Il più bel casino del Texas

5.3?

The problem, I suspect, with this movie is that the wrong people are watching it, and the right aren't.

Let's see, who does this movie offend? Christian fundamentalists, politicians and Texans. I don't know how many of the former are watching it and then rating it (perhaps they just rate first, watch later), but it looks like some Texans don't have a sense of humor.

And then there are Burt Reynolds fans who might be shocked to find this is not a typical Burt Reynolds movie, and hate it. But folks who aren't Burt Reynolds fans will probably enjoy it. Reynolds' excellent acting is natural, understated, and properly nuanced to the scenes. I think Reynolds and Parton are very well cast together and have real chemistry.

As to Dolly Parton, who knows? All I know is you don't have to be a Dolly Parton country music fan to love this movie. My estimation of Ms. Parton went up enormously after first seeing this movie. She is one smart lady and a fine actress.

So, to add it up, if you are not from Texas, not a Bible-thumper, not a politician, not a Burt Reynolds fan and not a Dolly Parton fan, you should definitely watch The Best Little Whorehouse in Texas.

Oh, and folks expecting porn are going to be disappointed, though there is the briefest of cameos by none other than Kay Parker, dressed. Don't blink. Too bad she didn't get a speaking part. This lady can actually act! I saw her reciting Shakespeare, for some reason I can't recall, in one of her movies, and she was real good.

Watch this movie because it is laugh out loud funny. You need to watch closely at the details because the scenes are beautifully crafted. Watch the one of Dom DeLuise getting dressed in front of Reynolds before going on air. It is hilarious, especially the sock. But the most memorable scene is of "Governor" Charles Durning doing his "Sidestep" number. It is a masterpiece.

It is easy to forget this is a musical, perhaps because the storyline is so strong it could survive as a movie without music. But a musical it is, in the tradition of Seven Brides for Seven Brothers and Oklahoma! with its masculine cowboy acrobatics dancing, though with an 80s twist, given the locker room dance number.

Thats what makes this movie great: It takes the concept of the musical comedy and brings it out of the Fifties and into the Eighties in a way that is still relevant and pretty outrageous today because of its swipe at hypocrisy. Did I say swipe? Perhaps dagger thrust or kick in the face to hypocrisy would be more accurate. In this regard, The Best Little Whorehouse is hardly subtle.

So perhaps I should add to the list of people who will not like this movie, hypocrites. For them, there is "Hello, Dolly!"

Dolly Parton and Burt Reynolds star in this outrageous tale of a house of ill repute in Texas, which is supposedly based on a true story. The story goes that this bedlam has been in existence with no problems (or complaints) for years, I mean YEARS, decades, generations, until Dom DeLuise, a TV host/reporter (with a bad hair day everyday) hears about it and decides that this an immoral wart on the face of Texas and it needs to be closed down to bring some semblance of integrity back to the people of Texas. But people in high places not only have let this go on, but have been patrons in more ways than one. And, Burt is the sheriff who has to deal with all the hoopla Dom creates. What will become of "The Best Little Whorehouse in Texas?" This was the basis of a stage play, and then the idea was turned into this movie musical. Some people, not having seen it and given the subject matter, may be turned off by its supposed perverseness. Others may be turned on by the novelty of it. Most guys wanting to see it as a possible skin flick may be turned off by the musical side of it. But enough supposing. Granted, this may not be the kind of movie you'd admit to watching, but this is a highly entertaining film, if not altogether a very laugh-out-loud funny movie. But in fact its outlandish and unashamed humor is what sustains the movie and keep the viewers' interest, knowing anything can happen and probably will. The back story of why I saw this was the passing of Charles Durning. I heard at that time that he was nominated for his brief appearance in this, so I bought a cheap copy of this to see him. I was way past the halfway point in the movie and thinking that this wasn't that funny, when, lo and behold there's Mr. Durning. He was absolutely hilarious, as a governor who loves to side step the press on the issues. He was so good, that once he's gone, you keep hoping you'll see him again. But alas. But, I'm so glad I own this now. This may be a far-from-perfect film, with flaws and loopholes abound, but if you jump in and let its muck engulf you, you'll really get into the spirit into which it was made, and you will feel really good after seeing this, with very enjoyable songs, skin for both sexes to see and it even has serious meaningful moments too. Surprise! Surprise! Costarring Jim Nabors as the narrator of the story and Burt's deputy, this is one film you'd have to see to believe. And then, you'll wallow in it over and and over again.

