La guerra dei mondi

The best thing about this series was that, in the first half of the first season, you never knew who was going to win the battles. An example plot would have the aliens trying to acquire a list of the locations of their canned (literally) comrades. The humans try to stop them but fail.

That's what I loved about the series: EVERYTHING was unexpected. Then late in the first season, you started having plots that were too obvious. (On TV in the 80s, there was no way aliens were going to detonate a nuclear bomb in the middle of the USA--especially with our heroes in the same city!) From that point on, the show settled for standard science fiction. It was still interesting, but it had lost its spark and never got it back.

The first season of War of the Worlds was groundbreaking and refreshingly innovative. In many ways, it was the predecessor of shows like "The X-Files". The first season was very much like a game of chess between the Blackwood Project and the aliens- led the triumvirate Advocacy (featuring the underrated actress, Ilse Von Glatz- who was chilling as an Advocate). Towards the end of the season, there was a mythology carefully being built with the introductions of new characters such as the renegade alien/human hybrid- Quinn and the Qar'To Synth, Katara. Also, the show was blessed with creative writing, excellent direction- and casting Ann Robinson as Sylvia Van Buren was a nice coup for the producers.

However, Paramount had plans to assassinate the show and installed Frank Mancuso Jr. as the new executive producer. He obliterated the first season storyline, continuity, most of the characters and killed the show in the process. But to many fans, the only real season of WOTW was 1988-1989.

Very little is known of the alien invaders from Mortax and the series did not intend to explain much of them. In the original, "War of the Worlds", the aliens originate from Mars. Since Mars is a dead planet and presumably any presence of an indigenous civilization would be noticed from earth, it made sense to change the origin of the aliens to a faraway solar system.

It was a shame that the series did not capitalize on the episode, "Angel of Death". The unexpected, ironic, and somewhat twisted humorous ending would have made for a much more interesting second season had the original plot line been followed. As it was, some viewers, including myself, disliked the second season's post-apocalyptic setting and stopped watching the series.

I present here my own speculative analysis of the aliens from Mortax, for anyone curious enough to read on.

Most likely the inhabitants of Mortax originated from a tightly controlled, rigid, caste-driven society. The upper caste was smug in its superiority over the lower caste classes, even those presumably of a high class, such as scientists. The ruling caste or upper classes which ruled Mortax probably were probably a hereditary class which may or may not have included a military class as a subsidiary upper caste.

At some point in its history, the lower caste classes of Mortax gained political power enough not to overthrow the current ruling caste but enough to gain comparable political parity and most importantly, respect.

As a result of this paradigm shift in Mortax civilization, the upper ruling class now had to address the lower classes with respect. They now called the lower classes, 'comrades'. The lower classes could now address their heretofore upper caste rulers as, 'advocates', not, sir, ma'am, majesty, excellency, highness, lord, mistress, or any other such title conferring superiority over the claimant and inferiority over the one saying it. But it is very clear from the comments of the often frustrated Advocate triumvirate that the bigotry of the upper castes over the lower castes is still very much alive. But now it is politically incorrect to say so in front of them.

Mortax civilization was now unified and moreover, unified in its new, overriding goal, the salvation of its race, civilization, and culture. Unfortunately, the smug racial superiority and bigotry of the upper caste were now subsumed by all of Mortax society. The new inferior class fit only for extinction were the humans of earth. The invasion of earth is an invasion to humans. For Mortaxians, it is a 'colonisation' of a habitable planet regrettably infested with inferior biological sentients called humans whose existence is expendable. The invasion is a fight to the death for all of humanity.

Before the X-Files, before Millenium, Space Above and Beyond, before Nowhere Man and all of the other strange and paranoid filled shows on television, there was War of the Worlds. Set in modern times, this series employed so many disturbing images and stories, it genuinely gave me creeps at night. While the show bombed on many levels with viewers, I only remember it for being something different, out of the ordinary. While young kids were watching cartoons, I tried watching this show as often as possible, considering my parents cared little for it. Then, when it went into syndication, I watched it as often as I could. If you could ever find tapes for this series, and you like odd and unusual programming, then you will like this series.

This is one of those series that I caught in second run, and had to see all of. Rather than being cliched and boring, War of the Worlds managed to be trendy and dark, attempting to deal with mature themes and violence in an intelligent fashion all too rare today.

Perhaps the best season was the second, when the war becomes a drawn-out war of attrition, culminating in one of the most thought-provoking finales I have seen this side of Babylon 5. It is currently airing on Space in Canada, and is definitely worth seeing if you can.