VALUTAZIONE IMDb
4,7/10
7014
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaArthur loses his fortune for staying with Linda, right as the two were preparing to adopt a child. As their marriage suffers, Arthur plans for a way to get his money back, but first he must ... Leggi tuttoArthur loses his fortune for staying with Linda, right as the two were preparing to adopt a child. As their marriage suffers, Arthur plans for a way to get his money back, but first he must sober up and get a real job.Arthur loses his fortune for staying with Linda, right as the two were preparing to adopt a child. As their marriage suffers, Arthur plans for a way to get his money back, but first he must sober up and get a real job.
- Premi
- 1 vittoria in totale
Cynthia Sikes Yorkin
- Susan Johnson
- (as Cynthia Sikes)
John C. Vennema
- Maitre D'
- (as John Vennema)
John A. Zee
- Bald Executive
- (as John Zee)
Recensioni in evidenza
When it was first released, "Arthur 2: On The Rocks" got the reputation of being a big disaster, a stigma that it still has more than 20 years later. That stigma is why I put off watching it for so long, only deciding to give it a look when it appeared on free TV in my city. After watching it, I am puzzled by its reputation. To be sure, it's not as good as the first movie. It does have a number of faults with it, such as there not being any gigantic laughs, a surprisingly sedate tone for the most part, a limited amount of plot, and Minnelli disappearing for almost all of the last third of the movie. Still, the movie has some strengths. While there are no gigantic laughs, there are a good number of chuckles along the way. The cast is enthusiastic and has great chemistry with each other, and the characters (at least the ones not in the evil family that strips Arthur of his fortune) are very likable. So while the movie is no comic masterpiece, it's nothing to really be embarrassed about - it's a perfectly okay movie, especially when you consider how bad sequels usually are.
Sequels are difficult. In many cases, it's just impossible to catch the lightning in the bottle the second time, no matter how hard they try. In this case, it looked like they plain flat mailed it in, hoping that everyone who loved the original Arthur would flock to the theaters to see this mess. The only motivation I could see for this movie was to make more money. Every aspect of the film was embarrassingly bad. We watched the 2011 Arthur (quite good in its own interpretation of the story), the original Arthur, and then this during one sitting. This was so bad we couldn't finish the viewing. Obviously money can be more important than pride.
The original Arthur was pretty much a cartoon where there was no consequence to behaviour, so Arthur could remain permanently sozzled, drink and drive, insult people and create havoc with impunity. In Arthur 2, he enters the world of adult responsibility. I guess that it is this element of reality, the drunk as a pitiful creature, which makes fans of the original hate the sequel. Those expecting more of the same were sadly disappointed.
The premise of a man being forced to fend for himself after a lifetime of privilege is vastly more interesting to that of a drunken playboy and the film, for the most part, rises to this. The ensemble performances are much stronger than in the first film which relied heavily on acerbic one liners and Dudley's comedy drunk routine. Here the interaction between Minelli and Moore is more fleshed out and is delightful. It reminded me somewhat of Jane Fonda and Robert Redford in Barefoot in the Park. The comedy throughout is more subtle and more satisfying than the original.
Unfortunately certain cartoon elements from the first film are introduced. Moore's previously innocent ex-girlfriend turns up as a Cruella Deville character before strangely reverting to her former self at the end. And her father hounding Moore wherever he goes is rather silly, it makes him seem like Gargamel. The denouement is especially feeble, with the sudden unexplained character change just mentioned and suddenly every-thing's alright. This terrible finale is the reason I cannot give this a higher mark, although I do consider it a genuine improvement on Arthur 1.
It is a pity that this, even more than the original did not follow the courage of its convictions and end with him being poor but following his heart. Now that would be a lesson worth learning.
The premise of a man being forced to fend for himself after a lifetime of privilege is vastly more interesting to that of a drunken playboy and the film, for the most part, rises to this. The ensemble performances are much stronger than in the first film which relied heavily on acerbic one liners and Dudley's comedy drunk routine. Here the interaction between Minelli and Moore is more fleshed out and is delightful. It reminded me somewhat of Jane Fonda and Robert Redford in Barefoot in the Park. The comedy throughout is more subtle and more satisfying than the original.
Unfortunately certain cartoon elements from the first film are introduced. Moore's previously innocent ex-girlfriend turns up as a Cruella Deville character before strangely reverting to her former self at the end. And her father hounding Moore wherever he goes is rather silly, it makes him seem like Gargamel. The denouement is especially feeble, with the sudden unexplained character change just mentioned and suddenly every-thing's alright. This terrible finale is the reason I cannot give this a higher mark, although I do consider it a genuine improvement on Arthur 1.