Finally watched "The Best Little Whorehouse in Texas" and I must say fun musical with a story that's funny and the acting was true to heart with a theme that's real. And that is who really cares that the world's oldest profession exist hey legalize it! Based on a play set in Texas a house of prostitution known as the Chicken Ranch is on the verge of being shut down by a gossip type TV traveling hype salesman named Melvin Thorpe(Dom DeLuise)as it's his first goal to expose it's scandal. Yet the house's leading lady Miss Mona(Dolly Parton)joins forces with the local sheriff Earl Dodd(Burt Reynolds)to stop it's closing yet along the way the two join in a romance hopefully this all works out to save the girls and their jobs as they need to shine in their sexy colored bras and attractive underwear! Overall it's a fun journey with some great tunes the Parton and Reynolds chemistry is unmatched and the wonderful Jim Nabors is a treat as the narrator and future sheriff. Overall good little fun comedy!

The Texas county where Burt Reynolds is sheriff has only one thing that makes it stand out from all the other counties in the state. And I'm not referring to Dolly Parton's 40Ds. It's rather the old and established institution of the Chicken Ranch, The Best Little Whorehouse In Texas. Or maybe west of the Mississippi truth be told, if everyone left there as happy as they seem.

This film is a real gem, a timely and historical film as well as a fun country musical. The story is a true one, the names changed to protect the innocent as that other American institution used to say. Although few people but Dom DeLuise seem to have their innocence intact in this film.

In this county west of Houston for over 100 years servicing the veterans of five wars was the Chicken Ranch, The Best Little Whorehouse In Texas. It's existence was the most open secret in the state and everyone seemed happy with the arrangement. In fact the current owner, Dolly Parton, is a valued member of the community, paying her taxes and giving of money and time to community endeavors. She runs a disease free establishment and insists that of her customers.

But this was the time the Moral Majority was flexing it's muscles in the person of Dom DeLuise. He's really quite the scream as the crusading reporter going to close this den of vice and corruption. He stirs up quite the hornet's nest in the state.

Best scene of the film is the annual party for the winner of the Texas A&M, University of Texas football game. Those Aggies play hard and plow hard. And that's the night when DeLuise and his television crew decide to pull their own raid. The party is hosted by State Senator Robert Mandan playing the part in his best sanctimonious tradition.

Of course he pales beside Charles Durning as the governor of Texas. Durning was nominated for Best Supporting Actor and his political credo of never saying anything is embodied in that wonderful Sidestep number he has. Durning looks like he's having a great old time.

Carol Hall wrote the rollicking score for The Best Little Whorehouse In Texas and Dolly Parton also had the good sense to get a couple of her songs interpolated in the film, one of them her beloved I Will Always Love You. For all her good works Dolly is still the Madame of a bordello and that fact prevents her from being taken too seriously by Burt Reynolds as marriage material.

I'm sure the film was not a favorite of the late Jerry Falwell, DeLuise lampoons him so viciously. It is an entertaining reminder of times that sad to say haven't gone altogether away.

The pure part of this film is Dolly's voice, with its warble, its touch of yodel, its complete inability to resists little trills, mordents, all the musical embellishments that are mirrored in her visual presence, her couture. And since the sumptuous breasts are maybe even a bit too much here--with many gown changes in the big numbers--that is all the more striking that it is still the singing that stands out. Jim Nabors, for example, takes some time to seem bearable to me, but finally the whole context works; but the movie seems like it is going to be horrible till Dolly's first phrase in the "Pissant Country Place" song.

Carol Hall's "Rock Candy Christmas" is a good number, but putting Dolly's "I Will Always Love You" was the smartest thing done musically here; in no way is the subsequent Whitney Houston version comparable in either sincerity or just naturalness of lovely sound--she uses little ornaments, too, but changes them as if to be original; all you really notice is that she didn't use the ones Dolly had already made perfect, as if they were as firm and fixed as the melody line itself. It was a considerably smarter thing than using "My Man" in 'Funny Girl', when "The Music that Makes Me Dance" would have made the show keep its original musical integrity; and leaving out the Ziegfeld Follies type numbers "Cornet Man" and "Rat-tat-tat" depleted this film, leaving it only great in moments ('Don't Rain on My Parade' is really the only great one.)

Burt Reynolds is a charmer as the sheriff and his and Dolly's affection for each other is sweet and moving. All of their scenes together work because they fully enjoy them, enjoy each other.

Certain big production numbers--the Aggies football players dancing in the locker room, then when they get to the Chicken Ranch, for example--seem to be low imitations of old Agnes de Mille choreography in 'Oklahoma', full of old-fashioned "cowboy high spirits" (one cannot keep from enjoying how non-cowboy most of the dancers must surely be) that have nothing new in them and merely seem mechanical.

It's a better Dolly Parton movie--though certainly not great--as a whole than 'Nine to Five', but nothing has ever quite surpassed the poetic genius of that picture's title song, in which Dolly has captured so basic a part of most people's daily life that you can hardly believe that the song is actually there to question its very validity, which it does with no qualms at all.

"Workin' nine to five, what a way to make a livin'... and later: "You would think that I would deserve a fat promotion... They just use your mind, and they never give you credit, It's enough to drive you crazy if you let it."

The real artist that she is peers through all the fluff from time to time, perhaps getting it through the fluff is the way it is proved.