Jeans dagli occhi rosa

This movie was funny for all the cat and mouse games going on between Richard Kiel and Ryan O'Neal, but the part I remember the most was Jack Warden. I will forever say that the funniest line in a movie I have ever heard was his line at the end of the movie. In the ending scene, Ryan O'Neal and the leading lady are riding in a gondola in Venice. In a seperate gondola, Warden and woman he has fallen for are riding. In the first boat, O'Neal and the woman are kissing, being romantic, as expected in such a romantic setting. Meanwhile in the next boat, Warden turns to his lady,and with bedroom eyes in this city of love, leans over and gently whispers to her..." How long have these streets been f**ked up?" . I roll every time I see that. ( pardon the language, but it is a quote.) That aside, it is still a relatively funny movie.

Broadly-written and directed comedy about a professor of American literature who is forced into joining his manufacturer-father's dress business in New York City after his dad falls into debt with loan sharks. As an early-1970s Hollywood Lothario who first gained recognition on TV's "Peyton Place" as the resident heartthrob, and later parlayed that same appeal in the hit romantic-tragedy "Love Story", it is amazing that actor Ryan O'Neal was then typecast as a befuddled square who is nervous and unsure around women (this following his success in 1972's "What's Up, Doc?"). O'Neal doesn't really fit the role; his clumsiness isn't forced, yet the star doesn't have the innate grace for physical comedy (he's too self-conscious and heavy-spirited, and mock-innocent). The film has one great gag (split jeans), and a funny follow-up (a TV commercial promoting the jeans with see-through plastic on the rear), but none of the screwball hijinks in the boudoir raises a laugh. *1/2 from ****

What makes this movie a comedy classic are the sub-plots involving Ryan O'Neal as a straight laced academic who gets involved with a sexy woman who is the girl friend of Big Eddie (the biggest bad guy you will ever met). While I wouldn't want to compare Ryan O'Neal with Cary Grant there is a feel of some of the Grant roles where he plays the shy awkward guy rather than his normal sophisticated role. This movie has the feel of an old time screwball comedy but with some scenes that only could be shown in a more modern movie. I will never forget the passionate couch scene where the girl breaks out in opera.

Well worth the viewing if you can find it.

Unfortunately it is not available on DVD yet... that needs to change!

Having never been a Ryan O'Neal fan, I was surprised at how much I enjoyed "So Fine". I'm sure a great supporting cast helped (especially Jack Warden). We travel from the Ivy Halls of University life to the garment district of New York City, from clothing factory to an opera performance. Throw in a little infidelity, the "mob", and a new clothing fad, and you have a roller coaster ride of a film. Oh, and some advice, never date a woman whose last relationship was with Richard Kiel. He's the jealous (and angry) type.

One thing I never understood. The accidental creation of the jeans (that led to fame and fortune), never having made it to a real world fad. They consisted of jeans with cut-outs on the seats of the pants, with clear plastic instead of denim material. It's a great look! They may have seemed a bit risque in those days or more of a costume but no more. Anyone who has been to a beach or a pool lately will consider them tame. It may be an idea whose time has come........

Ryan O'Neal gives a weak, forgettable performance, but "So Fine" is saved by Jack Warden's excellence as the beleaguered garment manufacturer. Mariangela Melato is extremely sexy, while Richard Kiel is extremely intimidating as Melato's jealous husband. Unfortunately, whenever O'Neal is on screen, which is often, the film grinds to a halt. If you enjoyed Jack Warden in "Used Cars", this is a must see. The writing is a mixed bag, though at times surprisingly clever (the see through jeans). There are also some slapstick scenes that fall flat. If Alan Arkin had been cast in Ryan O'Neal's part, this could have been a classic. - MERK