Aggiungi una trama nella tua linguaRighteous constable Leng Tian-Ying has a fearsome reputation of killing criminals without remorse. But after being assigned to track a gang that robbed the imperial treasury, he comes to fin... Leggi tuttoRighteous constable Leng Tian-Ying has a fearsome reputation of killing criminals without remorse. But after being assigned to track a gang that robbed the imperial treasury, he comes to find that his reputation is being used against him.Righteous constable Leng Tian-Ying has a fearsome reputation of killing criminals without remorse. But after being assigned to track a gang that robbed the imperial treasury, he comes to find that his reputation is being used against him.
- Regia
- Sceneggiatura
- Star
Chen Kuan-Tai
- Leng Tian-Ying
- (as Kuan Tai Chen)
Ku Feng
- Fang Feng-Jia
- (as Feng Ku)
Recensioni in evidenza
At times you get positively surprised, when you look forward to a film and expect to see some quality work, and you get what you seek out but in a very different way than you thought, and possibly even more. This was the case when I popped Killer Constable into my DVD player and got way more than your regular Shaw Kung Fu hour-and-a-half epistle.
Compared to other Shaw Brother's period Wu Xia and Kung Fu works, Killer Constable differs from the lot quite a bit, and in a very positive way. Director Kuei Chih-hung's background in crime films really show, as he takes interesting elements from hard-boiled crime films and Japanese samurai films, among others, and bring them seamlessly into the Wu Xia movie.
It's more than rare in these films to see the protagonists being as a part of the Manchu dynasty's government. This is probably the main reason why we have such a dark character as the main protagonist. Chen Kuan-tai as the Killer Constable himself is a dark type of hero, bordering the anti-hero nearly all of the time. Along in his company of ever-vigilant law-officers, there's no place for your typical sleek-cheeked do-gooders in the posse, as we soon see, when this group of tough law officers go for their mission to capture and punish the bandit who's responsible for stealing a large sum of Emperor's gold. Also, a bit striking are some features you can see in the villains of the movie, some of them who have unusually humane characteristics, giving less stereotypical image of the characters than your usual black-and-white Good vs. Bad composition found in many of the genre pieces.
While always being a solid actor and great martial artist - one of my very favourite Shaw Bros. stars - Chen Kuan-Tai really shines in his role. He has the powerful presence and charisma as the stone faced law officer who discovers that he is only a tool and gets betrayed by the system he has abidingly served, that the role gets nearly immortalized.
Beautiful use of lighting and scenery, tight script, good balance of action and story, and especially interesting main character make this one the winner all the way. I also have to dish out some bonus points for the very bleak ending shot that somehow emphasized the futility of it all and concretely showed what kind of destruction greed, corruption and following orders without any questioning can lead you to. (This last one may very well be only my interpretation more than the message that was intendedly embedded in the film, but that's how I felt when the last images hit the screen.)
The blend of these elements make Killer Constable very atmospheric and exceptionally dark piece of martial arts mayhem, guaranteed to satisfy the genre fans and most probably being an interesting piece also for the people who are not familiar with the genre. Definitely one of my all-time Shaw favourites!
This is my truth. What is yours?
Compared to other Shaw Brother's period Wu Xia and Kung Fu works, Killer Constable differs from the lot quite a bit, and in a very positive way. Director Kuei Chih-hung's background in crime films really show, as he takes interesting elements from hard-boiled crime films and Japanese samurai films, among others, and bring them seamlessly into the Wu Xia movie.
It's more than rare in these films to see the protagonists being as a part of the Manchu dynasty's government. This is probably the main reason why we have such a dark character as the main protagonist. Chen Kuan-tai as the Killer Constable himself is a dark type of hero, bordering the anti-hero nearly all of the time. Along in his company of ever-vigilant law-officers, there's no place for your typical sleek-cheeked do-gooders in the posse, as we soon see, when this group of tough law officers go for their mission to capture and punish the bandit who's responsible for stealing a large sum of Emperor's gold. Also, a bit striking are some features you can see in the villains of the movie, some of them who have unusually humane characteristics, giving less stereotypical image of the characters than your usual black-and-white Good vs. Bad composition found in many of the genre pieces.
While always being a solid actor and great martial artist - one of my very favourite Shaw Bros. stars - Chen Kuan-Tai really shines in his role. He has the powerful presence and charisma as the stone faced law officer who discovers that he is only a tool and gets betrayed by the system he has abidingly served, that the role gets nearly immortalized.
Beautiful use of lighting and scenery, tight script, good balance of action and story, and especially interesting main character make this one the winner all the way. I also have to dish out some bonus points for the very bleak ending shot that somehow emphasized the futility of it all and concretely showed what kind of destruction greed, corruption and following orders without any questioning can lead you to. (This last one may very well be only my interpretation more than the message that was intendedly embedded in the film, but that's how I felt when the last images hit the screen.)
The blend of these elements make Killer Constable very atmospheric and exceptionally dark piece of martial arts mayhem, guaranteed to satisfy the genre fans and most probably being an interesting piece also for the people who are not familiar with the genre. Definitely one of my all-time Shaw favourites!
