Frances

1982 is such a competitive year for actresses, most prominently is Meryl Streep's critics- consensus "the all-time best female performance" and Oscar-crowning SOPHIE'S CHOICE (1982), which shamefully I haven't watched yet. Thus unfairly other contenders didn't stand any chance to beat her for that, but I never doubt that it was a nip-and-tuck between Streep and Lange in her tour-de-force sensation FRANCES.

Frances Farmer is hardly a household name among film boffins, she was a shooting star in the Tinseltown, whose defiant nature is destined for hemming herself as a fair game to the studio persecution, and the inhuman therapeutic treatments she receives in the mental hospitals are fierce indictment of our society's callous depersonalization under the aegis of medical remedy, although whether the lobotomy operation was executed still lacks of conviction.

Farmer exhibits her rebelliousness from the very start with her religion-defying speech "god was gone" when she was simply a high-schooler, a fearless doll under the high-handedness of her control freak mother (Stanley), Lange's rendition is begging description, an almost 30 years age-range and 140-minutes running time thoroughly proffers her an once-in-a-lifetime stretch to embody herself into this anguished persona, she minutely delineates how the life-force has been mercilessly ripped off her inch by inch and a belated and vehement face-off with her mother is the most theatrical moment and is the apotheosis of a heart-wrenching vicariousness, bravo to both Lange and Stanley!

Henry York (Shepard), a fictional character as the only man who truly understands Farmer and loves her unconditionally is the narrator, this concoction is a poetic license to add some solace in Farmer's wretched life and a considerable move for its audiences' sake, but meanwhile it barely serves a slush albeit Shepard and Lange work wonder together, the make-believe default also makes no room to expound why those two lovers could not be together, an over- romanticized tone may counteract the despondency of the film but it is also an untimely reminder of how close itself could be as brave as its leading lady Jessica Lange!

Despite a lot of errors including one apparently fictional lover for Frances Farmer, the film Frances is a look at on oddball type movie star for her time.

Today Frances Farmer's activities for various causes wouldn't raise a sleepy eyebrow in Hollywood. Never mind being committed to an insane asylum. She'd more at home now in the film industry than in the studio system of the day. The system is personified here by Paramount Pictures executive Allan Rich who is a cross between studio presidents Barney Balaban and Emmanuel Cohen in the day.

But Jessica Lange truly becomes Frances Farmer the girl with a social conscience, truly who did not like the cheesecake image that Paramount wanted her to fill.

She also learned from her experience in the Group Theater that even liberal activists could be snakes. Clifford Odets with whom she had one torrid affair with and Harold Clurman manager of the Group Theater let her down. Odets's wife never seen emerges as a villain of sorts who gets her man back. Not is she mentioned by name, but it was Luise Rainer who was still very much alive and lived to the ripe old age of 104.

So in fact is Farmer's first husband Leif Ericksen never mentioned by name. He's given the fictional name of Dick Steele and he's a minor character and played by Christopher Pennock.

Sam Shepard is not real, he's an amalgam of several left wing activists from the Seattle area where Frances Farmer was from. But he functions as sort of an emotional balance, someone who Farmer could turn to when she was unable to cope with all the lies and promises of show business.

If there is an award for bit parts ever developed for the year 1982 it would go to Darrell Larson. He's a real bottom feeder stringer for gossip columnist Louella Parsons. He has two scenes with Lange and in the second she puts him down severely.

Lange and Kim Stanley got Oscar nominations for Best Actress and Best Supporting Actress. Stanley who could have done Frances back in her salad days plays her mother, a rather straitlaced woman who thinks her daughter must be crazy after all she and dad Bart Burns are the Ward and June Cleaver of the 30s, how could they raise a left wing radical. Ergo, she must be crazy. And Frances was going to stay in those asylums until she learned the error of her ways.

Jessica Lange fits Frances Farmer so well you forget this is a film biography and think you are peaking in on the life of Frances Farmer. As good as the film is I can't recommend too strongly that you read her autobiography Will There Ever Be A Morning? One of the most honest Hollywood stories ever written.

Whether or not the movie is entirely true, Jessica Lange gave an amazing performance. The transformation of Frances Farmer is shocking. Lange is a force on screen. Her natural beauty not only wins you over, but can scare you into believing that she is the character she is portraying. The story of Frances Farmer is sad. Sad for her and the people in her life. The overall theme of the Frances Farmer story is pride. Many times, she has the opportunity to run, but doesn't. To Farmer, she is running from nobody but herself. Knowing this, Frances is the life story of a woman trying to be her own woman. Whether or not we can say that this movie is 100% factual, we can agree that the Hollywood life can destroy you! Much like the Julia Philips story or the Dotty Parker (Mrs. Parker and the Vicious Circle) we can agree that the issue of Women's pride and their role in Hollywood has been showcased before, but not before Frances Farmer's story.

Jessica Lange gives the performance of a lifetime as iconoclastic actress Frances Farmer, whose rejection of the star system led to her mental collapse and ostracism from her fame-hungry mother Lillian (Kim Stanley). Lange's command of the role makes you feel like there's a knife in your stomach. It's that intense. As for the question of what's accurate and what's not, that's not really important. The point is that Lange gets into this role to the max. "Frances" isn't the sort of movie that you can just watch; you have to feel like it's happening to you, or you might not get the full experience. All in all, a great movie. Also starring Sam Shepard and Jeffrey DeMunn.

This is an important film, and I am compelled to write a few lines to attract other viewers to see it. Sensitive music by John Barry to set the mood, yes it is a love story really, I enjoyed seeing Jessica Lange and Sam Shepard, they work well together. What can you say about the talent of Jessica Lange? I could not take my eyes off her. Impeccable acting. She is so stunningly lovely,as was the Frances Farmer of the story, they are much alike both breathtakingly beautiful. No other actress could have played this part in 1982. A non conformist ahead of her time, today Frances would be almost normal, the Frances Farmer story is sad and infuriating,such a waste... the child pressured by her mother to be everything the mother wanted for herself, to be a Hollywood star, the ineffectual father who could have stepped in to determine a less shattering future for their daughter. How often do we see that the wrong kind of parental influence on their children can lead to disastrous results? I found Frances courageous and admirable in the face of evil and adversity. The sadness felt by the wonderfully supportive Harry York (played by Sam Shepard) toward the end of the movie brings tears to the eyes, she has forgotten how to love, but she has survived... only to die alone in 1970. Breaks my heart. True to life, caring and detailed movie. Best actress for Jessica Lange, in my view, I noticed her in King Kong and I knew she was going to make it big. Highest marks and comments from malcotoro, Toronto, Canada