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Vice copy (Burt Reynolds) falls for a high-price call girl (Rachel Ward) who's under the thumb of an underworld lord (Gassman). The storyline is highly improbable, has a VERY slow stretch with Reynolds watching Ward through binoculars, has tons of gunfights and gallons of blood. Also, very sleazy. Still, I was never really bored. I was in the mood for a stupid, violent movie and this delivered. Reynold is OK in the lead; Charles Durning is very funny as his boss (he basically walks around yelling and cursing--and enjoying it); Gassman is appropriately slimy as the underworld leader. Best of all is Ward--she is incredible gorgeous and gives this movie a much better performance than it deserves. Worth watching, solely for her.

The jazz soundtrack makes this seem like a Clint Eastwood movie.

In fact the whole thing strikes me as Burt doing Clint. The story is good and the movie is full of one liners that I carry with me to this day. (Reynolds to bad guy: I'm gonna pull the chain on you pal, because you're f'n up my town. And you wanna know the worst part? You're from outta state!)

Highlights: The Technics 1500B reel to reel is nice set dressing for audiophiles!

Charles Durning coming unglued while listening to wiretap tapes of prostitutes having (sort of) phone sex. (You'd have to see it, trust me, it's hilarious.)

Brian Keith plays against type as a tough guy. (And does it well!)

Bernie Casie's preoccupation with Zen.

Rachel Ward. WOW! (Where'd she go?)

Doc Severinsen and the Tonight Show band play their rears off as usual. (Joe William's guests on vocals. Manhattan Transfer re-recorded "Route 66".) The soundtrack lends class to the whole affair.

Need I say more? It might be Reynold's best film ever.

(Yeah, he plays himself, as usual, but it works!)

Enjoy!

I have always been a huge Burt Reynolds fan, I've always admired his humility and his way of engaging with the audience be it as actor or Director.

The film opens to the enchanting tones of Randy Crawford signing Street life, incidentally the film ends on a duet to what closely must resemble the sound of the emasculation of two cats with a blunt knife.

Anyway Sharky is demoted to Vice when 'he' messed up a drug bust. Down in Vice is where we meet the gang who all add wonderful dimensions to this film and each shines in his role, Charles Durning is hilarious he screams with such intensity you really become concerned for his blood pressure.

Just when it looks like Vice might be boring a whole can of worms opens up when they begin to stake out some 'High class' call girls (the stake out is a little long almost in real time), the plot involves a puppet politician and the puppet master played amazingly by the one and only Vittorio Gassman.

Sharky starts to fall for 'Dominoe' (gorgeous but she's gotta give up the cigarettes she sounds like the Bouvier sisters from the Simpsons) one of the 'High Class' call girls, incidentally Burt Fell for another 'High Class' call girl in 'Hustle'.

Burt was very generous with the script he gave some of the best stuff to the supporting cast, in actual fact sometimes through the movie in his quest to build Sharky as the strong silent type the lack of script for himself turned Sharky into the strong boring type. This was very apparent when he was finally with Dominoe at his pad, he was pining around like a 13 year old. He couldn't string two words together he just looked bashful so bashful he almost looked mentally challenged, he did everything bar kicking his heels looking at the floor and saying "Gee golly I ain't never done kissed no girl be fower hu hulk".

In all it's a very entertaining film, it drags a bit here and there, but it always comes back to life and the last 30 minutes are a roller-coaster, watch out for Henry Silva who plays a whacked out hit man, my favorite scene is when he points his gun at Arch and…..

"Sharky's Machine" is a very frustrating film to watch. On one hand you have a compelling storyline, good acting by an intriguing cast, and tough action. Unfortunately the bursts of violence are strung together by some of the most tedious sequences ever. The surveillance of Rachael Ward goes on and on until it becomes nothing but a damn annoyance, and there are numerous other scenes that could have been trimmed or eliminated. If "Sharky's Machine" were re-edited down to 90 minutes it would be a far superior film. I realize this is never going to happen, so I suggest living with the fast forward button and doing your own re-editing. - MERK

I like Burt Reynolds (Boogie Nights) playing a cop, and he didn't do too bad as a director here either.

He had a great supporting cast of cops and criminals: Vittorio Gassman makes a great crime boss; Henry Silva (Ghost Dog: The Way of the Samurai) makes a great psychopath; Brian Keith ("Family Affair"), Charles Durning (The Best Little Whorehouse in Texas), Bernie Casey, and Richard Libertini (A Grandpa for Christmas) all make great partners; and, there is, of course, Rachel Ward ("The Thorn Birds"), who got a Golden Globe nomination out of her performance.

Lots of action, superb performances, and a great story.