Gli angeli della morte

Yeung's poppy fields are torched by a law enforcement task force, she retaliates by ordering police officials assassinated. The Angels break into Yeung's corporate offices, eventually tracing her headquarters. After Alex Fong's character is captured and held by Yeung, the Angels mount an assault to rescue him. A complex sub-plot involving an armored car bullion robbery eventually leads the Angels to a final showdown with Yeung and her men.

This film tends to get some respect, and though it has some explosive action, much of the plot is taken up by a lot of buildup, characters appearing, talking and some spying - to be honest, it was just about watchable for the first 45 mins before going up a gear, where some of the finest fights and stunts are performed. This is quite violent film, containing some sadistic scenes of torture, courtesy of Cynthia Luster. She steals every scene she is in. She's so nasty that you just can't wait until Moon Lee and co. Give her a good send-off. Not as good as the sequel, but it's ok with an intense last thirty minutes.

The plot and acting may be campy, but the action is on a higher level just below that of John Woo. The few action scenes really surprised me, and the fight choreography with both martial arts and gun play turned out to be above average. The ending is some of the best when it comes to female martial arts action, it's brutal yet believable, and for its age keeps you on the edge of your seat. For example, most female action heroes don't bleed from the face when kicked or punched, but here they do, and this adds further tension towards the protagonists' plight. To watch I would first be a fan of Asian action movies from this period, as some moments are so cheesy you'll roll your eyes. Comedy, drama, and action don't blend appropriately at times, but once again this is only expected for a Hong Kong feature of the late 80's. With a mild tolerance for cheese and martial arts, you'll no doubt love this one. Moon Lee, Elaine Lui, and Yakuri Oshima perform with deadly swiftness! - 8/10

IRON ANGELS is Hong Kong's answer to CHARLIE'S ANGELS, as a pair of fighting women go up against a sinister drug smuggling organisation in a bid to take down the kingpin in charge - who just happens to be a woman. The film is chock full of outstanding action sequences in the form of car chases, shoot-outs and of course martial arts bouts, and it's fair to say that this is top stuff. Certainly there's rarely a dull moment here amid all the death, violence, and suspense.

The delectable Moon Lee wins all of the attention as the lovely-looking crime fighter who turns out to be a deadly combatant in the fight stakes too. She needs to be: the villain of the piece is none other than Yukari Oshima, who invests her role with a real deadliness. Support comes from the welcome likes of David Chiang and in particular Hwang Jang Lee, who gets something more developed than the usual stock bad guy role, which I was very happy with. Inevitably the story is dominated by kick-ass fight choreography and a wowzer powerhouse fight climax that has to be seen to be believed.

I had heard a lot of good things about "Iron Angels" and how it influenced the Hong Kong film industry so much that for years they were trying to cash in on its success by attaching the world "Angels" to a series of similar films. Having finally seen it, I must say I was a bit underwhelmed. Don't get me wrong, the action scenes ARE spectacular and explosive, particularly a massive shootout (we're talking about HUNDREDS of bullets here) that ends with a very high jump from the roof of a house, and the climactic fight between Moon Lee and Yukari Oshima that gets seriously bloody and brutal. It's the film-making itself that leaves something to be desired: there are too many points where the film seems to lack a smooth flow from scene to scene, and becomes hard to follow. Obviously a must-see for Girls-With-Guns fans (Lee, Oshima - who brings a touch of perversity to her villainous role - and Elaine Lui all mean SERIOUS business in action), but not quite a classic of the genre IMO. Try to see it in the "Iron Angels" version, as the one titled simply "Angels" has been trimmed in moments of extreme violence. (**)

Very exciting, high octane actioner with a fair dose of blood and guts. But somewhat of a disjointed mess with scenes following each other seemingly at random. For example, the angels sitt at a table in a nightclub, cuts to one of the angles inline for the bathroom as a random guy comes out, cuts to a male angel working out in a gym, cuts to a random police officer walking down a corridor in a police station... as the action intensifies the continuity does improve somewhat and boy does it turn the dial to eleven towards the end. Moon and Yukari shines throughout with the final fight being one of the most epic battles of Hong Kong cinema.