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Pippin: His Life and Times

  • Film per la TV
  • 1982
  • Not Rated
  • 1h 52min
VALUTAZIONE IMDb
7,3/10
646
LA TUA VALUTAZIONE
Pippin: His Life and Times (1982)
CommediaGuerraMusicaleRomanticismoStoria

Aggiungi una trama nella tua linguaAt the goading of the ominous and omnipresent Leading Player, Pippin, the eldest son of King Charlemagne, samples life's pleasures to discover his place in the world and the meaning of his l... Leggi tuttoAt the goading of the ominous and omnipresent Leading Player, Pippin, the eldest son of King Charlemagne, samples life's pleasures to discover his place in the world and the meaning of his life.At the goading of the ominous and omnipresent Leading Player, Pippin, the eldest son of King Charlemagne, samples life's pleasures to discover his place in the world and the meaning of his life.

  • Regia
    • David Sheehan
  • Sceneggiatura
    • Roger O. Hirson
  • Star
    • Ben Vereen
    • William Katt
    • Leslie Denniston
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    646
    LA TUA VALUTAZIONE
    • Regia
      • David Sheehan
    • Sceneggiatura
      • Roger O. Hirson
    • Star
      • Ben Vereen
      • William Katt
      • Leslie Denniston
    • 20Recensioni degli utenti
    • 1Recensione della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 candidature totali

    Foto5

    Visualizza poster
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    Interpreti principali20

    Modifica
    Ben Vereen
    Ben Vereen
    • The Leading Player
    William Katt
    William Katt
    • Pippin
    Leslie Denniston
    • Catherine
    Benjamin Rayson
    • Charlemagne
    Martha Raye
    Martha Raye
    • Berthe
    Chita Rivera
    Chita Rivera
    • Fastrada
    Joanie P. Oneill
    • Player
    Debra Phelan
    • Player
    Linda Haberman
    • Player
    Kate Wright
    • Player
    Allison Williams
    • Player
    John Mineo
    • Sword Bearer
    Charles Lee Ward
    • Peasant
    Lee Mathis
    • Beggar
    Frank Mastrocola
    • Noble
    Carmine Rizzo
    • Theo
    Tom Batten
    • The Baron…
    Christopher Chadman
    • Lewis
    • Regia
      • David Sheehan
    • Sceneggiatura
      • Roger O. Hirson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti20

    7,3646
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    Recensioni in evidenza

    nycruise-1

    It's all we got...

    David Sheehan needs to be drawn and quartered for his handling of this classic musical (ugh - the cross-fades during the Manson trio dance, the poor framing, etc).

    I love Chita Rivera but she is bit miscast as Fastrada.

    William Katt might sound better if he was miked to the camera.

    On the other hand, this is the only record we have this amazing musical circus. Obviously, even in pristine state, it would still lose something because it really is a live theater piece.

    I simply have newbies watch it, explain the mistakes/edits, and have them listen to the original cast album.
    8udrivemenutty

    Watch the Workprint on YouTube; the Televised Edit SUCKS

    I had no idea what to expect when I watched this a few months ago. Irene Ryan lead me to "Pippin" (it's a shame her performance wasn't taped). This was my first "Fosse" experience - and I must say every performer was captivating.

    The first version of this 1981 filmed production of "Pippin" that I watched was a leaked unedited workprint on YouTube. This offers you EVERY scene and EVERY song, with different camera angles than the released print. Once I watched the DVD, I truly question if the editor even paid attention to storyline (particularly the segment after "Morning Glow"). Perhaps the most butchered part was "The Hearth" portion of the show (as titled in the original Playbill). I wonder how Leslie Denniston felt when they cut out most of her narration and her song "I Guess I'll Miss The Man". Many many things were cut, including a stanza of my personal favorite song, "No Time At All". I can never watch this edited version so I have opted with a homemade edit combining both versions.

    The production itself is truly amazing. Ben Vereen reprises his role as the Leading Player and Christopher Chadman reprises his role as Lewis. William Katt is wonderful as Pippin. Actually every actor does wonderful in this; there is not one person who I think was miscast. This production preserves the original sets and choreography of the original 1972 production - which is a big plus. One interesting note is that the lyrics for "War Is A Science" and "With You" differ from the Original Broadway Cast Album, the latter being changed the most. I don't necessarily prefer one over the other; it's nice to hear different versions of it.

    I will warn you that this musical is very unlike most musicals out there as it bounces all over the place. It goes from war to sex to romance to suicide (but hey - it is a story about a man trying to find himself in the world). When I first watched this, the only song that stood out to me was "No Time At All", only because I previously listened to it before watching it. Then I found myself liking "Magic to Do" and "Simple Joys"....then practically every other song in this. This musical really grows on you. Great messages are scattered throughout; "Glory" is amazingly true (and haunting), as well as"No Time At All".