This is my truth. What is yours?
During the late Ching Dynasty, the imperial treasury is robbed, and the Empress's senior minister sends a dogged, pitiless constable (Chen Kuan-tai) to apprehend the thieves. As he encounters everywhere the suffering of the common people, and as his men die one after another in the line of duty, the constable begins to lose faith in his mission...and in the imperial court itself.
"Killer Constable" has been floating around the home video market for decades, first on VHS and then on DVD, as "Lightning Kung Fu." That English-dubbed print is faded, blotched and scratchy, with the original title clumsily hacked off; it's a disgraceful state for any film to be in, but see it anyhow. It's that good. Director Kuei Chih-hung treats the subject matter with the gravity it deserves, and his artistry is evident despite the condition of the print. Chen Kuan-tai turns in a fine performance, as does veteran Shaw character actor Ku Feng (as one of the desperate thieves being pursued by the constable). Beautifully choreographed swordfights, too, the high point being the confrontation between Chen and Jason Pai Piao as a hired assassin.
"Killer Constable" has been floating around the home video market for decades, first on VHS and then on DVD, as "Lightning Kung Fu." That English-dubbed print is faded, blotched and scratchy, with the original title clumsily hacked off; it's a disgraceful state for any film to be in, but see it anyhow. It's that good. Director Kuei Chih-hung treats the subject matter with the gravity it deserves, and his artistry is evident despite the condition of the print. Chen Kuan-tai turns in a fine performance, as does veteran Shaw character actor Ku Feng (as one of the desperate thieves being pursued by the constable). Beautifully choreographed swordfights, too, the high point being the confrontation between Chen and Jason Pai Piao as a hired assassin.
Solid martial arts film that's darker than most kung-fu films (both in story and tone, but also in it's actually lighting). The story follows a tough no nonsense constable who is hired to recover stolen royal property. He first assembles his team and they then set out to recover the stolen goods and seeking justice. It's a better story than most Shaw Brother's martial arts films, though that's not saying much, and there are enough good fight sequences (more swordplay than hand-to-hand) to make this worth watching, even if it's not a classic.
I remember watching this movie as a kid and being quite impressed because I found it so bloody. I often remembered this movie and so I was really happy to find this now in a second hand video store after all those years. Of course I'm not that impressed nowadays - but it's still a very cool swordsplay-movie. I has a lot of great fights with some splatter pleasure like extremities being chopped off. Ohh, and it's no kung-fu- or karate-movie, don't know why they named it "Karate Exterminators" or "Lightning Kung Fu", maybe this was more popular at it's release-date. My german video-release is called "Der gnadenlose Vollstrecker" which is a title that totally fits. Really outstanding is the atmosphere. You have fights in pitch black, in the water and marsh, with fire and so on. And there is a lot of rain. You know, rainy, dark atmosphere, desperate and already injured heroes with long wet hair in the face standing counterpart ready to die. - Cool! And the hero is no real hero because he's a total cold-hearted, bougeois executioner. But there's some development with his character during the story which is quite realistic. And the end is very surprising and radical. So, the movie-makers are not just martial-arts- and swordsplay-professionals, they also knew how to develop a storyline and built some great atmosphere. For me this movie is a hidden treasure of all those kung-fu and swordsplay-movies of the 70ies & 80ies. 7 out of 10.
Leng Tian-Ying (Kuan Tai Chen) is known as the Killer Constable because as a police officer, he goes after bad guys with ruthless zeal, generally killing them rather than simply arresting the malefactors. When a fortune is stolen from the Imperial Treasury, he is given the task of finding and executing the culprits within ten days. With his best men at his side, he sets out to fulfill this task, but it seems that there are small armies of bad guys all around, all eager to shed his blood for a change....
This is an interesting combination of genres, including the wuxia martial arts system and a touch of noir cinema, creating a very entertaining and atmospheric visual feast. I must say that I soon lost track of just how many bad guys our hero was fighting, and who was on whose side, but it really doesn't matter with this kind of film, it's the spectacle of it all that counts. The only bit that truly puzzled me was a scene where a bunch of straw is set on fire, despite the fact that there has been an ongoing downpour of rain for the previous several scenes - wouldn't the straw be too soggy to light? But never mind, this show isn't about logic, it's about beautifully staged fighting and lots and lots of (clearly fake) blood; take it in that spirit and you'll be quite entertained.
This is an interesting combination of genres, including the wuxia martial arts system and a touch of noir cinema, creating a very entertaining and atmospheric visual feast. I must say that I soon lost track of just how many bad guys our hero was fighting, and who was on whose side, but it really doesn't matter with this kind of film, it's the spectacle of it all that counts. The only bit that truly puzzled me was a scene where a bunch of straw is set on fire, despite the fact that there has been an ongoing downpour of rain for the previous several scenes - wouldn't the straw be too soggy to light? But never mind, this show isn't about logic, it's about beautifully staged fighting and lots and lots of (clearly fake) blood; take it in that spirit and you'll be quite entertained.
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By what name was Wan ren zan (1980) officially released in Canada in English?
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