VALUTAZIONE IMDb
5,1/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn immigrant housemaid seduces a 15-year-old boy and later fakes her own death as part of his chauffeur's blackmail plot. Troubles arise when the two start to fall in love.An immigrant housemaid seduces a 15-year-old boy and later fakes her own death as part of his chauffeur's blackmail plot. Troubles arise when the two start to fall in love.An immigrant housemaid seduces a 15-year-old boy and later fakes her own death as part of his chauffeur's blackmail plot. Troubles arise when the two start to fall in love.
- Premi
- 1 candidatura in totale
Pamela Jean Bryant
- Joyce
- (as Pamela Bryant)
Beans Morocco
- Green
- (as Dan Barrows)
Linda M. Bass
- Woman in movie theater audience
- (non citato nei titoli originali)
David Lee Rawlings
- Lover boy
- (non citato nei titoli originali)
Recensioni in evidenza
Private Lessons (1981)
** 1/2 (out of 4)
The 15-year-old Phillip (Eric Brown) is starting to understand the bodies of women but he gets some "private lessons" from his maid (Sylvia Kristel). What he doesn't know is that the chauffeur (Howard Hesseman) is using her to blackmail the rich kid's father. If the visuals of an older woman having sex with a 15-year-old kid bothers you then it would be best to stay away from this film, which is without question one of the more "out there" entries in the long-running list of teen/sex comedies from the decade. I'm really not sure why anyone would take this too offensive, although I'm sure all hell would break loose if the roles were reversed and you had an older man giving private lessons to a teen girl. The film, for the most part, never takes itself too serious and instead comes off as a typical fantasy as the horny boy grows closer and closer the perfect woman. The film manages to be quite charming up until the final act, which nearly kills the things. I'm really not sure why they needed the subplot of the blackmail because it's not funny and really adds nothing to the film. The relationship between the boy and maid takes up the first hour and it actually turns into something nice but then it all gets thrown away with the blackmail. The best moments of the film happen after the boy fails to get some because he's too scared and then has to take some jokes by his friend. Brown does a pretty good job in the role of the kid and makes for a nice lead. Hesseman is good as the scumbag driver but it's Kristel's body that steals the film. She'll never be accused of being a good actress but she knows how to be sexual and that's all that is needed here. The soundtrack is also a great one as we get John Mellencamp's 'I Need a Lover', Earth Wind & Fire's 'Fantasy', Eric Clapton's 'Next Time You See Here' plus Rod Stewart's 'Hot Legs', 'Tonight's the Night' and 'You're in My Heart'. Fans of this genre will certainly find enough nudity, cheap laughs and more nudity to keep them entertained.
** 1/2 (out of 4)
The 15-year-old Phillip (Eric Brown) is starting to understand the bodies of women but he gets some "private lessons" from his maid (Sylvia Kristel). What he doesn't know is that the chauffeur (Howard Hesseman) is using her to blackmail the rich kid's father. If the visuals of an older woman having sex with a 15-year-old kid bothers you then it would be best to stay away from this film, which is without question one of the more "out there" entries in the long-running list of teen/sex comedies from the decade. I'm really not sure why anyone would take this too offensive, although I'm sure all hell would break loose if the roles were reversed and you had an older man giving private lessons to a teen girl. The film, for the most part, never takes itself too serious and instead comes off as a typical fantasy as the horny boy grows closer and closer the perfect woman. The film manages to be quite charming up until the final act, which nearly kills the things. I'm really not sure why they needed the subplot of the blackmail because it's not funny and really adds nothing to the film. The relationship between the boy and maid takes up the first hour and it actually turns into something nice but then it all gets thrown away with the blackmail. The best moments of the film happen after the boy fails to get some because he's too scared and then has to take some jokes by his friend. Brown does a pretty good job in the role of the kid and makes for a nice lead. Hesseman is good as the scumbag driver but it's Kristel's body that steals the film. She'll never be accused of being a good actress but she knows how to be sexual and that's all that is needed here. The soundtrack is also a great one as we get John Mellencamp's 'I Need a Lover', Earth Wind & Fire's 'Fantasy', Eric Clapton's 'Next Time You See Here' plus Rod Stewart's 'Hot Legs', 'Tonight's the Night' and 'You're in My Heart'. Fans of this genre will certainly find enough nudity, cheap laughs and more nudity to keep them entertained.
