VALUTAZIONE IMDb
7,3/10
2374
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn rural 1960s Australia, a boy watches helplessly as his best friend falls in love with a small-time criminal, setting off a violent chain of events.In rural 1960s Australia, a boy watches helplessly as his best friend falls in love with a small-time criminal, setting off a violent chain of events.In rural 1960s Australia, a boy watches helplessly as his best friend falls in love with a small-time criminal, setting off a violent chain of events.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 4 candidature totali
Recensioni in evidenza
John Duigan's The Year My Voice Broke stands out from other coming of age films because of its simple honesty and natural performances. Gorgeously photographed in Braidwood, New South Wales, Australia, the film avoids the usual "rites of passage" cliches and makes real the heartbreak of awakening sexuality and feeling alone. Set in 1962, Danny Embling (Noah Taylor) is a sensitive, scrawny 15-year old who is obsessed with his childhood friend, 16-year old Freya Olson (Leona Carmen).
He writes poetry and tries to emulate rock stars to win her over but his voice is always breaking when he tries to sing. Freya, orphaned as a baby and now something of a wild spirit, shares her secrets with Danny in their private place on the nearby rocky crags. Both teens feel isolated, Danny from the macho attitudes of his schoolmates and Freya because of the truth she senses about her mother.
Freya is increasingly attracted to Trevor (Ben Mendelsohn), a rugby player who is given to petty crime. Though the mood grows dark, Duigan uses humor to lighten things up when Danny attempts to hypnotize Freya into loving him, and when the boy tries mental telepathy to prevent Freya from kissing Trevor. Danny's loneliness is painfully evident when he tags along with Freya and Trevor on a date and has to endure the agony of watching them make love at a "haunted house". This house plays a significant part in Danny, Freya, and Trevor's relationship and in the film's dramatic climax. Duigan ties his story to the dark secret of the town whose discovery will change the lives of the characters forever and leave you reflecting on the pain of growing up.
He writes poetry and tries to emulate rock stars to win her over but his voice is always breaking when he tries to sing. Freya, orphaned as a baby and now something of a wild spirit, shares her secrets with Danny in their private place on the nearby rocky crags. Both teens feel isolated, Danny from the macho attitudes of his schoolmates and Freya because of the truth she senses about her mother.
Freya is increasingly attracted to Trevor (Ben Mendelsohn), a rugby player who is given to petty crime. Though the mood grows dark, Duigan uses humor to lighten things up when Danny attempts to hypnotize Freya into loving him, and when the boy tries mental telepathy to prevent Freya from kissing Trevor. Danny's loneliness is painfully evident when he tags along with Freya and Trevor on a date and has to endure the agony of watching them make love at a "haunted house". This house plays a significant part in Danny, Freya, and Trevor's relationship and in the film's dramatic climax. Duigan ties his story to the dark secret of the town whose discovery will change the lives of the characters forever and leave you reflecting on the pain of growing up.
This film is a genuine and moving portrayal of growing up in Australia. On some level, the film makes the mundane haunting and beautiful. For people wanting to see the 'real' Australia, rather than the Crocodile Dundee myths, this movie is a classic.
Definitely a film for the sentimental thinker. Like most Australian movies, it lacks the big-budget shoot em up special effect American style. It is more laid back, and lets the characters tell their stories. It made quite an impression in Australia when released, but was less successful overseas.
The sequel of this movie, "Flirting", starred Nicole Kidman and Thandie Newton, who played a cameo in "Interview with the Vampire" opposite Tom Cruise.
Definitely a film for the sentimental thinker. Like most Australian movies, it lacks the big-budget shoot em up special effect American style. It is more laid back, and lets the characters tell their stories. It made quite an impression in Australia when released, but was less successful overseas.
The sequel of this movie, "Flirting", starred Nicole Kidman and Thandie Newton, who played a cameo in "Interview with the Vampire" opposite Tom Cruise.
"The Year My Voice Broke" might be the best coming-of-age movie ever made in Australia. I'm unsure why it took me so long to watch it. I kind of expected it to be painful, and, you know, it was.
