VALUTAZIONE IMDb
7,3/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn rural 1960s Australia, a boy watches helplessly as his best friend falls in love with a small-time criminal, setting off a violent chain of events.In rural 1960s Australia, a boy watches helplessly as his best friend falls in love with a small-time criminal, setting off a violent chain of events.In rural 1960s Australia, a boy watches helplessly as his best friend falls in love with a small-time criminal, setting off a violent chain of events.
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"The Year My Voice Broke" might be the best coming-of-age movie ever made in Australia. I'm unsure why it took me so long to watch it. I kind of expected it to be painful, and, you know, it was.
It does not have a happy ending. It's haunting and achingly beautiful. What you generally get from Australian movies that you don't get from Hollywood is truth. There's not a lot of sugar coating. And the characters feel believable as people who might actually exist, not broad archetypes we're all familiar with.
Take Danny, the main character, played by Noah Taylor, who played artistically inclined teenagers for at least another ten years (he was the young David Helfgott in "Shine"). If this movie were American, they'd probably make him a nerd, but Danny isn't a nerd. He's a poet, a musician, a singer. He's smarter than most of the people around him, he's socially awkward due to that depth of intelligence, but he's no "nerd". Like a real person, he is hard to categorise.
The same can be said for Freja, the girl he loves and has known his whole life. Even in the way Danny sees her, she's not your typical coming-of-age story's object of desire for the protagonist. In an American movie, she'd be like the exchange student in "American Pie", ie. Only ever glimpsed in terms of her sexuality. In "The Year My Voice Broke", she's so much more than that. She's too down to earth to be the elusive lust-object that girls like this typically are. Because Danny sees her as a person, and not as a lust object, we actually believe his love for her, and because Leone Carmen's performance is so good, we understand why he feels that way.
Nothing in "The Year My Voice Broke" is as it appears. The movie might evoke some standard plot devices, such as a love-triangle, but it all feels lived in and real. This is what makes it one of the best coming-of-age stories ever made.
It does not have a happy ending. It's haunting and achingly beautiful. What you generally get from Australian movies that you don't get from Hollywood is truth. There's not a lot of sugar coating. And the characters feel believable as people who might actually exist, not broad archetypes we're all familiar with.
Take Danny, the main character, played by Noah Taylor, who played artistically inclined teenagers for at least another ten years (he was the young David Helfgott in "Shine"). If this movie were American, they'd probably make him a nerd, but Danny isn't a nerd. He's a poet, a musician, a singer. He's smarter than most of the people around him, he's socially awkward due to that depth of intelligence, but he's no "nerd". Like a real person, he is hard to categorise.
The same can be said for Freja, the girl he loves and has known his whole life. Even in the way Danny sees her, she's not your typical coming-of-age story's object of desire for the protagonist. In an American movie, she'd be like the exchange student in "American Pie", ie. Only ever glimpsed in terms of her sexuality. In "The Year My Voice Broke", she's so much more than that. She's too down to earth to be the elusive lust-object that girls like this typically are. Because Danny sees her as a person, and not as a lust object, we actually believe his love for her, and because Leone Carmen's performance is so good, we understand why he feels that way.
Nothing in "The Year My Voice Broke" is as it appears. The movie might evoke some standard plot devices, such as a love-triangle, but it all feels lived in and real. This is what makes it one of the best coming-of-age stories ever made.
This movie is the best film I've ever seen in my life.
I saw it for the fist time last summer, and has been my favorite ever since.
A coming of age story, this movie is set against the early sixties and what it was like growing up as a teen, in Australia, it tells a story of two teenagers trying to find themselves and eventually each other during one year. The laughter and tears makes this movie a classic, and will be adored by teens for years to come. Danny and Fay, are the best characters and best teenagers you would ever want to know, and have as friends. They become your best friends and when tragedy strikes, you're right there with them.
I hope each and every one of you who will watch this movie and give it a chance, I know I did. The photography alone will entice you to stay and watch the whole thing. With beautiful shots, love scenes, friendships, and just being a teen, this film is my favorite, and will stay my favorite for many years to come, and my voice has already broken.
I saw it for the fist time last summer, and has been my favorite ever since.
A coming of age story, this movie is set against the early sixties and what it was like growing up as a teen, in Australia, it tells a story of two teenagers trying to find themselves and eventually each other during one year. The laughter and tears makes this movie a classic, and will be adored by teens for years to come. Danny and Fay, are the best characters and best teenagers you would ever want to know, and have as friends. They become your best friends and when tragedy strikes, you're right there with them.
I hope each and every one of you who will watch this movie and give it a chance, I know I did. The photography alone will entice you to stay and watch the whole thing. With beautiful shots, love scenes, friendships, and just being a teen, this film is my favorite, and will stay my favorite for many years to come, and my voice has already broken.
