Alba d'acciaio

After most of civilization destroyed by a futuristic World War III, well-built warrior Patrick Swayze (as Nomad) wanders through the desert. He meditates while doing handstands (guess this helps make him a better warrior, and you will be proved correct), then shows excellent swordsmanship by annihilating some "half-people" who appear to live in the sand. As "Tremors" (1990) later confirmed, sand creatures are nasty; besides, they threaten the life of our handsome hero. Looking like a romance novel cover model, Mr. Swayze must find sneering vigilante Christopher Neame (as Sho), the man killed his martial arts mentor...

Cooling his heels, Swayze stays at a farm with beautiful blonde widow Lisa Niemi-Swayze (as Kasha) and her cute son Brett Hool (as Jux), who just may be related to director Lance Hool. They live with brave Brion James (as Tark). Proving hairstylists will survive a nuclear holocaust, the Swayzes must protect her irrigation development from wicked Anthony Zerbe (as Damnil). His wells are running dry and she has all the water. This is highly derivative, but with good enough action. Swayze body watchers will be in more than pleased with his appearance. The soundtrack by Mad Max" (1979) composer Brian May is adept.

****** Steel Dawn (11/6/87) Lance Hool ~ Patrick Swayze, Lisa Niemi, Christopher Neame, Brion James

I have no idea why this is such a comfort film, it just works somehow, all of the elements feel low budget and strange, yet still it's fun to watch. Nothing deep, pure entertainment, for that, it's great. It also proves that Patrick Swayze is capable of being great in anything.

Steel dawn, had no dawn and very little steel to speak of. However, it did contain large quantities of Swayze. The hero, played by Patrick Swayze, is a nomad traveling post-apocalyptic wastelands in search a swayz-tacular adventure. He meets up with Tark, a hulk-hogan-like individual who eventually befriends swayze. Their advisary, played by a rejected member of Bon Jovi, spends the majority of the film trying to kill swayze because he is jealous of his hair style. There are many whimsical happenings along the way, such as a swayze finding a dog, and swayze climbing a sand dune. Overall i give this movie a 4/10 due to its poor method of conveying the modern struggles of the inner self in an existential environment.

Just caught up with it after 25 years and while this is not a classic, this is not a bad movie. I saw this when it first came on video and remember enjoying it and feeling it was a solid action flick for Patrick Swayze. I am very surprised all these years later after seeing it today on TV, that it still is, though I would only recommend it to people who like old movies and/or post-apocalyptic stories.

First of all, it was nice to see Patrick Swayze and his wife, Lisa Niemi paired together on screen. They had a tremendous relationship in real life; one of the only Hollywood couples to whom "till death do us part" really meant something. They clearly have an easy demeanor around one another that makes their scenes memorable. Most of all what's good about this movie and similar old flicks made on clearly-low-budgets is the lack of pretense. It's not trying to be flashy, it's not trying to be epic, nor is it trying to be something it's not. This is just a simple tale of a wanderer (Swayze) who comes upon a tiny village and learns to help the people in exchange for food, water and a bed and comes to defend them from marauders. Nothing more. His character, called "The Stranger" in the film, becomes a man of example, whose actions speak louder than words and who shows us how we can trust someone based on how they act and not what they say. Swayze has charisma and that's what makes it better than average for this type of old film. He was such a good dancer we forget he had some action chops as well. NEXT OF KIN, and ROAD HOUSE were made after this, along with POINT BREAK, and are better known. This is a quiet flick, a good one to watch on a lazy weekend afternoon.

The direction and music score are a little dated, as is Niemi's hairstyle (very popular in the '86-'87 years). The acting is okay overall, though Anthony Zerbe always makes a good villain. Mostly the excellent fight scenes keep the film moving forward. The choreography of the action is very good and Swayze truly has the grace of a dancer in his hand-to-hand combat. STEEL DAWN holds up as a nice reminder of simple, unpretentious 1980s storytelling.

The outline (plot may be too strong a word) of this movie is set in the future when water is scarce, and civilization is a dusty one-bar town. Our hero (Swayze) must prevent the evil cattle (oops!) Water baron from owning everything and defiling everyone. To be truly evil, our villain has to get an evil warrior to be Swayzes' warrior nemesis.

Think of this movie as "Road House" after the apocalypse. Swayze plays the troubled warrior; uneasy with the violence he must commit for a higher purpose, yet wise in literature and sensitive to a woman's needs (Sounds kinda like "Next Of Kin" too, doesn't it?).

While unworthy of an Academy Award, it is a fun movie that provides the kind of entertainment you expect from a modern swashbuckler. The good people are really good (or flawed in an OK way like the ranch foreman), and the bad people are really bad -- except for Swayzes' nemesis who is bad, but has a code of honor that is almost as complex as Swayzes' character.

I like it; it has a place on my shelf and I've probably watched it 3 or 4 times since it came out.