It does not have a happy ending. It's haunting and achingly beautiful. What you generally get from Australian movies that you don't get from Hollywood is truth. There's not a lot of sugar coating. And the characters feel believable as people who might actually exist, not broad archetypes we're all familiar with.
Take Danny, the main character, played by Noah Taylor, who played artistically inclined teenagers for at least another ten years (he was the young David Helfgott in "Shine"). If this movie were American, they'd probably make him a nerd, but Danny isn't a nerd. He's a poet, a musician, a singer. He's smarter than most of the people around him, he's socially awkward due to that depth of intelligence, but he's no "nerd". Like a real person, he is hard to categorise.
The same can be said for Freja, the girl he loves and has known his whole life. Even in the way Danny sees her, she's not your typical coming-of-age story's object of desire for the protagonist. In an American movie, she'd be like the exchange student in "American Pie", ie. Only ever glimpsed in terms of her sexuality. In "The Year My Voice Broke", she's so much more than that. She's too down to earth to be the elusive lust-object that girls like this typically are. Because Danny sees her as a person, and not as a lust object, we actually believe his love for her, and because Leone Carmen's performance is so good, we understand why he feels that way.
Nothing in "The Year My Voice Broke" is as it appears. The movie might evoke some standard plot devices, such as a love-triangle, but it all feels lived in and real. This is what makes it one of the best coming-of-age stories ever made.
It does not have a happy ending. It's haunting and achingly beautiful. What you generally get from Australian movies that you don't get from Hollywood is truth. There's not a lot of sugar coating. And the characters feel believable as people who might actually exist, not broad archetypes we're all familiar with.
Take Danny, the main character, played by Noah Taylor, who played artistically inclined teenagers for at least another ten years (he was the young David Helfgott in "Shine"). If this movie were American, they'd probably make him a nerd, but Danny isn't a nerd. He's a poet, a musician, a singer. He's smarter than most of the people around him, he's socially awkward due to that depth of intelligence, but he's no "nerd". Like a real person, he is hard to categorise.
The same can be said for Freja, the girl he loves and has known his whole life. Even in the way Danny sees her, she's not your typical coming-of-age story's object of desire for the protagonist. In an American movie, she'd be like the exchange student in "American Pie", ie. Only ever glimpsed in terms of her sexuality. In "The Year My Voice Broke", she's so much more than that. She's too down to earth to be the elusive lust-object that girls like this typically are. Because Danny sees her as a person, and not as a lust object, we actually believe his love for her, and because Leone Carmen's performance is so good, we understand why he feels that way.
Nothing in "The Year My Voice Broke" is as it appears. The movie might evoke some standard plot devices, such as a love-triangle, but it all feels lived in and real. This is what makes it one of the best coming-of-age stories ever made.
This 1987 film written and directed by John Duigan and starring the ingenious Noah Taylor is a undiscovered gem. Set in 1952 in rural Australia the story centers around Danny Embling, a likeable and thoughtful boy outcast by his peers. He is in love with his best friend Freyia,and it is their turbulent relationship that is the heart of the story. When Freyia falls in love with Trevor, a hyper-active and troubled boy, the three struggle with their emerging feelings and the life altering decisions that they must make. Certainly, we've seen this all before but not like this. Never in my life have I seen such an honest portrayal of youth. The dialogue is not filled with ridiculous pop culture references or complex vocabulary but that is the charm. These people talk just like us. The story is never contrived and the acting is completely natural. Although all the performances are commendable,none so much as Noah Taylor's heartfelt portrayal of our bumbling hero. This is his first major film role and he floats through it naturally. His acting is subtle yet varied and he is one of the greatest undiscovered actors of our time. This is a wonderful film that everyone, art film buff to action fan,from 14 to 94 should see for the sweet story and natural performances especially from the wonderful Noah Taylor.
