Quella villa accanto al cimitero

Quella Villa Accanto al Cimitero/House by the Cemetery(1981) is the first straight forward film for Fulci since Zombie Flesh Eaters(1979). Gets away from the dreamish themematics of his previous two films. Begins with the idea that this could be the third film in the 7 Gates Trilogy. Although not as violent as Zombie Flesh Eaters, The Gates of Hell, or The Beyond, The film does contain some gory set pieces. A bloody haunted house tale that employs the techniques of Lucio Fulci very well. The story builds toward the pessemistic climax.

Quella Villa Accanto al Cimitero's major weakness is the poor dubbing of Bob & Mae. Because they are voiced over by adults, the performances of the two children come out weak. Walter Rizzati performs a main theme that sounds alot like the theme music of Don't Torture a Duckling. One of my favorite film scores from a Fulci picture. Tremendously influenced by the zombie classic, Let Sleeping Corpse Lie(1974). This is one of the few Fulci films from the early 80s that Fabio Frizzi did not work on.

The film crew seems at home since having done many films together. I was impressed by the film when I first saw it. House by the Cemetery is helped out by the presence of Catriona MacColl who gives it professional respectability. One thing that annoyed some people is the scene where the babysitter is cleaning up blood with Mrs. Boyle not reacting to this. This was not done purposely but resulted due to budget restraints and time limitations. The House by the Cemetery(1981) was filmed after the editing of The Beyond(1981).

Dr. Freudstein is another in a line of monsterous villains that follows Father Thomas and Schweik the painter. He is the only zombie in an otherwise non zombie pic. Even though he is not seen for most of the picture, his presence is still sinisterly felt. His name seems to be a mixture of Dr. Frankenstein and Dr. Freud. Dr. Freudstein in my opinion also seems to be inspired by the longevity seeking Dr. Charriere of HP Lovecraft/August Derleth's short story, THE SURVIVOR. Dr. Freudstein is menacing and repulsive.

The set designs are eye popping and fantastic. The interiors of the Freudstein house from the past are stunning. Another example of Fulci using great gothic designs for the film. Part of the film was done in Concord, MA. The antique look of the Freudstein house from the past is something out of a Mario Bava movie. The House by the Cemetery(1981) is made special by the sight of gothic architecture in the small New England town.

Revolves around the relationship between Bob Boyle and the ghost, Mae Freudstein. They can communicate from far away while understanding each other's thoughts. They are the opposite of Mr. and Mrs. Boyle who are limited in looking beyond what is there. Bob Boyle and Mae are competently played by Giovanni Frezza & Silvia Collatina. Bob Boyle ends up in the same position as Liza and John from The Beyond(1981). Mae's role serves the same purpose as a warner that Emily served in The Beyond(1981).

Children play a vital role in Lucio Fulci's top films. In his films, children are the bearers of innocence who are surrounded by a nature of violence. Children are a crucial part in this film because they are the only ones who can sense danger. Dr. Freudstein in my opinion represents the dark half of Norman Boyle. The children in the film are inspired by characters in a Henry James Novella. Its interesting that the doctor lures his victims by crying like a child.

Quella Villa Accanto al Cimitero I feel had a profound influence on Clive Barker's Hellraiser(1987). One example is the monster who needs victims to keep himself alive and fresh. Another example is the architecture designs of Hellraiser(1987). Combines the ideas of HP Lovecraft with Henry James and Ambrose Bierce. Giannetto De Rossi produces some effective special effects for a low budget film. Sergio Salvati is one of the key ingredients to this picture because of his fabulous cinematography and camera placement.

House by the Cemetery(1981) is comparable to Mario Bava's Shock(1977). Both have families who live in a house with a dark past. Both have a child who talks to someone dead. The two films have female characters who are on the verge of total breakdown. House by the Cemetery & Shock contain a downbeat ending. These two rely on atmosphere and colorful set pieces.

There are show stopping highlights in Quella Villa Accanto al Cimitero(1981). One, the murder of the first victim played by Daniela Doria. Two, the murder of Mrs. Gittleson where realistic make up effects are employed. Three, the pix axe scene that is an encore of the "Buried Alive" sequence from City of the Living Dead(1980). The scene where Mae envisions the death of Anne, the babysitter is brilliant. The scene where the camera pans out from a house to a picture of that house is quite good and reminds me of a sequence towards the end of Brazil(1985).

Here is an effort from the infamous director Luci Fulci, who is probably best known for his ultra-violent zombie movies. This is one of them, although strictly speaking it is a haunted house/zombie combination. The story has a family move into a new home where it turns out a zombie called Dr Freudstein (yes, really) lives in the cellar. And from this premise much bloody mayhem does ensue. The highlight of the movie overall is the practical effects work from Giannetto De Rossi which kick into gear during the various scenes of over-the-top bloody violence. It's a fairly run-of-the-mill film aside from this really but it is also notable for having a very effective, intense ending. Last and by all means least is the child actor playing the character called Bob - he has been dubbed with the most ridiculous and inane voice that you would be forgiven for hoping he will wind up being torn apart by the resident zombie. But will he?

For an hour i was thinking to myself 'this kid has one of the worst dubs in the history of cinema'. And then that scream happened. Now it's official. It's the worst voice dubbing in movie history. Why on earth someone thought it wise that when a boy of 7/8 screams he sounds like a prime scream queen i'll never know, truly one of the most ridiculous and startling things i've come across.

As for the rest of the movie, there are 3 brutally bloody scenes (one in particular towards the end is rather gross out) which explains why it was a video nasty in it's day. The story tries to set up a little mystery with possible suspects including the nanny and the dad but the choppy editing and scene placement make it hard to believe anything other than the supernatural. Not one of Fulci's best, it's still got enough good moments to warrant at least one viewing.

This is enjoyable. If you are looking for a serious horror movie that makes sense, give this one a skip.

By this point in his career Lucio Fulci was cranking out gorefest after gorefest. This film is no different. With a great opening involving two lovers in an abandoned house we are introduced to the great score by Walter Rizzati that plays through out the film. After the credit sequence we are introduced to the Boyle family. Mother Lucy (Catriona MacColl in I believe her third Fulci film after THE CITY OF THE LIVING DEAD and THE BEYOND), father Norman (Paulo Malco) and son Bob (Giovanni Frezza) are going to be moving to a new home with New England. Only problem is the previous owner murdered his mistress and then committed suicide.

The first half of the movie is good and quite restrained if you will for Fulci. It is introducing characters, infusing creepiness and at times visually impressive while not exactly going for the gore. But, to me it is the second half where it does amp up the gore, bring on the great, gruesome kills and really the tension at times is almost chaotic in the basement (especially when Bob goes down there) of their new house that brings this film up on the rating scale for me. I mean that is what I am expecting from a Fulci movie.

If gobs of gore isn't your thing you should probably stay away, but if you are a fan of Fulci or like a mix of gore and tension in your films I recommend this 1981 horror flick for you.

Two final notes: Mr. Fulci himself portrays Dr. Mueller and whomever did the voice over work for Bob does in fact have a slightly annoying whiny voice. So just be prepared for that.