It is a pity that this, even more than the original did not follow the courage of its convictions and end with him being poor but following his heart. Now that would be a lesson worth learning.
This has got to be one of the most under-rated and under seen sequels in history. Arthur 2 is not as good as the film that preceeded it but it is NOT a bad film. Arthur 2 if anything gives us the film that Dudley Moore and Steve Gordon were trying to back in 1981. One of the main criticism's is that it gives out a bad message the alcoholism is good. The film does nothing of the sort, Arthur strives through out the film to change his drinking ways and succeeds in the final part of the film. The film itself is not as funny as Arthur was, but you hardly notice this because it tells a good dramatic story.
Bud Yorkin handles the direction excellently, and the movie contains a magical back drop of Christmas time New York. Dudley is again funny and like-able, just as he was in Arthur, allthough both the Actor and the Character have matured. Liza Minelli is again kookie as Linda, allthough she plays the role like the preceeding seven years took place within a week. Nothing changes with her performance and one is greatful. One really feels for Arthur and Linda, as they struggle with the fact of first not being able to have children, and secondly being destitute. Without spoiling the movie for those who have not seen it, there is a happy ending. Burt Bacharach's score is again heartbreaking and wonderful and the title song sung by Chris De Burgh is as good as the Chris Cross original. And finally Sir John Gielguid makes a heart breaking and beautifull return as an Obi Wan Kenobi like Hobson. A christams ghost if you will.
A Beatifull film. One ready for re-evaluation. Lets raise our glasses to Arthur and Linda.
Bud Yorkin handles the direction excellently, and the movie contains a magical back drop of Christmas time New York. Dudley is again funny and like-able, just as he was in Arthur, allthough both the Actor and the Character have matured. Liza Minelli is again kookie as Linda, allthough she plays the role like the preceeding seven years took place within a week. Nothing changes with her performance and one is greatful. One really feels for Arthur and Linda, as they struggle with the fact of first not being able to have children, and secondly being destitute. Without spoiling the movie for those who have not seen it, there is a happy ending. Burt Bacharach's score is again heartbreaking and wonderful and the title song sung by Chris De Burgh is as good as the Chris Cross original. And finally Sir John Gielguid makes a heart breaking and beautifull return as an Obi Wan Kenobi like Hobson. A christams ghost if you will.
A Beatifull film. One ready for re-evaluation. Lets raise our glasses to Arthur and Linda.
I agree with all of the other comments that the original Arthur was not a movie that needed a sequel. It should have stayed exactly where it ended. But, taken on it's own terms, Arthur 2: On the Rocks isn't half bad and actually has some really funny moments. Dudley Moore and Liza Minnelli convincingly reprise their roles from the original and exchange some really funny lines between each other; they work well together and are fun to watch. All of the other actors also, from the original (minus Jill Eikenberry), do their best to add spark to offset the mediocre material. In fact the movie gets as far as it does solely on the performances alone. The movie itself is bland and lifelessly plotted and totally lacking in the warmth, magic, and style, courtesy of the late Steve Gordon, that made the original so much fun and endearing. Plus the new plot plays more like a sitcom than pure comedy. But the stars manage to squeeze out a few laughs anyway and Moore still gets some belly laughs as the perpetually drunk Arthur. So if your looking for a sequel that is on par with the original you will no doubt be disappointed but if your just looking for an average comedy with a few good laughs to kill time with you might enjoy it.
Lo sapevi?
- QuizThe character of Susan Johnson was not played by Jill Eikenberry who had portrayed the character in Arturo (1981). This was because Eikenberry was at the time unavailable due to being contracted to Avvocati a Los Angeles (1986), playing Ann Kelsey. Because of this, the part of Susan Johnson in this movie was played by Cynthia Sikes Yorkin instead. The movie even pokes fun at this in a scene where Arthur remarks at how much taller Susan has gotten since the last time he saw her.
- BlooperWhen Susan is on her father's boat during the party, her necklace disappears and reappears between shots.
- Colonne sonoreLove Is My Decision
(Theme from Arthur 2 on the Rocks)
Performed by Chris De Burgh
Written by Burt Bacharach, Carole Bayer Sager and Chris De Burgh
Courtesy of A&M Records
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Arturo 2, el millonario arruinado
- Luoghi delle riprese
- Pier 17, Manhattan, New York, New York, Stati Uniti(Burt Johnson's yacht party)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 14.681.192 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.150.962 USD
- 10 lug 1988
- Lordo in tutto il mondo
- 14.681.192 USD
- Tempo di esecuzione
- 1h 53min(113 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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