Vec vidjeno

considering rest of markovic's work, this movie takes low position on list of his movies, for someone else it may be average, but not for goran markovic. as we are used to negative associations for yugoslav communist authority in markovic's movies, same thing is presented in 'vec vidjeno'. movie is about the man who is piano teacher who wasted his exceptional talent, primarily because of his childhood traumas which effected the rest of his life to the point of absolute mental decay. he associates nowadays reality with scenes from his childhood (explanes movie title)and general atmosphere is very melancholic and heavy, but not strong or effective enough and that's the key problem

This movie works better as a psychological drama, horror aspect is just a spice which concluded the gloomy atmosphere that was building up throughout the whole movie.

Mustafa Nadarevic really gave a monumental performance, he amazingly portrayed a deeply troubled and emotionally scarred middle aged man in the cynically socialistic world created by Goran Markovic.

It is important to look at this movie rather as a dark drama than a horror flick. Markovic has paid a great homage to the Yugoslav Black Wave movement with this one. His communist Yugoslav society was dr Frankenstein who was creating and shaping his monster for decades and in the end monster has done its bidding and in the process incepted its legacy further (kind of predicted the future of our society in the upcoming decade(s)).

From the technical standpoint movie was done carefully, but with a lower budget. The horror element is lacking the good ol' scare, except maybe for the last shot of the movie. The lack of real dread component is why I gave it 9/10. Nevertheless, it doesn't take much from it, the plot is phenomenal and it keeps you glued to the screen until the very end.

The sad fact is that we do not have more movies like this one, with the exception of the Yugoslav black wave examples and some early Markovic's movies I can't really find more. Maybe T.T Syndrome but even if it was influenced by Deja Vu it is was a much weaker work, although Zecevic's film is quite scarier thanks to the brilliant performance by another talented artist Dusica Zegarac. She set an example how just a facial expression can scare you more than an intense jump scene or gallons of blood and guts.

For me this is a 9/10 film it has a very smart plot, great acting performances (especially Nadarevic and Dobra), stylistically was done very well, very atmospheric. If you are into thought provoking movies that are well made this one is highly recommended.

This movie is a Yugoslav hidden gem. In my opinion, definitely in top 3 Yugoslav movies. The acting of Mustafa Nadarevic is superior, but other actors did a great job as well.

This movie reminded me of Hitchcock's movies, except that this movie is even better. I would like to add that the director Goran Markovic not only directed this movie but also wrote the story, so I have a huge respect and admiration for this man.

It covers interesting topics such as trauma from the events that happened in protagonist's youth- from communists bumping into his family's apartment, taking it over and dividing it in half to trauma from his parent's fighting and divorce, etc. When a new woman arrives to his workplace and he becomes intimate with her, the protagonist starts experiencing deja vu's often and over time loses his sanity which is going to lead to fatal consequences.

Now I'm not saying this is a masterpiece, but it is nonetheless a very interesting movie. It is definitely worth seeing, if you get a chance.

The storyline follows the life of a child whose posh family disintegrated following the arrival of communists in Belgrade, Serbia.

The loss of his family, societal status and dignity and the perceived lack of morals in the communist society drives him further and further away from the mainstream and into loneliness, depression and murderous obsession.

The movie maybe tries a little too hard to represent the post-war communist society as a parade of ignorant, unsophisticated and violent peasants, freshly arrived from the mountains and villages but already ruling every aspect of the new society.

The film is really about violence, and about painful changes in society that war and violent revolutions bring.

Once a promising concert pianist, slaphead Mihailo (Mustafa Nadarevic) teaches music at a university, where he falls for pretty fashion expert Olgica (Anica Dobra), who uses men as her playthings. Starting a sexual relationship with Mihailo, Olgica tries to convince him to perform in a televised stage show that she is producing, which she hopes will make her famous and enable her to move out of the small apartment that she shares with her alcoholic father and younger brother. However, Mihailo begins to lose his marbles when events start to mirror his troubled childhood, and after Olgica ditches him for a karate instructor, the pianist is pushed over the edge and becomes homicidal.

There's not really much in the way of horror in Reflections, the majority of the film focussing on Mihail's deteriorating mental state, flashbacks to his formative years, and Olgica's ruthless manipulation of men, but it still held my attention thanks to decent performances and an intriguing storyline. The film eventually delivers some suspense and nasty violence in the final act, when Mihailo has his murderous meltdown, the insane ivory tickler pinning Olgica's father to a door with a knife, stalking her brother, and slicing the karate dude with a sabre (the man's almost severed hand flapping around, hanging by a strip of flesh). Olgica pays for her scheming ways when Mihailo throttles her as she is showering (even in communist Yugoslavia, they understand the importance of a gratuitous shower scene!).

5.5/10, rounded up to 6 for IMDb.