Il volto dei potenti

An over valued dollar, the system on the brink, the big bankers and their government stooges have gone too far. Sound familiar? The previous poster attributes the financial melt down in the movie to capitalism. Actually, the movie doesn't touched at all on the causes of the system breakdown. But it is not capitalism, but government interference in the market which would cause such a melt down. But it is fun to see central banking get its just reward, and to see gold emerge a winner.

The only time I saw "Rollover" I found it interesting. An okay time killer, probably not good enough for sustained viewings.

I'd like to know what planet the previous reviewer is on though, when he tries to inject what he or she thinks is some profound warning about the fate of capitalism. May I remind you that it's the *socialist* revolutions that have collapsed since 1989 because it's *those* systems that don't work? Capitalism has already outlasted Karl Marx in every sense because ultimately it does work and it provides something Mr. Marx and his emulators need to do without in order for it to endure: liberty and freedom.

This was a 1981 movie Jane Fonda "got made" after her exploration of the dangers of nuclear power in the "China Syndrome" back in 1979. She was driving to tell the story of real money - gold and how OTHER parts of the world value gold as real money while the Americans don't understand it. (Note: And it's not about Jane. I don't even like Jane Fonda...her politics aren't supposed to be in the acting on the screen. At some point a movie - or any art - is not about the artist's personality, it's about what's on the page or the score or on the screen.)

The plot line is about "outsiders" not rolling over their CDs in American banks and buying gold...and what the loss of those foreign investments means to the financial establishment in New York. I'll admit the acting and the romance are not top notch. So what? This movie was a "financial thriller" and there just ain't many of these movies made. Movies need bank financing, and banks usually won't finance anything that makes them look bad or stupid. (They show "I'ts a Wonderful Life" with Jimmy Stewart on TV only once a year now because it shows "run on the bank" at the Bailey Savings and Loan - not something the financial establishment wants Americans to even think about.) I'm a Certified Financial Planner and I recommend this movie in my classes along with Oliver Stone's "Wall Street" and "Boiler Room" as movies that shed light on the financial world in which we live today. In 2005, it's even more important for people to understand the relationships between gold and paper money as the cycle from the 1970's reasserts itself.

And get over the Arab slights in the movie. They weren't the point back in 1981 and they aren't the point now. A lack of political correctness is not a reason to avoid this movie.

This one could surely be considered one of Pakula's "paranoia" films but there are only 3 that are noteworthy. The reason for this is that this one is not in the same league as his Paranoia Trilogy.

This one suffers from slow pacing, miscasting and just not enough of the intrigue/thriller aspect. Don't get me wrong, this film is worth it's 2 hours but you won't be gripped like you would be if you watched Klute or Parralax View etc.

What saves this film is the ending. You'll notice how what happened at the ending of this looks pretty similar to what happened in late 2008 to the world economy. Be prepared to be spooked by the similarities almost 28 years after the fact.

I have not brushed up on my financial lingo, so a lot of the Wall Street talk went over my head. It might be possible I'm too dumb to fully "get" this movie. That being said, can I at least have interesting characters to fear for and a good deal of suspense when I'm watching a thriller?

The two leads are like figures from a Sidney Sheldon potboiler: sexy and sassy, but otherwise little more than blow-up dolls. The love scenes are hilariously cheesy and the suspense is basically nil. The latter is a shock considering this was directed by Alan J. Pakula, who made some of the greatest thrillers of the 1970s: KLUTE, THE PARALLAX VIEW, and ALL THE PRESIDENT'S MEN. Those were phenomenal movies. Most importantly, you could follow them. ROLLOVER is way harder to follow if you aren't sure what the characters are talking about and to be honest, even after reading a synopsis to digest what was going on, I found I didn't really care.