Un'antologia che racconta sei storie terrificanti ispirate ai fumetti horror di E.C. degli anni '50.Un'antologia che racconta sei storie terrificanti ispirate ai fumetti horror di E.C. degli anni '50.Un'antologia che racconta sei storie terrificanti ispirate ai fumetti horror di E.C. degli anni '50.
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George A Romero & Stephen King combine here to give us 5 joyously silly tales based on the style of the E.C. Comics that both men loved as youths.
The film begins with a young boy having his comic collection thrown away by his father, this angers the boy and he plots evil revenge that segues into the five stories.
"Father's Day" is the opening story and whilst it isn't short on the camp factor, it's a very inauspicious start, a zombie father returns to enact vengeance on his horrid family in the name of cake! Next up is "The Lonesome Death Of Jody Verill", which sees Stephen King himself in the title role of a less than dumb hick who touches a fallen meteor and thus starts to turn into a plant monster. King has fun with the role but overplays it to dangerously annoying ham proportions, but it's a tidy fable with a cool ending. We then get to my personal favourite of the bunch with "Something To Tide You Over," here we have a delightfully villainous Leslie Nielson burying his unfaithful wife and her lover {Ted Danson} in the sand up to their necks as the tide starts to come in, naturally there is a grizzly twist a coming.
"The Crate" sees the arrival of Hal Holbrook and Adrienne Barbeau into the proceedings, a smart message of not opening crates marked with "Danger, Do Not Open," and here we get a genuinely scary monster into the show. The final segment is "They're Creeping Up On You" which seems to be a favourite of many across the site, and although it has creepy impact for those scared of insects, it's not the crowning glory I was hoping for. We are then cut back to the boy and his thirst for revenge and the film finishes with a glint in its eye, more schlock and camp than outright horror, but still a great piece of 80s fun for fans to enjoy, 7/10.
The film begins with a young boy having his comic collection thrown away by his father, this angers the boy and he plots evil revenge that segues into the five stories.
"Father's Day" is the opening story and whilst it isn't short on the camp factor, it's a very inauspicious start, a zombie father returns to enact vengeance on his horrid family in the name of cake! Next up is "The Lonesome Death Of Jody Verill", which sees Stephen King himself in the title role of a less than dumb hick who touches a fallen meteor and thus starts to turn into a plant monster. King has fun with the role but overplays it to dangerously annoying ham proportions, but it's a tidy fable with a cool ending. We then get to my personal favourite of the bunch with "Something To Tide You Over," here we have a delightfully villainous Leslie Nielson burying his unfaithful wife and her lover {Ted Danson} in the sand up to their necks as the tide starts to come in, naturally there is a grizzly twist a coming.
"The Crate" sees the arrival of Hal Holbrook and Adrienne Barbeau into the proceedings, a smart message of not opening crates marked with "Danger, Do Not Open," and here we get a genuinely scary monster into the show. The final segment is "They're Creeping Up On You" which seems to be a favourite of many across the site, and although it has creepy impact for those scared of insects, it's not the crowning glory I was hoping for. We are then cut back to the boy and his thirst for revenge and the film finishes with a glint in its eye, more schlock and camp than outright horror, but still a great piece of 80s fun for fans to enjoy, 7/10.
I think it's pretty clear that the amount of enjoyment you get out of this movie is directly related to how sick your sense of humor is. Those people with a fairly low tolerance for sick humor, such as myself, won't particularly like it, but people who thoroughly enjoy horror cheese like "Tales From the Crypt" should LOVE this.
Now, even though I personally don't like this movie, I have to admit it is very well made. Everything is perfectly over-the-top: the music, the gaudy colors, the makeup--it's all done to the point where it is totally ridiculous, which is what King and Romero want. And I must admit I did like the segment "The Crate." How can you NOT love a giant ape-monster running around tearing people to bits? Sick, sick stuff, but enjoyable all the same.
If you like gruesome black humor, this is the movie for you. "Creepshow" is shock schlock at its very best. And as an added bonus, it is not very well known today, so it can have a wonderful "What the hell are you WATCHING!?" effect on other people.
8/10 stars.
Now, even though I personally don't like this movie, I have to admit it is very well made. Everything is perfectly over-the-top: the music, the gaudy colors, the makeup--it's all done to the point where it is totally ridiculous, which is what King and Romero want. And I must admit I did like the segment "The Crate." How can you NOT love a giant ape-monster running around tearing people to bits? Sick, sick stuff, but enjoyable all the same.
If you like gruesome black humor, this is the movie for you. "Creepshow" is shock schlock at its very best. And as an added bonus, it is not very well known today, so it can have a wonderful "What the hell are you WATCHING!?" effect on other people.
8/10 stars.
Despite some major problems (mainly contained in Stephen King's uneven and often heavy-handed script), this is still a pretty fun attempt to bring 1950s EC horror comics to the big screen. One of the best things about it is director George ('Night of the Living Dead') Romero's creative, vivid direction, that captures the bright color schemes and comic book framing to a tee. Each tale has a different horror theme usually tempered with some comedy and ranging from a rich patriarch returning from the dead to get revenge on his obnoxious family to a meteor that causes an outbreak of vegetation to a fanged, ape-like creature that's been locked away in a crate for decades. All five of the tales presented, despite some missteps, offer up good gory fun. Some of the acting is good, too, particularly Adrienne Barbeau as a heavy drinking, obnoxious faculty wife who gets what she deserves, Hal Holbrook as her hen-pecked husband and E.G. Marshall as a wealthy, obsessively clean old jerk who is savaged in his futuristic apartment by a legion of cockroaches. Talk about flesh crawling! Tom Savini's special effects are great, as usual.
