Extrasensorial

This film doesn't come off entirely what it sets off to do. Moriarty in two brother roles, shows us what a fine actor he is. It's good Moriarty versus Moriarty, where good Moriarty's life, is becoming a living hell, thanks to his Siamese twin brother, who's fortunately a psychotic, who's committed a sting of brutal murders, one not so brutal, involving punching an ex boxing star (lovable veteran actor Cameron Mitchell). Bad Moriarty is parading as good Moriarty doctor, which he isn't as it isn't helping his good brother's chances, when the cops get hold of him. When growing up, our psychotic one wasn't given the same love and attention, as the good one, hence, part of his reasons for becoming a knife thrashing lunatic. His good brother has it all, successful, likable, and a really nice piece of female a..e The ain't half bad film offers some nice servings of nudity and some nice slappings of venesection (gore) and Moriarty, who's acting presence is always something viewable, especially after seeing in Q. The problems with the film, overall, I felt, were there were a few stops, a little dullness, and not enough story poured into what is otherwise, an interesting film, that really doesn't really fall above the ranks of average.

Seems to me there aren't enough horror films dealing with evil twins. Sure there are some (Dead Ringers springs to mind though I've not seen it) and the concept has made for an amusing twist in a variety of slashers, but there aren't so many films directly based around the concept. Blood Link is one such though, and pretty entertaining stuff albeit no classic. The story follows Dr. Craig Mannings, research psychiatrist having visions of beautiful women getting offed by his hand. He realises soon enough that in fact he is seeing through the eyes of his maniac brother Keith and so without further ado heads off to Hamburg to find him. Though directed by an Italian Blood Link has more in common with glossy yet seedy Hollywood thrillers of the era, the sort of thing in fact inspired at least in part by giallo cinema. There isn't overmuch style on hand, but its a pretty well made affair and there's an understated but fairly pleasing Ennio Morricone score to keep things bubbling along. Perhaps the most typically Italian thing about the film is a script that cares about nothing more than moving the action along, resulting in a succession of plot holes opening up that threaten to engulf the whole experience if one looks back even for a moment to consider them. Like how come neither Craig's girlfriend nor employers have anything to say on the subject of his leaving the country to search for a murderer? Why doesn't he fess up to the Hamburg police straight away (having presumably no prior experience of going after murderers himself)? Why was Keith allowed to get to Hamburg in the first place? There's more, but part of the fun comes from the mounting implausibilities and the pace is sufficiently swift that to say much more would be a spoiler anyway. Of course, none of this would work without some performances up to the task, and happily awesome character actor Michael Moriarty is on the case, playing Craig and Keith. As Craig he does not initially hook, coming across very much low key and befuddled, but grows into the role, taking on determination and a harder edge. As Keith he's a blast throughout though, putting his all into a great show of malevolent camp. Especially fun are scenes with the two together, both tense and bizarrely amusing. The rest of the cast is solid and includes a nice but sad cameo from the great Cameron Mitchell, though mostly notable for its attractive women. Penelope Milford as Craig's girlfriend, Sarah Langenfeld as a vengeful lass on Keith's case and Martha Smith as a local hooker, all fill their roles well and all show their lovely breasts. Moments of death or menace in fact often come after or involve sex or nudity giving a nice sleazy edge, which is helpful as in a shocking turn of events there's only bare minimal bloodshed. The nasty bits are at least pretty mean though, and once or twice even mildly shocking. Altogether this is a smooth ride though not especially memorable, Some longueurs in the final block but a nice suspenseful and twisted finale end things on just the right note, making it overall a worthy venture. Strong 6/10 then I guess.

Alberto De Martino's "Blood Link" is a pretty good thriller.Michael Moriaty plays a doctor,who has frightening visions of murder and discovers that this may be because of a psychic link to his siamese twin brother,who is murdering women in Germany.He tries to find him and stop the madness.The cast is pretty good with excellent performance by Michael Moriaty and the score by Ennio Morricone is brilliant.There is some violence and plenty of nudity.The film reminds me a little bit Brian De Palma's masterful "Sisters"(1973),but it has enough suspense and surprises to satisfy horror fans.Check it out.

Blood Link is a German and Italian co-production; although it was clearly made for an American audience. The film has got itself in with the 'Giallo' style that had it's heyday in Italy during the seventies; although the reason for that is probably merely down to the fact that it's directed by Alberto De Martino; as despite some Giallo elements, I wouldn't call this film a Giallo on the whole. Blood Link is more of a psychological thriller that takes in themes relating to psychology and a psychic link between two people. Craig Mannings and his girlfriend are doctors trying to create a new way of exploring pain and dreams. Craig decides to test the new methods on himself but ends up finding a way into his presumed dead ex-Siamese twin brother's conscience. He discovers that his brother is living in Hamburg and murdering people; but this doesn't stop him from going to Hamburg and tracking him down. When he arrives in Hamburg, the killings continue until the inevitable meeting between the two brothers.

Michael Moriarty has had an interesting career; the highlight of which for me is his role in Larry Cohen's excellent 'The Stuff'. His performance here is not quite as over the top, but it is rather more impressive. Moriarty is not an obvious choice for the lead role in a film like this; but he fits into it excellently and makes both characters he plays very believable. The film is interesting throughout and several good ideas are explored; not least the idea of a psychic link between two brothers that used to share a physical link, but there's also some good ideas relating to the sexuality of the 'bad' twin. There's a few murders scenes; none of them particularly bloody or over the top but good enough and fitting within the movie. Cameron Mitchell's aging wrestler's character has a highlight scene in that respect. The film manages to stay interesting for the duration and it all boils down to a suitably dark and compelling conclusion. The premise of the movie is similar to David Cronenberg's later Dead Ringers; and while the latter is the better film, there's lots to like here and Blood Link is certainly worth a look.

A man finds himself having visions of murders being committed that turn out to be true. His visions and investigations take him to Berlin where several revelations bring him face to face with the killer.

I love 'one good twin, one evil twin' movies. This is another example of this genre but is closer to Dead Ringers than Basket Case.

I hate it when people describe movies as having a 'dream like quality' but that description is entirely applicable here. I'm not sure if this was the intended outcome for the movie's director or if this was the result of inexperienced filmmaking but it works really well. If you like to have a few tokes whilst watching a film then that's not needed here. It's obvious that the cast and crew have done all of that for you. I'm surprised Mary Jane wasn't given her own credit to be honest.

The Berlin locale works really well with moody, neon lit scenes of down town Berlin at night looking gorgeous and fitting the darkness of the film splendidly.

And then theres the cast. Michael Moriarty shows his continuation of giving off-beat performances to bring to life off-beat characters after his surreal role in the brilliant Q. He's just as idiosyncratic in Blood Link as he was in Larry Cohen's cultfest and is a major part of why this film is so likeable and watchable. We also get Cameron 'Toolbox Murders' Mitchell as an ageing wrestler who is also fantastic. We also get an Ennio Morricone score (quite surprisingly).

File this movie under 'Oddity'. Not a cult classic but well worth seeing.