VALUTAZIONE IMDb
6,7/10
18.088
LA TUA VALUTAZIONE
Uno scrittore di guide turistiche emotivamente distaccato deve continuare la sua vita dopo che suo figlio viene ucciso e il suo matrimonio si sgretola.Uno scrittore di guide turistiche emotivamente distaccato deve continuare la sua vita dopo che suo figlio viene ucciso e il suo matrimonio si sgretola.Uno scrittore di guide turistiche emotivamente distaccato deve continuare la sua vita dopo che suo figlio viene ucciso e il suo matrimonio si sgretola.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 4 vittorie e 11 candidature totali
Robert Hy Gorman
- Alexander
- (as Robert Gorman)
Bill Lee Brown
- Morgue Detective #1
- (as W.H. Brown)
Recensioni in evidenza
I agree to almost every word reviewer Takatomon wrote. One of this movie's greatest merits is that it deals with issues in life in a unpolished and natural way. It's easy to understand how this movie can be overlooked by the majority of viewers as this movie isn't for the majority of viewers. That is, the majority that's expecting to be entertained in the Hollywood style of film making. With that I mean those "strong" performances we all want to see from characters as Hoffman in "Rain Man" or Hanks in "Forrest Gump". Or vast visuals, filmed in the broadest scope, or action packed sequences. Not in "The Accidental Tourist". What you do get is William Hurt in what I think is one of his best roles as Macon Leary, writer of travel guides and Geena Davis in an exquisite role as the pet store owner. I've admired actors for the way they can portray mentally or socially challenged people (Rainman, Forrest Gump, Of mice and men, etc.). These parts tend to win the Oscars. But I'd rather give one to Hurt for his portrayal of Macon Leary because this character doesn't show obvious signs of any handicap. Actually Macon is very plain. What can be more difficult than acting out a role of a person who's personal qualities don't jump at you right away? "The Accidental Tourist" is a movie of high quality and should be given a fair chance.
This is a wonderful film by Lawrence Kasdan about a man who withdraws from his relationships with other people (and the world) after a terrible family tragedy. William Hurt plays the character of 'Macon', a man who writes books for people who don't want to travel and has become as grey and dull as his suit. His wife Sarah (the vibrant Kathleen Turner) separates from him and after an accident he goes to live with his family who live a life organised by his sister, Rose (Amy Wright) and settles into a dull routine. Even his dog seems to be turning against him, then he meets Muriel (Geena Davis) when boarding his dog and she not only teaches the dog new tricks but also shows Macon that his ways can be changed too. William Hurt gives a truly marvellous performance as a man who has given up on life and has become almost catatonic. This is a film that gets better with each subsequent viewing, containing much food for thought especially for anyone that wishes for a 'safe' and 'planned' life. The wonderful dreamlike score is by John Williams and it was nominated for an Oscar amongst many nominations for this film. Thankfully this outstanding movie is now available on DVD and in the correct viewing format.
The Accidental Tourist is a quiet and contemplative film that adults rarely have an opportunity to experience from an American perspective. Macon (William Hurt) is a Baltimore travel writer whose son was accidentally killed in a robbery. His wife Sarah (Kathleen Turner) leaves him when Macon withdraws to a somnambulist response, a favored routine to life that is Macon's family way. Macon's brothers (Ed Begley, Jr. and David Ogden-Stiers) are 40+ year old bachelors and living with their spinster sister, Rose in the family home. With the addition of the now separated Macon, the siblings are reduced to an eccentric routines of alphabetizing the pantry and discussions of who could be calling while the phone rings.
Into Macon's sedentary and uneventful pattern comes Muriel Pritcherd (Geena Davis), a dog trainer who takes hold of Edward, Macon's misbehaving Corgi, and inserts herself into their lives. A latent Annie Hall dresser whose mismatched clothing and late 50s car screams woman of a certain age with free spirit tendencies, Muriel gives new options to Macon through her unpredictable character and a small son, who takes immediately to him. Edward the dog even manages to behave and the little family becomes a new and invigorating experience for Macon, whose own relatives have long ago lost any sense of independence or initiative. With the unheard of occasion of the spinster sister's wedding to Macon's publisher, (Bill Pullman), Macon and Sarah are reunited and Muriel is dropped for the familiar situation of a convenient reconciliation. When Macon's work takes him to Paris, Muriel accidentally finds they are on the same plane and hotel. Although he is reluctant to interact with her, Muriel is storming the walls of resistance as before. Macon's situation is made more complicated with the appearance of his ex-wife, whose presence is both familiar and upsetting to a Macon-Muriel-Sarah menage.
How this trio resolves the situation is filled with wonderful and literate conversations between characters which ring true to the adult situation of marriage and changing lives, goals, and the unexpected. For an American film this kind of complex story telling is almost a lost art in today's car chase, adolescent fart humour, and situational absurdities. However, with long silences and occasional comic relief from the dog, the film is both contemplative and entertaining as it unfolds with bittersweet truisms.