This is a homage to pulp E.C. comic books from the 50s, adapting an anthology which presents creepy looks and grotesque events at the horror genre. With writings by Stephen King and teaming up George A. Romero, both devise a gruesome terror tales. Stephen King mingles efficiently the spirit of ¨Vault of horror¨and ¨Tales from the crypt¨. The film is constituted by four scary stories. King even plays a redneck farmer who cultivates a rare meteor but gone wrong and create fantastic consequences. Viveca Lindfords and Ed Harris as a heirs when abruptly appears a living dead. Besides the perennial Leslie Nielsen confronting a ghoulish Ted Danson. And Hal Holbrook with a unbearable spouse Adrienne Barbeau alongside a strange monster. Finally, a man with an insect and germs phobia, played by E. G. Marshall as a Howard Hughes-alike , closed into flat, and suddenly bursting by hundred roaches.
The picture packs gory scenes, morbid humor with some jokes, creepy images and is quite entertaining though some moments is heavy-handed. Eerie and frightening stuff appointed for juvenile public from two masters of the terror genre and delight all enthusiastic of the terror vein. Followed by a sequel(1987) directed by Michael Gornick, cameraman of this one. Rating. Acceptable and passable , it will like to terror moviegoers
The picture packs gory scenes, morbid humor with some jokes, creepy images and is quite entertaining though some moments is heavy-handed. Eerie and frightening stuff appointed for juvenile public from two masters of the terror genre and delight all enthusiastic of the terror vein. Followed by a sequel(1987) directed by Michael Gornick, cameraman of this one. Rating. Acceptable and passable , it will like to terror moviegoers
George A.Romero("Dawn of the Dead","Day of the Dead","Martin")after huge success with "Dawn of the Dead" directed his another masterpiece-an anthology of five short stories called "Creepshow".The script was written by Stephen King,and the special effects were made by F/X wizard Tom Savini("Martin","Maniac","The Prowler").The first story "Father's Day" is so-so-nothing special,but the zombie looks terrific;the second story "The Lonesome Death of Jordy Verril" is the funniest,Stephen King steals the show as a Jordy,a goofy farmer,who finds a strange meteor;the third story "Something To Tide You Over" is my favourite-it's ghastly,creepy,funny and a little bit disturbing,again great make-up of the drowned zombies;the fourth story "The Crate" is the longest and goriest-there's a lot of suspense and plenty of gore mixed with black humour.Finally we are getting to the last story "Creeping Up On You"-an enjoyable story about cockroaches with some rather gross special effects.Overall I must say that I love "Creepshow"-surely they don't make them like this anymore.This is a REAL horror,not a teen-oriented garbage like "Scream" or "Urban Legend".Check it out.
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
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Lo sapevi?
- QuizAn alternate ending (scripted but then rewritten) for "Something to Tide You Over" found two policemen dropping by to investigate Richard's panicky-but-true claims of Harry and Becky invading his beach-house. When the policemen (predictably) laugh at his story - thinking he's drunk - Richard attempts to prove this by showing them camera footage of both undead stalkers. Instead, the television plays his incriminating conversation with Harry before and during the latter's burial-by-the-sea.
Richard protests that he's been set up, that this is the wrong tape. "Oh, it's the right tape all right, pal!" the police answer. "And speaking of rights...!"
The film smash-cuts from there to Richard's murder trial; he is convicted and sentenced to death row. Another smash-cut finds Richard in the gas chamber, laughing hysterically even while his life is choked out of him: "I can hold my breath for a long, long time...!"
- BlooperBefore he is slapped in the Prologue segment, Billy already has red slap marks painted on his face.
- Citazioni
Wilma Northrup: You know what Henry? You're a regular barnyard exhibit. Sheep's eyes, chicken guts, piggy friends... and SHIT for BRAINS!
- Curiosità sui creditiDuring the end of the credits, we hear "the old creep" laugh
- Versioni alternativeVersion aired on Spanish-speaking channel Telemundo is dubbed, edited for content, runs 1 hour and 30 minutes (with commercials) and only shows stories "Something To Tide You Over" and "The Crate". The end credits for all five segments are intact.
- ConnessioniEdited into Cent une tueries de zombies (2012)
- Colonne sonoreA Star Is Born
(1937) (uncredited)
Music by Max Steiner
[segment "The Lonesome Death of Jordy Verrill"]
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Cuentos de ultratumba
- Luoghi delle riprese
- Island Beach State Park, Berkeley Township, Ocean County, New Jersey, Stati Uniti(beach in "Something to Tide You Over")
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.028.755 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.870.889 USD
- 14 nov 1982
- Lordo in tutto il mondo
- 21.031.312 USD
- Tempo di esecuzione
- 2h(120 min)
- Colore
- Mix di suoni
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