Un'antologia che racconta sei storie terrificanti ispirate ai fumetti horror di E.C. degli anni '50.Un'antologia che racconta sei storie terrificanti ispirate ai fumetti horror di E.C. degli anni '50.Un'antologia che racconta sei storie terrificanti ispirate ai fumetti horror di E.C. degli anni '50.
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This was after Tales from the Crypt, however, Romero and King both where heavily influenced by these comics that they developed a movie that was sort of a satire/parody of Tales but in the same time a tribute to that comic book. In this movie there are four scary stories being told some written by Stephen King from his short stories and some written by Romero and SK. These stores, for that time, were pretty scary and freaked me out when they came in theaters. There are many great things about this movie that I enjoyed but there was, however, one huge things that I did not like about this movie. Regardless, it's about time for two horror geniuses to team up and do something good for a change.
First off, the movie itself is about a comic book similar to Tails and the four stories in the movie come directly from the Creepshow comic books. The reason why that this idea works in not only the principle of bringing a comic book to life but the way it was shot, edited and lit. The camera angles had very defined and geometrical angels, similar to those that you would see in a comic book. The lighting when something horrible happens turns red, or if somebody is screaming the background turns to a shattered red background, thereby giving each scene a more comic book-like feel to visual picture. It had choppy edits and quick cuts, which we all know that comic books have. So we have a visual perspective of a comic, the overall pattern and texture of a comic and now we have the quick stimulus of a comic.
Between each story there is a sub-story dealing with a young boy who finds the Creepshow comic book and how little by little he becomes more possessed by it. These intermissions also incorporate The Creep or our host for the evening. This character is by far the Crypt Keeper or the Vault Keeper to our mockup of Tales. Like the Crypt Keeper in the actual comic, he begins each segment with a scene setup and a conclusion, however he does not talk, he just blows around in the wind. With the beginning of each new story it starts out with a still scene of that story with heavy rotoscoping to make it look as if it is a comic book page, then fades out to a real-life still image and then begins. The same could be said about the ending. The clever technique gives the viewer a further illustration that this is a comic book come to life.
Though this movie strikes it rich on my scare-o-meter there is just one thing that took me out of the movie just a little. I know what they where going at when they decided this concept and I understand it was a good idea but it doesn't work when it gets put on film. The campy one-liners, the cheesy sub-story and the lame screams. Of course its predecessor did the same thing, I don't think that it works as well on film as it does on paper. I think it was a nice try though.
Overall I do believe that this is a horror/parody classic and that many horror fans, if not cult horror fans, would like this movie for what it is. I certainly enjoyed it, even now; I recommend this movie to anybody who loves the zombie king and the horror king. A movie worth buying a ticket for.
First off, the movie itself is about a comic book similar to Tails and the four stories in the movie come directly from the Creepshow comic books. The reason why that this idea works in not only the principle of bringing a comic book to life but the way it was shot, edited and lit. The camera angles had very defined and geometrical angels, similar to those that you would see in a comic book. The lighting when something horrible happens turns red, or if somebody is screaming the background turns to a shattered red background, thereby giving each scene a more comic book-like feel to visual picture. It had choppy edits and quick cuts, which we all know that comic books have. So we have a visual perspective of a comic, the overall pattern and texture of a comic and now we have the quick stimulus of a comic.
Between each story there is a sub-story dealing with a young boy who finds the Creepshow comic book and how little by little he becomes more possessed by it. These intermissions also incorporate The Creep or our host for the evening. This character is by far the Crypt Keeper or the Vault Keeper to our mockup of Tales. Like the Crypt Keeper in the actual comic, he begins each segment with a scene setup and a conclusion, however he does not talk, he just blows around in the wind. With the beginning of each new story it starts out with a still scene of that story with heavy rotoscoping to make it look as if it is a comic book page, then fades out to a real-life still image and then begins. The same could be said about the ending. The clever technique gives the viewer a further illustration that this is a comic book come to life.
