Roommates

This movie has a well-told story about real characters who grow and change, portrayed with (mostly) credible performances. Veronica Hart is a good actress by mainstream, let alone porn standards. Music is even appropriate to the action most of the time. It lacks many of the traditional porn cliches such as sex scenes that have no connection to the story, and external come shots. In short a well-made movie with explicit sex. It isn't Schindler's List but it's better than a lot of mainstream movies that had 100 times its budget.

I don't know if I would dare to classify this film as an ordinary cinematographic work with real sex scenes, or as a sensationally written and starred pornographic film, as would happen with a conventional film of a certain level.

Perhaps that is the disappointing factor about Roommates, since the people who went to the premiere to see it were undoubtedly expecting a standard adult work, knowing, of course, that it would be a show in any case interestingly filmed by Chuck Vincent. And what they ultimately brought to the retinas was a spectacular drama with splashes of explicit sex that attract attention, not so much for the usual crudeness of the genre, but for quite the opposite, for showing sex in a very superficial, even romantic, way with short, natural and even dramatic sexual scenes. As if they said: "let's finish this, we must return to the plot line."

And the truth is that no one (and I repeat NO ONE) goes to the movies to see Veronica Hart or Samantha Fox to enjoy their artistic or acting skills. Although they do it very well here. With this I do not want to belittle this work of Vincent. Absolutely not. But there is more sex in some famous mainstream movies than in Chuck Vincent's Roommates. Although it surpasses some in cinematographic quality.

The overpraise this glorified porno has received is staggering. Veronica Hart may had been good in other roles; here she is trying too hard. Samantha Fox is downright terrible and over-acting(if we can use that word 'acting) and obnoxious to watch. Her only believable dialogue occurs when performing her sex-scenes, in all seriousness. Kelly Nicols,ironically, gives the only pure performance with her natural delivery. Jamie Gillis is fine,as usual. Chuck Vincent evidently got his directing-knack down with future efforts,but this is a fancy wrapped package with nothing inside, except a self-fulfillment wish for Vincent.

An incredible melodrama that actually works better as a drama than a sex film. This one finds the three leads, Hart as the actress looking for a break in New York, Nichols a model doing the same, and Fox as a New York native sex worker who's trying to change her life who needs the roommates to help make rent. Each puts in a career best performance, the sex is presented many times in a non-erotic way, which helps to push it over the edge when it is presented more erotically. Add in Jaime Gillis in an all-time pervo-creep role and this one stands as one of the best hardcore films I've seen.

My review was written in February 1982 after a Midtown Manhattan screening: "Roommates" is an extremely well-acted drama of three women trying to launch careers in New York City, cast and filmed with a key difference from ordinary product. Producer-director Chuck Vincent has used familiar thesps from sexpo films to enact a "straight" story, in which sex scenes are brief and do not destroy the picture's narrative. Softcore version reviewed (a similar hardcore version exists, using different camera angles) is hot enough to qualify for an X rating, but emerges as an uncensored story film with sex angles rather than a toned-down sex pic.

Three title characters are Billie (Samantha Fox), an ex-call girl working in tv commercials production, taking Joan (Veronica Hart) and Sherry (Kelly Nichols) as roommates from out of town to share her posh Manhattan apartment. Amidst humorous and frankly sentimental incidents, film concentrates on the women's mistreatment by various men in their lives.

Billie suffers from sexual harassment on the job, as her boss (Bobby Astyr) insists that she dispense sexual favors to clients or he'll fire her. Joan, dropping out of drama school to try and make it on (or off) Broadway, has a romance with her drama prof, but he drops her in favor of renewing his relationship with his wife. Sherry is from L. A. and building a modeling career, but gets beaten and abused by men she picks up.

Despite the melodramatic format, Vincent and his co- writer Rick Marx find positive elements for the heroines, such as Joan's falling in love with a sympathetic fellow actor (Jerry Butler), and even contrive a happy ending as each one embarks on a new life style, drawing upon the lessons they've learned. What makes the picture work is sock performances, particularly Samantha Fox's tough portrayal of a woman trying to "go straight" and Veronica Hart's winsome and innocent bundle of energy. Kelly Nichols is stuck in a less convincing role, that of a woman self-destructing through drugs and random men, but her glamorous beauty and a torrid sex scene (in stop-motion photography) are arresting.

In support, Jamie Gillis is truly frightening as a sickie who dominates Nichols, Gloria Leonard provides an hilarious, wise-cracking cameo as Fox's former madam, and Jerry Butler is very sympathetic as Hart's new boyfriend. Tech credits are sharp, especially Larry Revene's varied lighting to enhance each scene's mood.

While pic's lack of a Hollywood major pedigree may lead to it being dismissed as porn, "Roommates" deserves a shot at mainstream audiences.