Into Macon's sedentary and uneventful pattern comes Muriel Pritcherd (Geena Davis), a dog trainer who takes hold of Edward, Macon's misbehaving Corgi, and inserts herself into their lives. A latent Annie Hall dresser whose mismatched clothing and late 50s car screams woman of a certain age with free spirit tendencies, Muriel gives new options to Macon through her unpredictable character and a small son, who takes immediately to him. Edward the dog even manages to behave and the little family becomes a new and invigorating experience for Macon, whose own relatives have long ago lost any sense of independence or initiative. With the unheard of occasion of the spinster sister's wedding to Macon's publisher, (Bill Pullman), Macon and Sarah are reunited and Muriel is dropped for the familiar situation of a convenient reconciliation. When Macon's work takes him to Paris, Muriel accidentally finds they are on the same plane and hotel. Although he is reluctant to interact with her, Muriel is storming the walls of resistance as before. Macon's situation is made more complicated with the appearance of his ex-wife, whose presence is both familiar and upsetting to a Macon-Muriel-Sarah menage.
How this trio resolves the situation is filled with wonderful and literate conversations between characters which ring true to the adult situation of marriage and changing lives, goals, and the unexpected. For an American film this kind of complex story telling is almost a lost art in today's car chase, adolescent fart humour, and situational absurdities. However, with long silences and occasional comic relief from the dog, the film is both contemplative and entertaining as it unfolds with bittersweet truisms.
Probably the best performances I have ever seen out of Geena Davis AND William Hurt. AND !BIG SURPRISE! Kathleen Turner does not overact in this one--I think it was not long after this film that Turner started going over the top.
This is a sad, introspective film so if you don't like to watch movies which portray life's real problems, skip this one. And, yes, even though Geena Davis is supposed to be a Baltimore city woman and does not have one HINT of our beloved accent, I let it go. I cared so much about her and her son in this film and wanted so much for Macon and his family to love them as I did.
In this film, Muriel (Geena) meets Macon (Hurt), who is deeply mourning the accidental death of his young son which has apparently caused Macon and his wife Sarah (Turner) to separate. Geena's smile can light up a room. In some scenes, you just want to hug her! Her films today have been few and far between. She needs to rehire the agent who put her in this film, "The Fly" and "Thelma & Louise" because they are, by far, her best.
For those of you who have never experienced agonizing grief in your own lives, you may not understand Hurt's feelings. For me, I cried deeply watching him battle his pain and internal chaos--should he stay with Turner, should he start a new life with Davis? His choices may seem simple to you, but believe me, having been in his shoes, I know that something simple like picking out what clothes to wear to work each day is a monumental task. I can't remember ever liking Hurt in anything he has done, but he nailed this part. I am sure he dug up this pain from some godforsaken part of his life, and he surely deserved an award for this role. I was rooting for him to "let go" of the past the entire film--it took me a whole year to do so in my own life.
Ladies, this is definitely a "whole box of tissue" movie.
This is a sad, introspective film so if you don't like to watch movies which portray life's real problems, skip this one. And, yes, even though Geena Davis is supposed to be a Baltimore city woman and does not have one HINT of our beloved accent, I let it go. I cared so much about her and her son in this film and wanted so much for Macon and his family to love them as I did.
In this film, Muriel (Geena) meets Macon (Hurt), who is deeply mourning the accidental death of his young son which has apparently caused Macon and his wife Sarah (Turner) to separate. Geena's smile can light up a room. In some scenes, you just want to hug her! Her films today have been few and far between. She needs to rehire the agent who put her in this film, "The Fly" and "Thelma & Louise" because they are, by far, her best.
For those of you who have never experienced agonizing grief in your own lives, you may not understand Hurt's feelings. For me, I cried deeply watching him battle his pain and internal chaos--should he stay with Turner, should he start a new life with Davis? His choices may seem simple to you, but believe me, having been in his shoes, I know that something simple like picking out what clothes to wear to work each day is a monumental task. I can't remember ever liking Hurt in anything he has done, but he nailed this part. I am sure he dug up this pain from some godforsaken part of his life, and he surely deserved an award for this role. I was rooting for him to "let go" of the past the entire film--it took me a whole year to do so in my own life.
Ladies, this is definitely a "whole box of tissue" movie.
At last,the dvd has arrived and it is a pure joy from start to finish.I was 21 when I first saw this film at the theatre and I knew it was good then,but now,a little older and wiser,I consider it a masterpiece.William Hurt's performance is mesmerising and Geena Davis is at her best.The dvd has 14 deleted scenes and I do feel sorry for Kathleen Turner,as some of her best work is on the cutting room floor.If you enjoy a real actor's movie,then this will not disappoint.The last 5 minutes,with marvellous John Williams underscoring,is sheer perfection.How this did not win best picture I shall never know.
Lo sapevi?
- QuizWhile filming La mosca (1986), Geena Davis was reading the novel on which this film was based. In fact, she would read it to Jeff Goldblum while he went through the hours-long process of having prosthetic make-up applied to his body. Goldblum also appeared in Lawrence Kasdan's earlier films, Il grande freddo (1983) and Silverado (1985).
- BlooperAfter returning from England, Macon reaches into his pocket for his keys twice.
- Colonne sonoreI'M GONNA LASSO SANTA CLAUS
Written by Frankie Adams and 'Wilbur Jones'
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 32.632.093 USD
- Fine settimana di apertura Stati Uniti e Canada
- 97.578 USD
- 26 dic 1988
- Lordo in tutto il mondo
- 32.632.093 USD
- Tempo di esecuzione2 ore 1 minuto
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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