"The Year My Voice Broke" is one of those unknown, quintessential diamond-in-the-rough films that can't seem to find its way into the DVD market, but breaths Criterion throughout the entire viewing. The daring, honest, and descriptive story of a young boy, his love for this older girl, and the tribulations of growing up in a small town are merely scratching the surface to what this film has to offer. It speaks, and pays homage, to those classic films from the late 40s, early 50s by creating a town with character, mythology, and individuality. One could argue that the town in which this film takes place is our fourth character, behind Danny, Freya, and Trevor – but perhaps this enthusiast is getting ahead of himself. Watching this import on a used VHS, the picture was grainy, the player made noise, and the sound was utterly destructive – yet the heart of this film oozed from the screen. The power of the characters, the detail of our story, and the truth in director/screenwriter John Duigan's words went from having meaning in a 1987 film (that was supposed to take place in 1962) to creating a story that didn't feel dated or old watching it today, at the end of 2009. That is the legacy of "The Year My Voice Broke", the raw emotion harassed in this film continues to be relevant today – perhaps even more. As Hollywood uses every CGI possible to recreate the same effect, all one needs to do is look back at films that used the old-fashioned method
great actors, a daring script, and a background that could knock your socks off.
To applaud this film, one would need to pat the back of a very young, a very talented, Noah Taylor. Taking on not just an awkward role, he needed to show his anger, his teenage frustration, as well as his headiness for brains instead of brawn. Noah Taylor, known to me as Technical Support in "Vanilla Sky", succeeded gracefully and with the power of most of our top paid American stars. His ability to show us his unconditional love for Freya, his quizzical hatred for Trevor, as well as his sleuthing skills proved that this kid was ready for anything. His co-workers inhabiting each scene worked with his dynamic and equally pushed their talents. Freya, played by Loene Coleman, a newbie to the screen, was enchanting as the love interest. While she wasn't quite the level of Mr. Taylor, her ability to carry her scenes worked. She was the classical bad-girl-next-door with secrets. Her chemistry with Taylor kept me glued to the screen. The same can be said for Trevor, played by Ben Mendelsohn, who's diabolical, nearly irritating, laugh created a character all his own. As the wildcard, we never knew what he was going to do next, and both our characters and our audience were scared of that. To demonstrate the intensity of these actors, watch closely the scene in which they spend the night in the "haunted" house near the railroad tracks. Each one has a motive, each actor/character delivers their emotion, and with each line the scene gets more and more powerful. I wasn't expecting this with children so young.
With these three dominate characters; one may ask what else would be needed for an independent film to succeed? One more, the town. As mentioned before, the town that these three (and many others) reside is reminiscent of our American "Bedford Falls". There are residents that have been their all their lives and secrets many of them keep to protect their town. Throughout the film, our characters are continually building their moments via smaller lives within the town. We learn about Danny's passion for the black arts, that Trevor knows the police firsthand, and that Freya's unknown secret keeps the town at bay. Without the closeness of this town, "The Year My Voice Broke" wouldn't have worked. If filmed in a bigger city, the intimate feeling of a protective yet destructive town would have floundered. The town drunk would have been less poignant, Danny's dad's role would have felt less personal, and the idea of home being safe would have felt less comforting. The town had to be a character in this film. Duigan knew it, developed it, and built it strongly into his film.
This was a character driven film. Without Noah Taylor, Loene Coleman, or Ben Mendelsohn, this film would have failed. It is hard to imagine anyone else being able to carry these characters, or that an American reality would pack as much of a punch. It was impressive to see Australia in 1962, a place we don't explore in cinema enough over past centuries. Director Duigan, if I haven't already drooled over him enough, understood this film, wrote a genuine story, and built a cinematic triumph. Alas, this film has been forgotten, but look closely at the cinematography, the lavish landscapes, the devotion of our characters, the above mentioned town – these all could not have been accomplished without a passionate eye. I applaud Duigan for his talent and ability to transform this 1980s film into a universally emotional and exciting moment of cinema.
Overall, I have said enough. I loved this movie. It was detailed, emotional, and beautiful. Everyone, from director to actors performed superbly. It was a rough couple of prior films, but "The Year My Voice Broke" provided that classic niche. It felt fresh and new, despite the age. I recommend this to everyone. Buy a VHS player and get a copy of this movie, you will not be disappointed.