Though this movie strikes it rich on my scare-o-meter there is just one thing that took me out of the movie just a little. I know what they where going at when they decided this concept and I understand it was a good idea but it doesn't work when it gets put on film. The campy one-liners, the cheesy sub-story and the lame screams. Of course its predecessor did the same thing, I don't think that it works as well on film as it does on paper. I think it was a nice try though.
Overall I do believe that this is a horror/parody classic and that many horror fans, if not cult horror fans, would like this movie for what it is. I certainly enjoyed it, even now; I recommend this movie to anybody who loves the zombie king and the horror king. A movie worth buying a ticket for.
I think it's pretty clear that the amount of enjoyment you get out of this movie is directly related to how sick your sense of humor is. Those people with a fairly low tolerance for sick humor, such as myself, won't particularly like it, but people who thoroughly enjoy horror cheese like "Tales From the Crypt" should LOVE this.
Now, even though I personally don't like this movie, I have to admit it is very well made. Everything is perfectly over-the-top: the music, the gaudy colors, the makeup--it's all done to the point where it is totally ridiculous, which is what King and Romero want. And I must admit I did like the segment "The Crate." How can you NOT love a giant ape-monster running around tearing people to bits? Sick, sick stuff, but enjoyable all the same.
If you like gruesome black humor, this is the movie for you. "Creepshow" is shock schlock at its very best. And as an added bonus, it is not very well known today, so it can have a wonderful "What the hell are you WATCHING!?" effect on other people.
8/10 stars.
Now, even though I personally don't like this movie, I have to admit it is very well made. Everything is perfectly over-the-top: the music, the gaudy colors, the makeup--it's all done to the point where it is totally ridiculous, which is what King and Romero want. And I must admit I did like the segment "The Crate." How can you NOT love a giant ape-monster running around tearing people to bits? Sick, sick stuff, but enjoyable all the same.
If you like gruesome black humor, this is the movie for you. "Creepshow" is shock schlock at its very best. And as an added bonus, it is not very well known today, so it can have a wonderful "What the hell are you WATCHING!?" effect on other people.
8/10 stars.
This is one of my favorite horror movie anthologies. All five stories are pretty good; some of course are better than others. This one is also a lot better than Creepshow 2, which had only one really good story to it. The first story is an ok story involving this old man killed by his daughter. He comes back to life expecting a cake cause its father's day. Nothing to surprising happens here, but it is still pretty fun. The next one involves the story that has Stephen King as the main star. This is probably the weakest one of the five, but it is worth a chuckle or two as King does a somewhat good job of playing a slow fellow. This story involves a meteor that makes grass grow everywhere. The next story is one of the best, a revenge tale with Ted Danson and Leslie Nielson. Danson has been having an affair with Nielson's wife so Nielson takes him to the beach and buries him up to his neck in the sand. He had done the same thing with his wife and the tide apparently kills them both...or does it? The next tale is rather good as well as it has Adriean Barbeau in it as this obnoxious wife. Her husband finds out about a crate that may take care of her though. And the final tale is about a doctor or something, who is a bit of a clean freak. He lives in a special apartment that is supposed to be germ free, but it apparently has a roach problem. I don't even think he is a doctor, but he seems to be wearing a doctor's clothes. All in all Creepshow is a pretty enjoyable flick.
This movie is divided in five stories, conducted by a leading segment where the stressed father of a boy that loves horror comic books throws his Creepshow magazine in the garbage. The wind changes the pages and discloses the tales listed below.
"Father's Day" - While waiting Aunt Bedelia (Viveca Lindfors) for a dinner party, the greedy family recalls that she killed her own father seven years ago. Now her undead father returns from the grave as a zombie expecting to eat his cake. This segment is weak, and it is curious to see Ed Harris performing a minor role. (6).
"The Lonesome Death of Jordy Verrill" - The redneck farmer Jordy Verrill (Stephen King) finds a meteor in his property in Castle Rock County and dreams on selling it for the local university and raising a large amount. However he is affected by the meteor and strange weeds grow-up on his body. This segment is the silliest and the greatest curiosity is Stephen King performing the lonely farmer. (5).