I just finished watching this on TMC. I haven't seen it in its entirely since I was about "Philly's" age...20+ years ago (ugh). Anyway, I enjoyed it thoroughly. Yes, the acting isn't first-rate (except for Begley, Jr's); the production is B-movie; the subject is taboo; the plot's full of holes; but, it has great moments of humor, sensitivity, eroticism without being 'dirty'; and one of the best 80's soundtracks ever. This movie is about having fun. Philly's best friend was hilarious. For me, it was reminiscing about the fantasies it provided when I was a teen. I had forgotten how sweet and sexy Sylvia Kristel was in this movie. Some of her acting was still a bit amateur, but her sweet seduction was first-rate. She put a smile on my face when I needed it most...and that's all that matters.
Every boy's wet dream
well that's how the early 80's sex teen comedy "Private Lessons" plays out
and maybe more audacious than most with its precariously lurid context. While I wouldn't call it one of the best of its sub-genre, it still was rather a popular and influential outing that would spawn knockoffs like "Homework", "My Tutor" and to some extent "Class". This is one of those films that its best to just go along with its low-brow attitude, as its quite asinine (especially the plot progression)cringe-like (with the circumstances characters find themselves in) and smutty. But then again the hormones run wild. Older lady
young boy. What fantasy can you think up?
15 year old Philly Fillmore's father has gone away on business, where he's left home alone with Nicole the new French housemaid. Soon Philly becomes infatuated in her, but her open advancements towards him come at a surprise. While shy at first, she slowly starts gaining his affection. But unknowingly to him, his crooked chauffeur Lester has blackmailed Nicole to seduce Philly in the scheme of getting money out of him.
What the film has going for it is the iconic soundtrack of buoyant tunes from the likes of Rod Stewart, Eric Clapton, Crazy Horse, Air Supply and Earth, Wind & Fire. It was like a jukebox at times with some oddly placed tunes. The other distracting element (other than spending a lot time leering of its attractive female cast and extras) was that of European goddess, Emmanuelle's Sylvia Kristal as teasingly upfront foreign housemaid. She looks beautiful; the best moment arises when she seductively strips in front of a gobs-smacked Eric Brown. Although another body double was used for Kristal's nude scenes. Eric Brown plays the gawky naïve young lad Philly whose curiosity turns to obsession --- in what he believes is love for the housemaid. Howard Hesseman is good as the deviously slim bag chauffeur Lester and Ed Begley Jr. has fun with his little support role. In one humorous sequence he does his best "Dirty Harry" persona with Hesseman at the end of it. Patrick Piccininni plays Philly's obnoxious pal Sherman and Pamela Jean Bryant is Sherman's stuck-up older sister that Philly kind of fancies. Or better put likes to see naked. Ron Foster turns up as Philly's father and Dan Barrows amusingly chips in as the gardener. Also showing up in minor, but enjoyable parts are Peter Elbling, Dan Greenberg (the writer) and a delightfully titillating Meridith Baer as an uptight school teacher. It's technically well-made by director Alan Myerson and breezily paced with Greenberg's simple material.
15 year old Philly Fillmore's father has gone away on business, where he's left home alone with Nicole the new French housemaid. Soon Philly becomes infatuated in her, but her open advancements towards him come at a surprise. While shy at first, she slowly starts gaining his affection. But unknowingly to him, his crooked chauffeur Lester has blackmailed Nicole to seduce Philly in the scheme of getting money out of him.
What the film has going for it is the iconic soundtrack of buoyant tunes from the likes of Rod Stewart, Eric Clapton, Crazy Horse, Air Supply and Earth, Wind & Fire. It was like a jukebox at times with some oddly placed tunes. The other distracting element (other than spending a lot time leering of its attractive female cast and extras) was that of European goddess, Emmanuelle's Sylvia Kristal as teasingly upfront foreign housemaid. She looks beautiful; the best moment arises when she seductively strips in front of a gobs-smacked Eric Brown. Although another body double was used for Kristal's nude scenes. Eric Brown plays the gawky naïve young lad Philly whose curiosity turns to obsession --- in what he believes is love for the housemaid. Howard Hesseman is good as the deviously slim bag chauffeur Lester and Ed Begley Jr. has fun with his little support role. In one humorous sequence he does his best "Dirty Harry" persona with Hesseman at the end of it. Patrick Piccininni plays Philly's obnoxious pal Sherman and Pamela Jean Bryant is Sherman's stuck-up older sister that Philly kind of fancies. Or better put likes to see naked. Ron Foster turns up as Philly's father and Dan Barrows amusingly chips in as the gardener. Also showing up in minor, but enjoyable parts are Peter Elbling, Dan Greenberg (the writer) and a delightfully titillating Meridith Baer as an uptight school teacher. It's technically well-made by director Alan Myerson and breezily paced with Greenberg's simple material.
