Spettri

Well, what do you know, they do make horror movies in Italy that do not appeal to me after all. The Italians were the undeniable masters when it comes to horror, especially during the seventies and eighties, but obviously not all films can be winners. Just like "Manhattan Baby" and "Zeder", which more or less revolve on similar themes, "Specters" is an incredibly incoherent and painfully tedious film.

The basic premise holds a lot of potential, for sure, but director Marcello Avallone - as well as his three (!) fellow writers - couldn't turn it into a compelling script. Several of the story lines are underdeveloped, the film wastes far too much time on irrelevant sub plots and insignificant supportive characters, the evil's true nature remains a mystery even after the film has ended, the lead roles aren't convincing, and the production incomprehensibly doesn't take full usage of the marvelous filming locations and scenery! Here they are shooting a film in one of the most beautiful cities in the world, below ground as well as on the surface, but all we get to see are pitiable images of some lame ruins.

There's something evil lurking under the city of Rome... The acclaimed archaeologist Prof. Lasky and his crew have been searching for a 19 centuries old tomb for many months now, but it seems that the nearby subway construction works have finally exposed the entry. The discovery might not be such a triumph after all, since the occupant of the sarcophagus - a bizarre type of feline monster - is awakened and promptly goes on a rampage. Well, at least I think it goes on a rampage, because that's the point where the "Specters" really stops making sense.

Many sequences, like the "Nightmare on Elm Street" similar suck-into-the-bed death scene, are played like they are hallucinations whereas other ones, like the head crushing sequence, are reality? There clearly is some sort of (spiritual?) link between the monster and one of the archaeologist's girlfriend (played by the former Miss Denmark Trine Michelsen who recently passed away as a result of bone cancer) but that story aspect is never at one point clarified. You get used to that, though. What's the deal with the blind tour guide in the catacombs? What inflicted the veto between Prof. Lasky and the exaggeratedly gay-behaving elderly antique dealer? Why does literally everybody in this film insist on having extended conversations with themselves? Why isn't the couple from the beginning of the film mentioned anymore?

Never mind all that, it's a silly and lackluster film; - let's jut keep it at that. As usual with the productions he was involved in, special effects wizard Sergio Stivaletti delivers the finest piece of work. The budget was clearly minimal, but he nevertheless still managed to provide some pretty cool and engrossing effects. The always reliable Donald Pleasance, who regularly appeared in Spaghetti horror at that time ("Phantom of Death", "Nothing Underneath", "Nosferatu in Venice", "Phenomena"...) is on auto-pilot, but he always remains a joy to behold.

This disastrous Italian horror brings the late great Donald Pleasence along for the ride and surely didn't do his career any favours.

With not only a low rating but barely 250 ratings on IMDB this clearly fell into obscurity and I can see why.

Italian horror during the 80's was generally fantastic, this was a rare miss and quite a big one at that.

It tells the story of a crew investigating unexplored catacombs and the ancient demonic evil that they unleash.

With a messy plot, shoddy audio and camera work and a forgettable cast this is pretty bad stuff saved to a degree thanks to Pleasence and an interesting setting.

If you seek Italian horror look elsewhere.

The Good:

Donald Pleasence

Neat setting

The Bad:

Poor sound editing

Donald Pleasence looks like a big fish in a small pond here

Awful ending

Things I Learnt From This Movie:

Donald Pleasence must have been short on cash

My review was written in May 1987 after a Cannes Film Festival Market screening.

"Specters" is a disappointing shaggy-dog Italian horror film, technically okay but not delivering any scares and hardly any action until the finale. Helmer Marcello Avallone gets the technical side right but has a lot of stylistic (and pacing/construction) lessons to learn from the maestros of horror.

Story is similar to Nigel Kneale's classic "Quatermass & the Pit" (a/k/a "5,000,000 Years to Earth"): work on the subways in Rome disrupts an archaeological dig nearly run by Professor Lasky (who else but Donald Pleasence), opening an ancient vault. It takes a full hour of red herrings until the monster shows up, a barely shown imitation of the tacked-on crfitter in Jacques Tourneur's "Night of the Demon".

Topnotch lenser Silvano Ippoliti provides some nice travelling shots through the catacombs but pic is all buildup and no delivery. Pleasence hams it up as the only cast member whose English language voice fits his mug.

I wonder if, back when he was wowing audiences with great performances in films such as Cul-de-sac and The Flesh and the Fiends, Donald Pleasance ever thought he'd be starring in dross like this? Anyway, I have to say that I wasn't surprised to find that Specters is basically the film I thought it would be; namely, a poor Demons-style trashy eighties horror flick with little in the way of redeeming features. The plot is just common horror fare and features a bunch of researchers digging into places they shouldn't be digging and revealing a load of ancient catacombs that warn of impending doom. Naturally, the evil is unleashed. At the very least from this, I was expecting some decent gore; but all we actually get is cheesy crap which is matched by the trashy atmosphere and typically cheesy eighties soundtrack. The plot is a complete mess and I found it very easy to get bored. Donald Pleasance was obviously bored too, and that's not surprising considering the talent of the people he's working with; naturally, Specters features some awesomely terrible acting. It all boils down to a typically pointless ending and overall, this is one of the few films that is bettered by the lamentable 'Demons 2'!

This cruddy, late-80s, Italian supernatural/demonic horror sees horror icon Donald Pleasance slumming it as archaeologist Professor Lasky, who, as the result of tremors caused by subway drilling under Rome, discovers a pre-Christian tomb full of pagan carvings, including an inscription which warns that "evil will come". And come it most certainly does, in the form of an ancient demon that proceeds to attack those involved in the excavation.

Italian horror films of the 80s often displayed little regard for logic, but made up for their general incoherence with a sense of style, enthusiastic gore, and—if possible—some nudity from a good looking babe or two. This one tries on all three counts, but fails spectacularly on the first two, director Marcello Avallone's overuse of his smoke and wind machines hardly qualifying as stylish, while the splatter, most of which is saved for the film's closing moments, is frustratingly brief (blink and you'll miss it). Thankfully, Trine Michelsen as Alice, sexy girlfriend of archaeologist Marcus, is on hand for the gratuitous T&A, obligingly stripping off a couple of times in order to keep the viewer awake.

The bulk of Specters, however, consists of lots of dreary dialogue and numerous supposedly scary scenes that rarely amount to much (with the best moment being blatantly ripped off from A Nightmare on Elm Street); as such, the film proves extremely tedious and delivers little in the way of genuine frights. The demon (created by Italian FX expert Sergio Stivaletti) remains hidden until the final moments, and, to be honest, isn't really worth the wait.

3.5 out of 10, generously rounded up to 4 for the hilariously bad computer graphics used to track Marcus as he explores the tomb, and Alice's hub-cap sized earrings.