"Something to Tide you Over" - Harry Wentworth (Ted Danson) is forced by the revengeful Richard Vickers (Leslie Nielsen), who is the former husband of his woman Becky Vickers (Gaylen Ross), to go to Comfort Point beach and to bury himself in the sand. Then he brings a television and a VCR to show Becky buried in the same conditions. With the high tide, their heads are submerged for the pleasure of the insane Richard. However, on the next night, he is visited by a couple of zombie lovers. This dark and claustrophobic segment is the scariest one and the only flaw is the lack of previous development of the characters. (9).
"The Crate" - When the janitor of a university finds a crate hidden below the stairs, he reports his findings to Professor Dexter Stanley (Fritz Weaver). They open the container and soon Dexter finds that there is a hunger creature inside that devours the janitor and another scientist. When the disturbed Dexter tells to his colleague and friend Henry Northrup (Hal Holbrook) what happened, Henry sees the chance to get rid of his bitch wife Wilma Northrup (Adrienne Barbeau). This segment is the funniest, and the situations of Henry imagining killing Wilma are hilarious. (8).
"They're Creeping up on You!" - The mean and selfish Upson Pratt (E.G. Marshall) lives in an expensive bug-proof penthouse and treats his employees like garbage. During a blackout, his fancy apartment is infested by coach roaches driving Pratt to a tragic end. This gruesome tale is simple but nasty, with many coach roaches. (7).
The lead segment ends with the boy using a voodoo doll to provoke pain in his father.
This is the third time that I watch these entertaining horror tales, now on DVD. I only regret that there are no sequels of these great stories. My vote is seven.
Title (Brazil): "Creepshow"
Note: On 27 Aug 2020, I saw this film again.
"Father's Day" - While waiting Aunt Bedelia (Viveca Lindfors) for a dinner party, the greedy family recalls that she killed her own father seven years ago. Now her undead father returns from the grave as a zombie expecting to eat his cake. This segment is weak, and it is curious to see Ed Harris performing a minor role. (6).
"The Lonesome Death of Jordy Verrill" - The redneck farmer Jordy Verrill (Stephen King) finds a meteor in his property in Castle Rock County and dreams on selling it for the local university and raising a large amount. However he is affected by the meteor and strange weeds grow-up on his body. This segment is the silliest and the greatest curiosity is Stephen King performing the lonely farmer. (5).
"Something to Tide you Over" - Harry Wentworth (Ted Danson) is forced by the revengeful Richard Vickers (Leslie Nielsen), who is the former husband of his woman Becky Vickers (Gaylen Ross), to go to Comfort Point beach and to bury himself in the sand. Then he brings a television and a VCR to show Becky buried in the same conditions. With the high tide, their heads are submerged for the pleasure of the insane Richard. However, on the next night, he is visited by a couple of zombie lovers. This dark and claustrophobic segment is the scariest one and the only flaw is the lack of previous development of the characters. (9).
"The Crate" - When the janitor of a university finds a crate hidden below the stairs, he reports his findings to Professor Dexter Stanley (Fritz Weaver). They open the container and soon Dexter finds that there is a hunger creature inside that devours the janitor and another scientist. When the disturbed Dexter tells to his colleague and friend Henry Northrup (Hal Holbrook) what happened, Henry sees the chance to get rid of his bitch wife Wilma Northrup (Adrienne Barbeau). This segment is the funniest, and the situations of Henry imagining killing Wilma are hilarious. (8).
"They're Creeping up on You!" - The mean and selfish Upson Pratt (E.G. Marshall) lives in an expensive bug-proof penthouse and treats his employees like garbage. During a blackout, his fancy apartment is infested by coach roaches driving Pratt to a tragic end. This gruesome tale is simple but nasty, with many coach roaches. (7).
The lead segment ends with the boy using a voodoo doll to provoke pain in his father.
This is the third time that I watch these entertaining horror tales, now on DVD. I only regret that there are no sequels of these great stories. My vote is seven.
