Segui le avventure sulla nave da miniera chiamata Red Dwarf dell'ultimo essere umano vivo, che insieme con i suoi amici sono bloccati tre milioni di anni nello spazio profondo.Segui le avventure sulla nave da miniera chiamata Red Dwarf dell'ultimo essere umano vivo, che insieme con i suoi amici sono bloccati tre milioni di anni nello spazio profondo.Segui le avventure sulla nave da miniera chiamata Red Dwarf dell'ultimo essere umano vivo, che insieme con i suoi amici sono bloccati tre milioni di anni nello spazio profondo.
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Although Red Dwarf is over 17 years old now, it's only in the last year or so that I've seen it in-depth. At first I was a little cautious as it was described as a "cult" favourite, which I think is a polite way of saying geek/nerd fest. Fortunately my concerns were unfounded, as it is one of the funniest sitcoms I've ever seen.
The reason for this, in my opinion, is the terrific writing by Rob Grant and Doug Naylor - who also wrote the excellent Spitting Image. Of course, good writing would be useless without good actors delivering the lines, fortunately ever part in Red Dwarf is perfectly cast. Craig Charles (an unknown stand up comic before he was cast) and Chris Barrie (who previously worked with Grant and Naylor on Spitting Image) are both excellent in the lead roles of Dave Lister and Arnold Rimmer respectively. Robert Llwellyn, who plays Kryten, an android, only joined Red Dwarf in season 3, but quickly established himself as a lot of peoples favourite character. My favourite character, however, has to be the Cat, played by Danny John-Jules, mainly for the outlandish outfits he habitually wears.
Unfortunately the series is no longer on T.V. (in fact they haven't made any new ones since 1998), but you can now buy the series on DVD, and I strongly recommend you do (especially for the fantastic extras that are included).
The reason for this, in my opinion, is the terrific writing by Rob Grant and Doug Naylor - who also wrote the excellent Spitting Image. Of course, good writing would be useless without good actors delivering the lines, fortunately ever part in Red Dwarf is perfectly cast. Craig Charles (an unknown stand up comic before he was cast) and Chris Barrie (who previously worked with Grant and Naylor on Spitting Image) are both excellent in the lead roles of Dave Lister and Arnold Rimmer respectively. Robert Llwellyn, who plays Kryten, an android, only joined Red Dwarf in season 3, but quickly established himself as a lot of peoples favourite character. My favourite character, however, has to be the Cat, played by Danny John-Jules, mainly for the outlandish outfits he habitually wears.
Unfortunately the series is no longer on T.V. (in fact they haven't made any new ones since 1998), but you can now buy the series on DVD, and I strongly recommend you do (especially for the fantastic extras that are included).
For those who do not know. The series was created and initially, exclusively written by Rob Grant and Doug Naylor.
This lasted until Series 6.
And each series - to me - just got better and better. To where 5 and 6 were just outstanding overall.
Then - after Series 6 - Rob Grant left the show.
And Doug Naylor brought other writers onboard to help him create further series.
And, sadly, the show dropped noticeably in quality.
It's heart was still in the right place. Even a bit 'nicer' and 'warmer' than the other series.
But the pacing and the humor went noticeably down.
The former made the show seem almost cartoonish.
The latter was just dumbed down a bit. And physical gags (though some were very funny) became the main source of humor. As opposed to verbal ones.
It just felt like the show had gone from originally written by seasoned, very-talented sci-fi writers/creators.
To - later - a series created by intelligent college students who were sci-fi fans.
So... Series 1-6 - some of the most outstanding, science fiction entertainment that I have ever seen.
Series 7+ - a very good series with only moments of brilliance.
This lasted until Series 6.
And each series - to me - just got better and better. To where 5 and 6 were just outstanding overall.
Then - after Series 6 - Rob Grant left the show.
And Doug Naylor brought other writers onboard to help him create further series.
And, sadly, the show dropped noticeably in quality.
