts to realize that her fellow patients in the mental hospital start dying in brutal ways, and start seeing hallucinations/dreams/visions of Harris, the burnt up cult leader. Is he back from the grave, vowing revenge for Cynthia's survival, or is something more sinister going on? Rather then going the cliché way in my review and bashing this movie for its direct influences from A Nightmare on Elm Street 3, I'll just say that they never got in the way of my enjoyment of this film. A lot of movies rip off others all the time, so I don't seem to ever get annoyed by these.
The film has top notch production values, a very entertaining cast, and some warped out death scenes. You can see how the movie just wants to be a good thriller and does so almost effortlessly. I remember my dad buying a old VHS copy when I was 9 or so and not really liking it's cover, but since I didn't want to hurt my dad's feelings I stuck it up and pretended to be excited, and watched it, and ever since then I have a place in my (movie watching) heart for this, perhaps just based on that back story alone.
One thing that I really enjoy is the actors. Lot's of familiar and likable faces in the house. I invested more into the movie by that way. I do admit the characters of the mental patients aren't fully developed enough though, I wanted to know more and see more about them, like the very sympathetic Lana (played quite well by Elizabeth Daily). She has a scene where she opens up her heart and I started liking her, but the movie is quick to get to the gore and kills and her plight is cut way to short. Same could be said for Dean Cameron and Susan Barnes.
The directing by Andrew Fleming is basically there to serve the story, nothing to stand out. I would have preferred to see a director with a more unique visual voice (all of the Flemings movies never have stand out visuals) it would have made the movie more stand out, and his angles are pretty bland. Good scene transitions though.
The soundtrack by Jay Ferguson was much appreciated and quite dreamy. Far better then his over the top attempt with Nightmare 5: Dream Child.
The kills and gore are very queasy, and people who have dealt with a suicide or (god forbid) seen a suicide will surly be offended by this movie, but since I'm a avid horror fan I was never offended, but they certainly had cruel streak.
Some flaws that hurt the movie are the lack of character development (as stated) and the movie's ending felt rushed, forced, and cut short. What happened to our survivors? I hate endings that never show the characters reactions after the events are over. One thing I will compare to Nightmare 3 is the ending, which was done there was well. Please take at least 4 or so minutes to better resolve our characters. The "surprise" in the end wasn't fully explored either, it somewhat didn't make much sense to me. What is this persons final goal when he succeeds? So maybe because I didn't want to hurt my dad's feelings at an early age, makes me warm up to this easier, or maybe it is just decent effort that can be watched from time to time. But be warned, this movie deals with suicide in a crude manner and surely will offend some.
The film has top notch production values, a very entertaining cast, and some warped out death scenes. You can see how the movie just wants to be a good thriller and does so almost effortlessly. I remember my dad buying a old VHS copy when I was 9 or so and not really liking it's cover, but since I didn't want to hurt my dad's feelings I stuck it up and pretended to be excited, and watched it, and ever since then I have a place in my (movie watching) heart for this, perhaps just based on that back story alone.
One thing that I really enjoy is the actors. Lot's of familiar and likable faces in the house. I invested more into the movie by that way. I do admit the characters of the mental patients aren't fully developed enough though, I wanted to know more and see more about them, like the very sympathetic Lana (played quite well by Elizabeth Daily). She has a scene where she opens up her heart and I started liking her, but the movie is quick to get to the gore and kills and her plight is cut way to short. Same could be said for Dean Cameron and Susan Barnes.
The directing by Andrew Fleming is basically there to serve the story, nothing to stand out. I would have preferred to see a director with a more unique visual voice (all of the Flemings movies never have stand out visuals) it would have made the movie more stand out, and his angles are pretty bland. Good scene transitions though.
The soundtrack by Jay Ferguson was much appreciated and quite dreamy. Far better then his over the top attempt with Nightmare 5: Dream Child.
The kills and gore are very queasy, and people who have dealt with a suicide or (god forbid) seen a suicide will surly be offended by this movie, but since I'm a avid horror fan I was never offended, but they certainly had cruel streak.
Some flaws that hurt the movie are the lack of character development (as stated) and the movie's ending felt rushed, forced, and cut short. What happened to our survivors? I hate endings that never show the characters reactions after the events are over. One thing I will compare to Nightmare 3 is the ending, which was done there was well. Please take at least 4 or so minutes to better resolve our characters. The "surprise" in the end wasn't fully explored either, it somewhat didn't make much sense to me. What is this persons final goal when he succeeds? So maybe because I didn't want to hurt my dad's feelings at an early age, makes me warm up to this easier, or maybe it is just decent effort that can be watched from time to time. But be warned, this movie deals with suicide in a crude manner and surely will offend some.
I first saw this in the early 90s on a vhs.
Revisited it recently.
When my 7 year ol nephew asked me the plot, he being a small kid, he excitedly said that its a Nightmare on Elm Street copy aft hearing the plot.
I made him see Nightmare... but used to move away the screen during gory sequences.
This movie is very slow n not at all scary.
I dont kno what the makers were trying to achieve cos even one of the cop's name is Freddy and the lead actress Jennifer Rubin was a supporting actress in A Nightmare on Elm Street 3: Dream Warriors.
Coming back to this movie, they shud have focused more on the cult group but alas.
The settings of the cultist's house is good but the movie terrible.
Revisited it recently.
When my 7 year ol nephew asked me the plot, he being a small kid, he excitedly said that its a Nightmare on Elm Street copy aft hearing the plot.
I made him see Nightmare... but used to move away the screen during gory sequences.
This movie is very slow n not at all scary.
I dont kno what the makers were trying to achieve cos even one of the cop's name is Freddy and the lead actress Jennifer Rubin was a supporting actress in A Nightmare on Elm Street 3: Dream Warriors.
Coming back to this movie, they shud have focused more on the cult group but alas.
The settings of the cultist's house is good but the movie terrible.
Lo sapevi?
- QuizDirector Andrew Fleming said on the Blu-Ray audio commentary that he fought a losing battle to feature rock band X's "Burning House of Love" on the closing credits. A studio executive named Ralph Saul fought against Fleming and insisted on Guns N' Roses' "Sweet Child O' Mine," which later became a hit. The band had originally planned to make a music video which featured clips from the film.
- BlooperWhen Harris is seen burned sitting at the chair next to the window , area around his eyes still has normal skin, possibly because it was too uncomfortable or not possible to put makeup there.
- Versioni alternativeThe 18-rated UK video release of this film was cut by 22 seconds by the BBFC to remove closeup shots of self-mutilation with a knife and a scalpel, and to reduce a scene where a man is repeatedly hit by a car. The cuts were waived by the BBFC in 2018 for DVD/Blu-ray.
- Colonne sonoreSweet Child O' Mine
Written by Axl Rose, Slash, Izzy Stradlin, Duff McKagan and Steven Adler
Performed by Guns N' Roses
Published by Guns N' Roses Music
Courtesy of Geffen Records by arrangement with Warner Special Products
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- La pesadilla mortal
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.797.098 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.008.870 USD
- 10 apr 1988
- Lordo in tutto il mondo
- 9.797.098 USD
- Tempo di esecuzione1 ora 24 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Vivere nel terrore (1988) officially released in India in English?
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