Survivor - L'aereo maledetto

This little known movie should be seen by anyone who thinks Aussie films are all mindless travelogues with idiotic characters.

After a catastrophic plane crash, rescuers are surprised to see the pilot walking unhurt from the twisted, burning wreckage. The pilot (Robert Powell) can offer no explanation as to how he survived the explosion that killed every other person on the plane. The tension mounts when the investigation proves that the crash was so severe that the pilot could not have POSSIBLY survived no matter where he was on the plane, and yet there he is.

This is a well-crafted paranormal drama, with each new revelation concerning the crash leading you deeper into intrigue.

Also, it was made 19 years before Unbreakable, which has some very similar plot elements.

One of only a few James Herbert adaptations to reach the screen (the others being "Deadly Eyes" a.k.a. "The Rats", "Fluke", and "The Haunted"), this is a pretty effective movie overall. Directed by actor David Hemmings ("Blowup", "Deep Red"), it's handled with a large degree of sensitivity and subtlety, and is quite slowly paced as well, focusing on building its atmosphere rather than centering around shocks - all reasons why some horror fans might not care for it too much. But if you're patient with this one, you will be rewarded with a film that succeeds at creating a vague sense of unease and maintaining a level of unpredictability.

It certainly begins with a bang: a 747 plane crash lands in the Australian countryside, and its pilot Keller (Robert Powell) walks away without a scratch. Burdened with the guilt of being the only survivor, he's also suffering from amnesia and is determined to discover the cause of the crash. He's eventually assisted by a young woman with psychic abilities, played by an especially beautiful Jenny Agutter.

Also in the cast are Australian actress Angela Punch McGregor, whom you may remember as Michael Caine's leading lady in the film version of Peter Benchley's "The Island", and Hollywood legend Joseph Cotten, although Cotten truthfully never gets a whole lot to do as a local priest. Thankfully, Powell and Agutter are so good that they carry the movie quite well.

The paranormal is introduced into this moody story a bit at a time, with Hemmings never going for the cheap thrill; whatever violence is in the movie is mostly done off screen. Audiences may well appreciate the incredible work that the production does in creating a crash site, and enjoy the way that things wrap up with a creepy reveal / confrontation and a nifty (if not all that original) final twist.

As was said, this may not be to every taste, but genre fans looking for more obscure efforts from decades past are advised to look into it.

Seven out of 10.

For some reason this film never won the affection of either its peers or the viewing audience at the time. It played to half empty theaters, barely covered its production cost and was unceremoniously tossed out of everyone's subconscious. Yet its not even a bad film, I would venture to suggest a most interesting study of the paranormal and well directed by former BLOW UP star David Hemmings.

Robert Powell is Captain Keller who's 747 suffers a bomb explosion just before take-off and 300 odd passengers are incinerated as the plane explodes in flames. A short time later Keller is found wandering from the burning wreckage unharmed and quite unable to fathom how he has survived. The mystery deepens when a rapidly convened investigation concludes that there is no possible way ANYONE could have survived the explosion and heat blast, wherever they were in the plane.

As Keller embarks on his fateful odyssey, he and the audience are taken down lanes that both THE SIXTH SENSE and UNBREAKABLE may have trodden..and this was almost a generation earlier!

The viewer needs to suspend belief and take things for what he sees (or thinks he sees) A really intelligent Aussie flick that you will get as much out of as you are prepared to put in. Always good to see Joseph Cotton and Jenny Agutter!

Robert Powell and Jenny Agutter star in this Australian production of a pilot and a medium who have need of each other after an air crash.

Powell was the pilot of an airliner which crashed on coming in for a landing at an airport. Mysteriously he was the only survivor and he survived with barely a scratch, but with retrograde amnesia, he cannot remember any of the details of the crash.

Agutter is a psychic who is having a bad time seeing visions of what happened and apparently communicating with those who died. What they discover about the crash the story for the rest of the film.

This film marks the farewell appearance of Joseph Cotten who has a small role as a priest. Soon afterwards this most classy of leading men from the golden days of Hollywood suffered a stroke and was forcibly retired from the cinema.

It's not a bad film, Survivor, but it plays like a blown up version of an episode of the TV series One Step Beyond. It might be worth a look if that's how your tastes run.

THE SURVIVOR is one of those cases where the trailer is a lot creepier and more entertaining than the film itself. The setup is quite intriguing: Robert Powell plays the pilot and sole survivor of a 747 crash in Adelaide, Australia. Jenny Agutter is a psychic medium who contacts him to inform him that the victims of the crash are angry lost souls and need him to set everything straight.

This film promises a lot but quickly degenerates into a very slowly paced thriller which gives us neither shocks nor gore in a misguided effort to try to play to both the audiences of high-brow scares and exploitation. It's no wonder it never hit American theaters as the film feels very, very foreign and doesn't have much in the way of action or entertainment value beyond its opening cataclysmic plane crash (which is handled surprisingly well). There's a little bit of creepiness to go around but much, much too little too late. Also the film obviously spent the lion's share of its budget on production design for its wrecked plane in field location, so unfortunately it feels pretty repetitive after the umpteenth time the characters come back to it.

I do have to give a special mention to the film's musical score however. Brian May is almost criminally marginalized as the composer for the Mad Max films as well as all-too-often confused with the guitarist from Queen. In my opinion he provided all of the best film music to come out of Australia during the 70's and 80's and this film has to be near the pinnacle of his work, up there with ROAD GAMES and TURKEY SHOOT.

Oddly for a film set in Australia the film doesn't have much home base representation among the principal cast. American acting legend Joseph Cotten is on-hand as a Catholic priest. This was his last major film role though sadly a waste as his character is completely superfluous.