John Duigan's The Year My Voice Broke stands out from other coming of age films because of its simple honesty and natural performances. Gorgeously photographed in Braidwood, New South Wales, Australia, the film avoids the usual "rites of passage" cliches and makes real the heartbreak of awakening sexuality and feeling alone. Set in 1962, Danny Embling (Noah Taylor) is a sensitive, scrawny 15-year old who is obsessed with his childhood friend, 16-year old Freya Olson (Leona Carmen).
He writes poetry and tries to emulate rock stars to win her over but his voice is always breaking when he tries to sing. Freya, orphaned as a baby and now something of a wild spirit, shares her secrets with Danny in their private place on the nearby rocky crags. Both teens feel isolated, Danny from the macho attitudes of his schoolmates and Freya because of the truth she senses about her mother.
Freya is increasingly attracted to Trevor (Ben Mendelsohn), a rugby player who is given to petty crime. Though the mood grows dark, Duigan uses humor to lighten things up when Danny attempts to hypnotize Freya into loving him, and when the boy tries mental telepathy to prevent Freya from kissing Trevor. Danny's loneliness is painfully evident when he tags along with Freya and Trevor on a date and has to endure the agony of watching them make love at a "haunted house". This house plays a significant part in Danny, Freya, and Trevor's relationship and in the film's dramatic climax. Duigan ties his story to the dark secret of the town whose discovery will change the lives of the characters forever and leave you reflecting on the pain of growing up.
He writes poetry and tries to emulate rock stars to win her over but his voice is always breaking when he tries to sing. Freya, orphaned as a baby and now something of a wild spirit, shares her secrets with Danny in their private place on the nearby rocky crags. Both teens feel isolated, Danny from the macho attitudes of his schoolmates and Freya because of the truth she senses about her mother.
Freya is increasingly attracted to Trevor (Ben Mendelsohn), a rugby player who is given to petty crime. Though the mood grows dark, Duigan uses humor to lighten things up when Danny attempts to hypnotize Freya into loving him, and when the boy tries mental telepathy to prevent Freya from kissing Trevor. Danny's loneliness is painfully evident when he tags along with Freya and Trevor on a date and has to endure the agony of watching them make love at a "haunted house". This house plays a significant part in Danny, Freya, and Trevor's relationship and in the film's dramatic climax. Duigan ties his story to the dark secret of the town whose discovery will change the lives of the characters forever and leave you reflecting on the pain of growing up.
This film is a genuine and moving portrayal of growing up in Australia. On some level, the film makes the mundane haunting and beautiful. For people wanting to see the 'real' Australia, rather than the Crocodile Dundee myths, this movie is a classic.
Definitely a film for the sentimental thinker. Like most Australian movies, it lacks the big-budget shoot em up special effect American style. It is more laid back, and lets the characters tell their stories. It made quite an impression in Australia when released, but was less successful overseas.
The sequel of this movie, "Flirting", starred Nicole Kidman and Thandie Newton, who played a cameo in "Interview with the Vampire" opposite Tom Cruise.
Definitely a film for the sentimental thinker. Like most Australian movies, it lacks the big-budget shoot em up special effect American style. It is more laid back, and lets the characters tell their stories. It made quite an impression in Australia when released, but was less successful overseas.
The sequel of this movie, "Flirting", starred Nicole Kidman and Thandie Newton, who played a cameo in "Interview with the Vampire" opposite Tom Cruise.
The Year My Voice Broke is the finest film to come from Australia.
The acting is wonderful, the scenery is glorious, the cinematography superb, and everything clicks to make for a very moving story. This is one of my all-time favorities of all movies every made. The young actors are very natural in their approach to acting and one feels they are very real people who are going through this strange change in life through which all must pass. Kudos to the director and the producers.
The acting is wonderful, the scenery is glorious, the cinematography superb, and everything clicks to make for a very moving story. This is one of my all-time favorities of all movies every made. The young actors are very natural in their approach to acting and one feels they are very real people who are going through this strange change in life through which all must pass. Kudos to the director and the producers.
Lo sapevi?
- QuizThis picture was one of fifty Australian films selected for preservation as part of the National Film and Sound Archive of Australia's Kodak/Atlab Cinema Collection Restoration Project.
- BlooperWhen Danny and Freya stand on the line watching the train pass, the crew's image is reflected in the shiny side of the train carriages.
- Citazioni
Danny Embling: Wanna dance?
Freya Olson: You know what, try one of them.
Danny Embling: Plenty of time.
Freya Olson: Good luck.
- ConnessioniFeatured in Century of Cinema: 40,000 years of dreaming (1996)
- Colonne sonoreThe Lark Ascending
Written by Ralph Vaughan Williams
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Das Jahr meiner ersten Liebe
- Luoghi delle riprese
- Braidwood, New South Wales, Australia(country town)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 213.901 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5487 USD
- 28 ago 1988
- Lordo in tutto il mondo
- 213.901 USD
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By what name was The Year My Voice Broke (1987) officially released in India in English?
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