It's heart was still in the right place. Even a bit 'nicer' and 'warmer' than the other series.
But the pacing and the humor went noticeably down.
The former made the show seem almost cartoonish.
The latter was just dumbed down a bit. And physical gags (though some were very funny) became the main source of humor. As opposed to verbal ones.
It just felt like the show had gone from originally written by seasoned, very-talented sci-fi writers/creators.
To - later - a series created by intelligent college students who were sci-fi fans.
So... Series 1-6 - some of the most outstanding, science fiction entertainment that I have ever seen.
Series 7+ - a very good series with only moments of brilliance.
Red Dwarf is probably one of the most entertaining TV shows ever made. It's a hybrid of sci-fi and comedy that, when it works, works perfectly. The four core characters - Lister, the last human in the universe, Rimmer, a hologram of his worst enemy, Kryten, a cross between C3P0 and Data, and The Cat, a super-evolved humanoid feline - are very strongly written and played by a great cast. The show is not perfect, as the small budget often shows and The Cat, and Rimmer in some cases, are often given lines that they simply wouldn't come out with just so they have something to say. Apart from this, though, the show is of a very high quality and very unique.
Series I and II were very cheap - everything was cotton or plastic - and focussed on the sitcom aspects and character development. It was with Season III, and the introduction of Kryten as a regular, that Red Dwarf began to achieve it's potential. Suddenly there was more sci-fi and adventure in the episodes, with spaceships, bazookoids (mini-bazookas), shape-shifting, emotion-stealing aliens, and a cool guitar version of the theme tune.
Series IV was even better, and Series V even better than that. The show became just as much sci-fi as it was comedy, very cool indeed and tackled some imaginative premises with more skill than Star Trek: TNG in many cases. Finally, Season VI was absolutely superb, with the best production values the show had ever seen, and the funniest, most exciting storylines. Plus the fact that Red Dwarf itself, the spaceship, wasn't even in Season VI, which made it exceptionally cool. Every single episode was excellent, with the highlight proberbaly being 'Gunmen of the Apocalypse' wherein the crew entered a virtual reality version of the wild west. Series VI ended with five minutes of pure drama and a stunning cliffhanger- you'd be hard pressed to find a more exciting climax on TV. With Series VII, except for the great first episode 'Tikka to Ride', the show faltered. Rimmer left along with one of the two script-writers, which half-crippled the show. Whereas there used to be constant laughs throughout previously, with Season VII there were a few laughs an episode. Rimmer returned with Series VIII, but then Red Dwarf became a total farce with no real sci-fi and everything played for cheap laughs. It became a plotless string of lame sketches and was simply not funny. The characters became caracatures. The show became a complete mockery of the blend of sci-fi/comedy it had achieved previously. Let's hope the forthcoming feature film, with both writers at the helm, can bring back some of the old magic the show had.
Series I and II were very cheap - everything was cotton or plastic - and focussed on the sitcom aspects and character development. It was with Season III, and the introduction of Kryten as a regular, that Red Dwarf began to achieve it's potential. Suddenly there was more sci-fi and adventure in the episodes, with spaceships, bazookoids (mini-bazookas), shape-shifting, emotion-stealing aliens, and a cool guitar version of the theme tune.
Series IV was even better, and Series V even better than that. The show became just as much sci-fi as it was comedy, very cool indeed and tackled some imaginative premises with more skill than Star Trek: TNG in many cases. Finally, Season VI was absolutely superb, with the best production values the show had ever seen, and the funniest, most exciting storylines. Plus the fact that Red Dwarf itself, the spaceship, wasn't even in Season VI, which made it exceptionally cool. Every single episode was excellent, with the highlight proberbaly being 'Gunmen of the Apocalypse' wherein the crew entered a virtual reality version of the wild west. Series VI ended with five minutes of pure drama and a stunning cliffhanger- you'd be hard pressed to find a more exciting climax on TV. With Series VII, except for the great first episode 'Tikka to Ride', the show faltered. Rimmer left along with one of the two script-writers, which half-crippled the show. Whereas there used to be constant laughs throughout previously, with Season VII there were a few laughs an episode. Rimmer returned with Series VIII, but then Red Dwarf became a total farce with no real sci-fi and everything played for cheap laughs. It became a plotless string of lame sketches and was simply not funny. The characters became caracatures. The show became a complete mockery of the blend of sci-fi/comedy it had achieved previously. Let's hope the forthcoming feature film, with both writers at the helm, can bring back some of the old magic the show had.
