Polyester

I remember seeing this the night it came out (God, was it really 22 years ago!). We all went down to a late night showing at the Cedar on the West Bank in Mpls., with about 4 hours worth of "feelgood" in us.

I was familiar with Waters' work, having seen PINK FLAMINGOS, and was ready for the "Odorama" cards handed out when you bought your ticket, but my "associates" were a bit mystified. It all led up to a very different & unique experience, which really hasn't been equaled since.

Basically, there were about 10 (numbered 1-10) scratch-n-sniff scents which were to be activated by you from the card when a flashing number appeared on the screen. They included a rotten egg smell for flatulence (somebody broke wind in the movie), along with a natural gas smell when a character stuck their head in an oven, among others. You get the idea. Anyway, it had the usual John Waters' cast of characters (Mink, Edith, Divine, etc.), along with the late, great Stiv Bators making his big-screen debut as (what else), a delinquent. Stiv pulls it off quite well, and everything else pretty much amounted to a fun show-going experience.

Not nearly as shocking as FLAMINGOS or FEMALE TROUBLE, but surely rent it if your into that sort of thing (a/k/a the pre-HAIRSPRAY Waters). I'm sure those "Odorama" cards are long gone, so you'll have to get creative on your own to replicate the experience that was "Odorama".

John Waters is truly a great director. I had seen Pink Flamingoes but not to much of his earlier work. I am more familiar with his later works like Serial Mom or Cecil B. Demented, which is all great stuff. Polyester is the bridge, as so many people put it, between his disgusting yet entertaining earlier work to more mainstream films like Hairspray.

Divine plays Francine Fishpaw. A rather large lady who is married to a man who owns a pornographic theater. Her son is a drug attic who loves to smash womens feet and her daughter is a wannabe Go-Go dancer who gets herself pregnant. Francine has only one friend in the world and that is Cuddles who is wonderfully played by Edith Massey. After Francine catches her husband sleeping with another woman (Mink Stole) Francine's life starts going into a downward spiral as she can't control her children and she becomes an alcoholic. Only, when she meets a man named Todd Tomorrow (Tab Hunter) do things start to change... or do they?

I had a grin on my face throughout the whole movie. The storyline sounds pretty depressing but only John Waters could have pulled this off and turn it into a complete comedy. Divine is right at home in her role as Francine. You truly do feel completely sorry for her. Edith Massey is excellent in the role as Cuddles and is definitely the most likable character in the whole movie. What made this movie so great for me was when this came out in theaters I was to young to see this. I just recently bought it on DVD and it comes with an actual Scratch N' Sniff card for the movie! Great stuff! This movie gets a 9/10 from me.

I have to comment on this movie.It was 1981 and it was my birthday.I moved to a new job and knew absolutely no one and went to a theater to see "Polyester" knowing nothing about it.It was raining and as soon as I entered to buy a ticket three employees started laughing and looking at me.They said you are the only one here to see the movie.I was handed a card and I went to a seat and sat down and the previews started.An usher walked by and I said hey,turn down the lights and turn up the sound.I put my feet up on a seat-back and thought hey,this is okay.It was my first John Waters movie and I laughed a lot at the crazy movie.I used the scratch and sniff card as prompted by the screen which was cool.I had a great time.It wasn't until several years later when I saw more Water's films that I even knew that Divine was actually a man and Water's films were a wee tad irregular.If you are humored by odd movies and odd people then watch the movie.I wish I had saved the scratch and sniff card.Not a movie for the kids.

If John Waters did nothing else in his career he created the fabulous screen team of Divine and Tab Hunter. Back in the day when he was one of Henry Willson's chiseled clients he was linked often on and off screen with Natalie Wood. Personally I think he works much better with Divine.

Polyester and it seemed everyone was wearing the fabric in 1981 in some manner is a wonderful satire on the American scene. Like Married With Children the Fishpaws are your typical American family seen with a jaundiced eye. But the Fishpaws make the Bundys look like the Cleavers.

Our leading character is Divine all 300 pounds of her who has let herself go to seed married to this bum of a husband David Samson who is getting on with his secretary. Divine is a good Christian woman who lives the middle class life due to Samson's income from a drive- in he owns where porn rules.

Her daughter Mary Garlington is the Kelly Bundy of the 80s. And her son Ken King has issues that make Bud Bundy look like the All American kid. He's not called the Baltimore Stomper for nothing.

In the end she gets shed of Samson and meets her dream man, Tab Hunter. But that's only the beginning.

Divine created some very funny characters for John Waters in her life. But they had a touch of pathos and sadness as well. This was her great strength as a performer.

Waters serves up some real funny stuff in Polyester. It's positively Divine.

After several years of crudely made, crudely funny films such as PINK FLAMINGOS, director John Waters graduated to a somewhat more sophisticated style, and POLYESTER has a comparatively (note the word: comparatively) subtle script, cinematography that doesn't shake, sets and props that don't actually look like they were salvaged from the local junkyard, and even a mainstream star: 1950s matinée idol Tab Hunter.

The story concerns the extremely dysfunctional Fishpaw family. Husband Elmer is in the porno movie business; daughter Lu-Lu is a mindless teenage slut with a nasty boyfriend; son Dexter is wanted by the law for a sexual fixation that leads him to stomp women's feet! And then there is the mother, poor Francine, extra large and utterly at sea, hoping against hope for middle class respectability in the midst of it all.

Tab Hunter (who is even more of a stud here than in his earlier pretty-boy days) romancing female-impersonator Divine is a major draw, and there is enough hilarity--ranging from a nun-enforced hayride for single pregnant women during a rainstorm to a black gospel singer who hijacks a bus to chase down a juvenile delinquent--to keep the show rolling, and the satirical edge is often quite effective.

Even so, POLYESTER lacks the same shock appeal that made Water's earlier work so entertaining--and it is a tremendous pity that we can't experience the film in its original "ODORAMA." Recommended, but primarily for Waters fans interested in seeing him in his transitional phase.

Gary F. Taylor, aka GFT, Amazon Reviewer