Grade: **** 1/2 out of *****
To applaud this film, one would need to pat the back of a very young, a very talented, Noah Taylor. Taking on not just an awkward role, he needed to show his anger, his teenage frustration, as well as his headiness for brains instead of brawn. Noah Taylor, known to me as Technical Support in "Vanilla Sky", succeeded gracefully and with the power of most of our top paid American stars. His ability to show us his unconditional love for Freya, his quizzical hatred for Trevor, as well as his sleuthing skills proved that this kid was ready for anything. His co-workers inhabiting each scene worked with his dynamic and equally pushed their talents. Freya, played by Loene Coleman, a newbie to the screen, was enchanting as the love interest. While she wasn't quite the level of Mr. Taylor, her ability to carry her scenes worked. She was the classical bad-girl-next-door with secrets. Her chemistry with Taylor kept me glued to the screen. The same can be said for Trevor, played by Ben Mendelsohn, who's diabolical, nearly irritating, laugh created a character all his own. As the wildcard, we never knew what he was going to do next, and both our characters and our audience were scared of that. To demonstrate the intensity of these actors, watch closely the scene in which they spend the night in the "haunted" house near the railroad tracks. Each one has a motive, each actor/character delivers their emotion, and with each line the scene gets more and more powerful. I wasn't expecting this with children so young.
With these three dominate characters; one may ask what else would be needed for an independent film to succeed? One more, the town. As mentioned before, the town that these three (and many others) reside is reminiscent of our American "Bedford Falls". There are residents that have been their all their lives and secrets many of them keep to protect their town. Throughout the film, our characters are continually building their moments via smaller lives within the town. We learn about Danny's passion for the black arts, that Trevor knows the police firsthand, and that Freya's unknown secret keeps the town at bay. Without the closeness of this town, "The Year My Voice Broke" wouldn't have worked. If filmed in a bigger city, the intimate feeling of a protective yet destructive town would have floundered. The town drunk would have been less poignant, Danny's dad's role would have felt less personal, and the idea of home being safe would have felt less comforting. The town had to be a character in this film. Duigan knew it, developed it, and built it strongly into his film.
This was a character driven film. Without Noah Taylor, Loene Coleman, or Ben Mendelsohn, this film would have failed. It is hard to imagine anyone else being able to carry these characters, or that an American reality would pack as much of a punch. It was impressive to see Australia in 1962, a place we don't explore in cinema enough over past centuries. Director Duigan, if I haven't already drooled over him enough, understood this film, wrote a genuine story, and built a cinematic triumph. Alas, this film has been forgotten, but look closely at the cinematography, the lavish landscapes, the devotion of our characters, the above mentioned town – these all could not have been accomplished without a passionate eye. I applaud Duigan for his talent and ability to transform this 1980s film into a universally emotional and exciting moment of cinema.
Overall, I have said enough. I loved this movie. It was detailed, emotional, and beautiful. Everyone, from director to actors performed superbly. It was a rough couple of prior films, but "The Year My Voice Broke" provided that classic niche. It felt fresh and new, despite the age. I recommend this to everyone. Buy a VHS player and get a copy of this movie, you will not be disappointed.
Grade: **** 1/2 out of *****
Lo sapevi?
- QuizThis picture was one of fifty Australian films selected for preservation as part of the National Film and Sound Archive of Australia's Kodak/Atlab Cinema Collection Restoration Project.
- BlooperWhen Danny and Freya stand on the line watching the train pass, the crew's image is reflected in the shiny side of the train carriages.
- Citazioni
Danny Embling: Wanna dance?
Freya Olson: You know what, try one of them.
Danny Embling: Plenty of time.
Freya Olson: Good luck.
- ConnessioniFeatured in Century of Cinema: 40,000 years of dreaming (1996)
- Colonne sonoreThe Lark Ascending
Written by Ralph Vaughan Williams
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Das Jahr meiner ersten Liebe
- Luoghi delle riprese
- Braidwood, New South Wales, Australia(country town)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 213.901 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5487 USD
- 28 ago 1988
- Lordo in tutto il mondo
- 213.901 USD
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By what name was The Year My Voice Broke (1987) officially released in India in English?
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