Where to start? The writing, the cast, the effects . . . superb.
Firstly, the writing. The situation is so unbelievable it works. Three million years out into deep space, with the unlikeliest crew you could find. And bizarre and funny things just keep happening. The secret? You might ask the same question of previous comedy greats. It just is.
The effects - especially since remastering - are breathtaking. I don't know how "true to life" it is, but it doesn't need to be. Seeing Starbug come crashing through the cargo bay doors is a joy to behold.
And the cast. Sensational. Chris Barrie (Rimmer) is the outstanding comedy actor of his generation. With the possible exception of Rowan Atkinson, I don't think there's a single man alive who could play the smeghead so well.
Equally, Craig Charles as Lister - a complete slob who is in fact the most decent person among the crew. A beautiful irony, and Charles focuses on the slob part so well that we tend to forget the character's decent side. This is not a bad thing - quite the reverse. When the decent side does appear, it is all the more prominent for it.
Norman Lovett (1-2, 8) and Hattie Hayridge (3-5) as Holly, the computer. I prefer Lovett's take, and don't fully understand why he was replaced. Hayridge did a fine job (indeed there's some moments that Lovett couldn't have done), but Lovett is the definitive Holly. He has the comic face for it.
Not forgetting Robert Llewellyn as the guilt-happy mechanoid Kryten, who overacts beautifully, as does Danny John-Jules as the vainest life form ever to have existed. Brilliant.
These ingredients made Red Dwarf amazing. Rob Grant and Doug Naylor's writing collaboration was a thing of beauty. As a team, they function superbly.
Unfortunately, the opposite is also true. Something's missing when they're not together. Series 7 had its moments, but was distinctly lacking - not least because Chris Barrie was in less than half the episodes. Series 8, it dropped even further. Barrie was back, but that was the only plus. Bringing the entire crew back was a very big mistake.
Overall? I'd say 8/10 for originality and sheer zaniness!
Firstly, the writing. The situation is so unbelievable it works. Three million years out into deep space, with the unlikeliest crew you could find. And bizarre and funny things just keep happening. The secret? You might ask the same question of previous comedy greats. It just is.
The effects - especially since remastering - are breathtaking. I don't know how "true to life" it is, but it doesn't need to be. Seeing Starbug come crashing through the cargo bay doors is a joy to behold.
And the cast. Sensational. Chris Barrie (Rimmer) is the outstanding comedy actor of his generation. With the possible exception of Rowan Atkinson, I don't think there's a single man alive who could play the smeghead so well.
Equally, Craig Charles as Lister - a complete slob who is in fact the most decent person among the crew. A beautiful irony, and Charles focuses on the slob part so well that we tend to forget the character's decent side. This is not a bad thing - quite the reverse. When the decent side does appear, it is all the more prominent for it.
Norman Lovett (1-2, 8) and Hattie Hayridge (3-5) as Holly, the computer. I prefer Lovett's take, and don't fully understand why he was replaced. Hayridge did a fine job (indeed there's some moments that Lovett couldn't have done), but Lovett is the definitive Holly. He has the comic face for it.
Not forgetting Robert Llewellyn as the guilt-happy mechanoid Kryten, who overacts beautifully, as does Danny John-Jules as the vainest life form ever to have existed. Brilliant.
These ingredients made Red Dwarf amazing. Rob Grant and Doug Naylor's writing collaboration was a thing of beauty. As a team, they function superbly.