Title (Brazil): "Creepshow"
Note: On 27 Aug 2020, I saw this film again.
When I was about 13 years-old, I tried to rent this on VHS several times. Unfortunately, my mother kept walking in during a particularly violent segment and made me turn it off. It was a long time before I finally saw the whole film.
If you watch the accompanying Just Desserts documentary on the double-disc DVD, you'll see how lovingly crafted this film really was. Not only so, but this truly transcends the schlock horror of its E.C. origins. The acting is first rate and the plots surprisingly thoughtful, considering how short each segment is. For example, watch Aunt Bedelia's tortured graveside monologue in Father's Day, or the curious interplay between Henry and Dex in The Crate. E.G. Marshall totally nails it in They're Creeping Up On You, the segment most loaded with subtext.
Tom Savini's make-up effects are excellent and he doesn't scrimp on the gore. The one segment I dislike is Something To Tide You Over, as it's a particularly nasty and sadistic story (despite the just desserts moral).
Overall, this has a worthy place in the annals of 80s horror and will always hold fond memories for me; a young boy who just wanted to see that crate monster tear his victims apart like sour bread.
If you watch the accompanying Just Desserts documentary on the double-disc DVD, you'll see how lovingly crafted this film really was. Not only so, but this truly transcends the schlock horror of its E.C. origins. The acting is first rate and the plots surprisingly thoughtful, considering how short each segment is. For example, watch Aunt Bedelia's tortured graveside monologue in Father's Day, or the curious interplay between Henry and Dex in The Crate. E.G. Marshall totally nails it in They're Creeping Up On You, the segment most loaded with subtext.
Tom Savini's make-up effects are excellent and he doesn't scrimp on the gore. The one segment I dislike is Something To Tide You Over, as it's a particularly nasty and sadistic story (despite the just desserts moral).
Overall, this has a worthy place in the annals of 80s horror and will always hold fond memories for me; a young boy who just wanted to see that crate monster tear his victims apart like sour bread.
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- QuizAn alternate ending (scripted but then rewritten) for "Something to Tide You Over" found two policemen dropping by to investigate Richard's panicky-but-true claims of Harry and Becky invading his beach-house. When the policemen (predictably) laugh at his story - thinking he's drunk - Richard attempts to prove this by showing them camera footage of both undead stalkers. Instead, the television plays his incriminating conversation with Harry before and during the latter's burial-by-the-sea.
Richard protests that he's been set up, that this is the wrong tape. "Oh, it's the right tape all right, pal!" the police answer. "And speaking of rights...!"
The film smash-cuts from there to Richard's murder trial; he is convicted and sentenced to death row. Another smash-cut finds Richard in the gas chamber, laughing hysterically even while his life is choked out of him: "I can hold my breath for a long, long time...!"
- BlooperBefore he is slapped in the Prologue segment, Billy already has red slap marks painted on his face.
- Citazioni
Wilma Northrup: You know what Henry? You're a regular barnyard exhibit. Sheep's eyes, chicken guts, piggy friends... and SHIT for BRAINS!
- Curiosità sui creditiDuring the end of the credits, we hear "the old creep" laugh
- Versioni alternativeVersion aired on Spanish-speaking channel Telemundo is dubbed, edited for content, runs 1 hour and 30 minutes (with commercials) and only shows stories "Something To Tide You Over" and "The Crate". The end credits for all five segments are intact.
- ConnessioniEdited into Cent une tueries de zombies (2012)
- Colonne sonoreA Star Is Born
(1937) (uncredited)
Music by Max Steiner
[segment "The Lonesome Death of Jordy Verrill"]
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Cuentos de ultratumba
- Luoghi delle riprese
- Island Beach State Park, Berkeley Township, Ocean County, New Jersey, Stati Uniti(beach in "Something to Tide You Over")
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.028.755 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.870.889 USD
- 14 nov 1982
- Lordo in tutto il mondo
- 21.031.312 USD
- Tempo di esecuzione
- 2h(120 min)
- Colore
- Mix di suoni
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