Great topic about a boy coming of age lead by an older mature woman. The movie gathered much publicity not only in the US, and Europe, but also in Asia when it came out.
The movie was made in the transitional time when the raw sexual expression of the '70s was starting to change to cuter expression of the '80s. It carries some of the sexual topics that were prevalent in the '70s, but the expression is much more juvenile and charming.
Silvia Kristel was spot on for the role. She was by then well known for her role in the movie "Emanuelle". The movie was like the "JAWS" of that segment of the movie industry. Just like Richard Dreyfus became a big star, Krystel rightfully became a star.
The movie doesn't have much story to it, but it's mostly about the comical scene of youngster getting seduced by an older woman. Even so, the movie keeps things entertaining, and it's a good movie even after all these years.
I kind of liked the subplot that went between Phillip and Sherman too.
A good movie that captures the culture of the early '80s.
The movie was made in the transitional time when the raw sexual expression of the '70s was starting to change to cuter expression of the '80s. It carries some of the sexual topics that were prevalent in the '70s, but the expression is much more juvenile and charming.
Silvia Kristel was spot on for the role. She was by then well known for her role in the movie "Emanuelle". The movie was like the "JAWS" of that segment of the movie industry. Just like Richard Dreyfus became a big star, Krystel rightfully became a star.
The movie doesn't have much story to it, but it's mostly about the comical scene of youngster getting seduced by an older woman. Even so, the movie keeps things entertaining, and it's a good movie even after all these years.
I kind of liked the subplot that went between Phillip and Sherman too.
A good movie that captures the culture of the early '80s.
This excellent, though aging badly, film, is well worth digging out of the dusty shelves of your video store. It's definitely not highbrow fare, but this story of an earnest 15 year old's relationship with his sexy French housekeeper is certainly watchable.
Although the subject matter is actually quite serious, many moments in the movie will have you laughing out loud. Patrick Piccininni is priceless as the best friend of the 15 year old Phillip, who eggs him on. Eric Brown is even better as Phillip, who isn't quite sure how to respond to his housekeeper's advances.
"Private Lessons" is more than just a reversed-role "Lolita"--it's far more entertaining to watch. It does, however, join a whole series of fairly predictable teen guy-and-teacher/housekeeper movies like "My Tutor". What I especially like about this film, though, is that it doesn't have the heavy air of moral judgment hanging around it. The characters are depicted as perfectly-capable agents of their own will, which is extremely refreshing. It was hard to watch "Private Lessons", though, without looking back on my teen years and longing to be in Phillip's shoes!
Although the subject matter is actually quite serious, many moments in the movie will have you laughing out loud. Patrick Piccininni is priceless as the best friend of the 15 year old Phillip, who eggs him on. Eric Brown is even better as Phillip, who isn't quite sure how to respond to his housekeeper's advances.
"Private Lessons" is more than just a reversed-role "Lolita"--it's far more entertaining to watch. It does, however, join a whole series of fairly predictable teen guy-and-teacher/housekeeper movies like "My Tutor". What I especially like about this film, though, is that it doesn't have the heavy air of moral judgment hanging around it. The characters are depicted as perfectly-capable agents of their own will, which is extremely refreshing. It was hard to watch "Private Lessons", though, without looking back on my teen years and longing to be in Phillip's shoes!
Lo sapevi?
- QuizEric Brown replaced another actor who was originally cast as Phillip "Philly" Fillmore but was fired after eighteen days of shooting.
- BlooperIt is obvious that a body double for Sylvia Kristel is used during the nude scenes - Kristel's nipples are not as protuberant as those of her double, Judy Helden.
- Versioni alternativeThe version of the film shown on US broadcast television alters two scenes. The opening scene of a couple making out in car with only their legs showing has been replaced with a montage of scenes from later in the film when Philly and Lester are burying the body. The bathtub scene where Ms. Mallo takes a bath with Philly has been completely removed with the exception of a single question. In the original version, Ms. Mallow asks Philly if he would like to take a bath with her. He says "Yes" and the scenes continues. On television, he says "No" and the scene ends.
- ConnessioniEdited into Twisted Sex Vol. 23 (2007)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Lecciones privadas
- Luoghi delle riprese
- Indian School Road at 56th Street, Phoenix, Arizona, Stati Uniti(car into canal driving scene - northwest corner of this intersection)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.800.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 26.279.000 USD
- Lordo in tutto il mondo
- 26.279.000 USD
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