Boys from the Blackstuff

This series is a wonderfully realistic portrayal of life for the unemployed in the 1980s. It also manages to focus on characters, with all the cast giving magnificent performances, especially Bernard Hill as the deeply troubled Yosser Hughes. A masterpiece from start to end, this is one series that definitely should be repeated on TV. Another great thing is that you can watch and fully understand each episode without having to have seen any of the others.

Boys from the Black Stuff is more than just a story. It's a snapshot of a special time in a special place. Liverpool in the 1980's could be a bleak and despairing place, with only the common threads of unemployment and humour keeping spirits alive. The story centres on the struggle of a ragged band of workers trying to make ends meet. On the way we see scams, subterfuge, corruption and the ongoing battle between the workers and the 'sniffers' (welfare benefit fraud investigators).

The locations are superb, painting a grisly accurate portrait of the time, with much of the filming done in Liverpool 8.

The language and dialogue also help capture the spirit of the time, with idiomatic 'scouse' used without apology.

Perhaps the best summary of the whole series is encapsulated in a line from the opening scenes in the first episode. Whilst establishing the number of dependents a claimant has, he is told that his grown up children who are 'on the dole' don't count. His response: "Nobody on the dole counts,love".

Recently released on dvd, this series is a documented history of the sharp end of 'Thatcher's Millions' - watch it if you can.

The opening 2 hour 'Play for Today' TV film that lead to the 5 part mini-series isn't all that strong. But the 5 remaining parts (ranging from 43 to 68 minutes) are often powerful stuff indeed. A rueful, depressing and cutting look at unemployment and personal and economic depression in the Thatcher years. The opening film isn't really needed, as one could pick up much of what happened from the 5 part mini-series, but it does serve as a good basic set up for the characters and their relationships, as a group of workers on the dole take an off-the- books job laying down tarmac (the black stuff) at a new apartment complex. But in the original film the characters stay frustratingly close to caricatures, and the story twists are largely unsurprising.

But in the 5 part mini-series, made 2 years later, that all changes. Each hour investigates one of the character's lives in great depth and detail, The performances are very strong, and the stories are almost all heartbreaking as we see what being unemployed and unwanted by society does to these men; their families, their self-esteem, even their sanity. There are occasional darkly funny moments, but this is grim, uncompromising stuff, with one episode in particular "Yosser's story" as harrowing and disturbing and honest a piece of film- making as I've seen in a long while. It's interesting (if depressing) to see how much of what was going on in England in 1982, could just as well be America in 2013.

If you are interested in what it was like to live in Thatcher's Britain in the eighties then look no futher. You need a strong stomach - especially for Yosser's Story. Memories of Cathy Come Home from the sixties spring to mind. It's good, it's real and it hurts to watch it - that's WHY it should be seen. Thanks Alan Bleasdale- for seeing and telling it like it is.

Alan Bleasdale's defining production. Almost unbearably tragic characters, yet Bleasdale manages to find the opportunity for rare wit in his dialogue. As good a T.V. series as there has ever been. Truly the work of a genius.