    So be sure to watch the workprint on YouTube - you'll get some surprises out of it too; Martha Raye flubs lines in "No Time At All" which are dubbed over in the released print and at the end of "Morning Glow" the tape briefly cuts to a soap opera. Very amusing! But this is the only way to achieve the full experience of "Pippin".
    8Gislef

    Yeah, the Video Taped version ain't great

    But it still manages to capture the look, feel, and spirit of the original stage production. Great musical numbers and dance numbers compensate, IMO, for the flaws of bringing it to video (and the original "director's cut" unedited version makes up for much of the cited flaws anyway).

    Pippin isn't really adapted for video, but is rather simply a taping of a stage production (compare it to Cats - the video version _was_ staged for video). This is a mild flaw. Cats obviously takes advantage of F/X, close-ups, etc., while Pippin's camerawork is pretty much static.

    The standout is Ben Vereen, at his peak here carrying the show. Chita Rivera (Fastrada) and Benjamin Rayson (Charlemagne) are the best of the supporting player. Katt and Denniston are kinda weak, and Martha Raye, while adequate, isn't as good as Irene Ryan in the original Broadway production.

    Overall, Pippin is an entertaining musical which is competently captured on the (complete) video.
    jeisrael

    A Masterpiece

    This is one of the finest videos of a musical available anywhere. In addition to being an unbelievable musical, this top notch cast brings PIPPIN to an astounding level.

    Particularly amazing is Ben Vereen... his singing, acting, and dancing abilities are on full display. Broadway legend Chita Rivera is also spellbinding in her small but show-stopping performance.

    This is a musical not to miss!
    rdedirektor

    Extraordinary? Not quite...

    I first saw this movie while I was acting in a production of the show...just to get a feel for the songs and the choreography, not really paying much attention to the quality of the performances or the show as a whole. On repeated viewings since, however, I can say that...well, frankly, it doesn't make a very strong impression on me. I suppose there are several reasons for this; first of all, there's a lot of the script missing. But which script? There were actually two different "Pippin" scripts, which shared most of the songs and basic structure, but very little else. This production seems to be a mishmash of elements form both versions.

    There are certain things I liked... Ben Vereen, of course, whose Leading Player was nearly flawless. William Katt did not sing as prettily as John Rubenstein, the original Pippin, but he seems to have a level of guts and passion that was missing earlier, as well, so that's okay, too. The nauseating "I Guess I'll Miss the Man" was cut (thank God). All good things.

    But outweighed, unfortunately, by some negative aspects. First, casting...Chita Rivera has no place in the show. She doesn't sing it well, and the dance break seemed to be so that the producers could say, "Hey, look! We've got Chita Rivera!" The editing left a lot to be desired as well...there were whole expository scenes missing, and some really unnecessary ones left in. And most of all, it was just so FAST! Everyone spoke as if they would be penalized if the show ran over two hours...Ben Rayson as Charlemagne is most indictable for this, but all of the cast (even the incomparable Vereen) are guilty of it from time to time. I also felt that the ending was WAAAY too abrupt...there's so much more to be done with one of the most powerful final scenes in musical history, and they took the easiest possible exit.

    All in all, I own it and watch it simply because there are way too few filmed stage versions of musicals available (the only others I can think of are Into the Woods, Sunday in the Park with George, Jeckyll and Hyde, Putting It Together, and Sweeny Todd).

    I like movie musicals, but I like seeing them done on stage more than anything. I just wish there was a better reason than that for owning this one.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      At the very end when asked how he feels, Pippin says, "Trapped, which isn't bad for the end of a musical comedy." The line was written "Trapped, but happy, which isn't..." but director/choreographer Bob Fosse changed it. It was fought out and today, the original version of the line appears in the play.
    • Blooper
      The Lead Player sings during the song "Simple Joys" that wouldn't you rather be... "a twig on a fig in Galilee." The line from the song that is supposed to be sung is "a fig on a twig in Galilee".
    • Citazioni

      The leading player: And then it happened. Suddenly, shamelessly, and without warning, as it must in all musical comedies, they were struck by... a love song.

    • Versioni alternative
      The latest video release was the production cut for television. The initial video release contained the complete production as performed (although slightly abridged from the original stage script). The complete "War Is A Science" number is there, along with all the profanity.
    • Connessioni
      Referenced in La tata: Pishke Business (1994)
    • Colonne sonore
      Magic to Do
      Music and Lyrics by Stephen Schwartz

      Sung by Ben Vereen and The Players

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    Dettagli

    Modifica
    • Data di uscita
      • 13 agosto 1983 (Australia)
    • Paesi di origine
      • Canada
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Pippin
    • Luoghi delle riprese
      • Hamilton, Ontario, Canada
    • Aziende produttrici
      • Hollywood Close-ups
      • Elkins Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 52 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.33 : 1

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