L'assoluzione

I had high hopes for this film, with De Niro and also the rarely if ever disappointing Robert Duvall, two of the best actors around. I wasn't disappointed. This is a very understated, gently told story of church & police politics, of corruption, of brothers & of the way our decisions affect our future lives. As he so often does, Duvall steals the film but he has tough competition from the likes of Cusack (brilliantly cynical), Meredith &, of course, De Niro. I have watched this film several times & have even transferred it onto DVD so that I may continue to enjoy it. If you're looking for thrills or excitement, rent something else. But if you're looking for good characters, a believable plot & a strangely unforgettable film, I recommend this one.

This was a really good little film. It takes a look at the Black Dahlia killing but it mainly focuses on the relationships between the people. Even though they look and figure out who the killer is, it's a secondary part of the story. The Black Dahlia part in this movie is not accurate to the facts from the real case but it's not really suppose to be. Catholic Church corruption, prostitution and murder all combined for a really quiet meaningful little flick.

Long before L.A. Confidential, this film made light of the massive corruption and lack of caring in the L.A. police department back in it's bad years from the 20's through the 50's. You'll be glad you didn't live there back in those days.

No action but high on drama/thriller twists and turns. If you like L.A. Confidential, see this. I'm willing to bet, you'll like it.

True Confessions is a film wherein all of the players are at the top of their game. Altho starring Robert Duval and Robert DeNiro, the depth of field among the character actors is extraordinary, and this is why a movie that's seems to have so little going on is really so overwhelmingly powerful. Both Duval and DeNiro seem to communicate without speaking; almost as tho their thoughts are being sub-titled on the screen. Whenever they do begin talking with each other, the weight of their shared past has the force of a sledge hammer. I have a vhs copy of True Confessions, have watched it plenty of times and still find fresh nuances whenever I look at it. You have to see this movie.

One of the most underrated films of the past 25 years, "True Confessions" is worth repeated viewings. On the surface it's a period piece about a corrupt Los Angeles where sex, money, the police, and the Catholic church all mingle. While at first glance, the film is as lurid as "L.A. Confidential," beneath the surface it is a memorable love story, a story of two brothers, one a detective and one a ranking member of the Church hierarchy.

The brothers are played by Robert Duvall and Robert DeNiro, in performances that will linger in your mind forever. The silent moments between these two brothers resound louder than the dialogue. There's one heartbreaking scene in a bar where their inability to communicate despite their love for one another captures all of the complexities of sibling relationships. I have no idea who won the Oscar for Best Actor in 1984, but whoever it was could not have been better than the two Roberts are here.

In supporting roles Kenneth McMillan and Charles Durning also shine, one as a corrupt cop and the other as a corrupt businessman. In fact, I would have loved to see a remake of this film with the two pairs of actors trading roles: DeNiro for Duvall and McMillan for Durning. That film would have been different but arguably as great.

The final scene of the film is punctuated by the perfect sound track. So a great big tip of the hat to all responsible: John Gregory Dunne for the script, Ulu Grosbard for the wonderful direction that allows for those memorable silences, and, of course, a miraculous cast of fine performers working at the height of their art. Don't miss this film.

Adapted by the talented husband and wife team of Joan Didion and John Gregory Dunne from the latter's novel, "True Confessions" is not a film likely to please everyone. It is a character study dressed as a detective film, following two brothers, one a priest the other a detective. Both characters are flawed and corrupt in one way or another, but over the course of a murder investigation both men find their means of salvation.

Focusing on atmosphere and characterisation rather than suspense, "True Confessions" marked another triumph for director Ulu Grosbard, director of the two criminally underrated classics "Who is Harry Kellerman?" and "Straight Time". The performances in the film are excellent, with Duvall and De Niro simply superb as the two protagonists, particularly the latter in an effectively subdued role. Loosely based on the infamous Black Dahlia case, the film will madden those expecting the film to follow the structure and pacing of a conventional genre film. Yet for those who want something more intelligent and thoughtful, "True Confessions" is a rewarding experience.