1969: i giorni della rabbia

i can see why some people dislike this movie, but i enjoyed it.

good stuff: music (CSNY, Canned Heat, Creedence), costumes, subject, issues dealt with, cast! young Winona, Keifer & Robert Downey Jr., plus the van and cars, conflict btwn generations

bad stuff: melodramatic, simplistic, like a TV movie or Walt Disney.

there was a 1999 'mini-series' (2-part) on cbs i think that was a lot like this. ie; it's more a TV movie than an Easy Rider or Platoon. If you go in with the 'TV' mindset i'm sure you'll enjoy it if you like this subject and/or era -- the Vietnam War and its effects on American families.

i only knew of this era thru documentaries and books, but living in America in 2003, there are real war-tearing familial similarities that are only likely to get more exaggerated. seeing a portrayal, even a 'TV movie' version, just helps a little bit.

This is a very strange movie but not in a very bad way.Some of the acting is poor and could have been much better.I liked most of the movie but the story is off the road and rather "drunk".1969 is a good movie to view by yourself.A lot of 80's films such as this one are corny but good at the same time.

I admit that I rented this because of Miss Ryder's name on the cover. However, this isn't really a Winona-Ryder-movie, she is secondary to the plot. Kiefer Sutherland and Robert Downey Jr. play the main characters, two irresponsible kids at the end of the 1960s, trying to avoid getting drafted or growing up. However, it didn't really touch me. The anti-war message could have been stronger if the war had felt more present. As ususal for a movie about kids, their parents are portrayed as being clueless about how things have changed since they were young. Scott's father seem to be thinking 'Whatever happened to the 1950s?' all through the movie.

The overall point of the film may be a little obvious but it appears the story may be semi-autobiographical. What saves this movie are the acting and the characters which never lapse into stereotypes. Kiefer Sutherland plays Scott, a very different character than many of his previous roles. Rather than playing the adolescent leader-rebel (as in "Stand by Me"), Sutherland takes the role of a somewhat soft-spoken intellectual hippie-type who is into literature and leaves but not into drugs. His best friend, Ralph, played by Robert Downey Jr., is exactly the opposite. Ralph likes women and psychedelic drugs but doesn't understand any of the other aspects of the hippie culture, which included reverence for certain high literature. He isn't sure who Camus is. For him, the drugs and staying out of Vietnam are all that matters. Downey's sister, Beth (Winnona Ryder), eventually becomes a significant part of the story as the film progresses.

The film doesn't have much of a coherent plot and may be described as a character study of its leads. The setting is a small town in Maryland where Scott's brother, Alden, is about to leave for Vietnam. He is one of the first from this nameless town to be drafted into the war and the locals, including his family, seem perplexed by the whole affair. In an uncomfortable scene, Alden tries to make amends with his younger brother Scott who says the war is "b.s." Their father (Bruce Dern) who feels strongly that his sons should fight as he did in World War II reprimands Scott for his disrespect. Luckily, Dern's performance is not over-the-top and it works. After a rather strange farewell, Ralph decides that neither himself nor his friend Scott should allow themselves to get drafted. Scott begins to explore the young peoples' counter-culture movement of the late 1960's while Ralph seems only interested in exploring the drugs. They attend college, mostly to avoid the draft, but Ralph lapses in his studies. During their first summer, they decide to go on a road trip.

A good movie, by no means a great one, but high marks for all the leads and supporting characters, particularly Bruce Dern as Scott's father and Mariette Hartley as the mother. It seems this movie was missing something that was present in the writer's brilliant play "On Golden Pond". I can't quite put my finger on it, but the film made its point all too soon. I think I wanted an additional profound revelation besides the idea that Vietnam was a bad war.

Granted there wasn't much of a plot to 1969 and the acting was fair, but nevertheless I thought the film did accomplish something important. It made you realize that this kind of "drama" - coping with the aftermath of a Vietnam KIA - played out in tens-of-thousands of homes throughout the country during the '60s and '70s. The sum of all that pain and anguish makes me cringe. I served in South Vietnam from the summer of '68 to the summer of '69 in the USMC and I am glad to see this kind of message portrayed in a movie. It keeps alive the suffering endured by family and friends from that time. Maybe that sounds morbid but I think it's important for the here and now to acknowledge and remember that suffering. We can use it to give us perspective on how fortunate we are to be able to flourish and live to a ripe old age. For me of course it has special meaning. I could have ended my life at 19 and would have missed so much.

But that's what happened to so many. A horrible shame.