Unfortunately, the opposite is also true. Something's missing when they're not together. Series 7 had its moments, but was distinctly lacking - not least because Chris Barrie was in less than half the episodes. Series 8, it dropped even further. Barrie was back, but that was the only plus. Bringing the entire crew back was a very big mistake.
Overall? I'd say 8/10 for originality and sheer zaniness!
I would have rated Red Dwarf 10/10, but unfortunately, when rating the show in its entirety, you must consider the final two seasons/series.
Series 1 - 6 will always be what I remember about the show. It was funny and original. You could relate to all characters (all the actors deserve the highest praise), and although there were plenty of plot holes, and continuity problems, there was a classic blend of good story lines, mixed with classic British-style humour.............it was unlike anything else before or since. Pure quality. Every episode was a classic, and I can watch them all again and again and laugh until I get a stitch.
Then after series 6 (one of the best series') Rob Grant left the show, the production budget increased, and series 7 was given that stupid 'film look'. Also Rimmer was replaced halfway through the series with Kochanski (Listers long lost love). Basically it seemed like someone had pressed the show's self destruct button, and its never been the same since. All the humour seemed forced, and the story lines got so deep, you actually forgot you were supposed to be watching a Sci-Fi comedy.
.......Then things got worse. Series 8 came out. The less said the better. I know there are hard core fans out there who say that series 8 isn't that bad. But try watching episodes from series 3, then watch series 8 and you'll realise how much the show went into freefall.
Its such a shame because in the early days of Dwarf, there simply wasn't anything better on TV.
Series 1 - 6 will always be what I remember about the show. It was funny and original. You could relate to all characters (all the actors deserve the highest praise), and although there were plenty of plot holes, and continuity problems, there was a classic blend of good story lines, mixed with classic British-style humour.............it was unlike anything else before or since. Pure quality. Every episode was a classic, and I can watch them all again and again and laugh until I get a stitch.
Then after series 6 (one of the best series') Rob Grant left the show, the production budget increased, and series 7 was given that stupid 'film look'. Also Rimmer was replaced halfway through the series with Kochanski (Listers long lost love). Basically it seemed like someone had pressed the show's self destruct button, and its never been the same since. All the humour seemed forced, and the story lines got so deep, you actually forgot you were supposed to be watching a Sci-Fi comedy.
.......Then things got worse. Series 8 came out. The less said the better. I know there are hard core fans out there who say that series 8 isn't that bad. But try watching episodes from series 3, then watch series 8 and you'll realise how much the show went into freefall.
Its such a shame because in the early days of Dwarf, there simply wasn't anything better on TV.
Lo sapevi?
- QuizCraig Charles and Danny John-Jules are the only two actors to appear in every episode.
- BlooperThe Cat is the last (on Red Dwarf after season one) of a species that evolved from Lister's pet cat, Frankenstein. It is sometimes stated that he evolved from Lister's pet cat. This in not inconsistent. Evolution is a process that takes place naturally over millions of years and over generation it become expressed. It is not a process that takes place on or to an individual even though an individual would be the first to contain a mutation.
However, during the show's run it is implies and sometimes stated that evolution can take place on the individual level and a mutation can happen to non-living items whether they be organic or inorganic. These concepts are not support in the evolution process or the mechanism of natural selection.
- Citazioni
[repeated line]
Lister: Smeg!
- Curiosità sui creditiThe closing credits in the remastered version of Red Dwarf: Backwards (1989) are in reverse.
- Versioni alternativeA video, "Red Dwarf VII: X-tended" (3 November 1997) was released containing extended editions of three episodes from the seventh series - "Tikka to Ride", "Ouroboros" and "Duct Soup", including fifty new bloopers and the full-length version of the Rimmer Munchkin Song from the end of "Blue".
- ConnessioniEdited into Red Dwarf: Smeg Ups (1994)
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- Tempo di esecuzione30 minuti
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- Proporzioni
- 1.78 : 1 / (high definition)
- 1.33 : 1
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