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With the late 70's giving us Star Wars and Alien, these films inspired a barrage of filmmakers to have a more realistic edge with sci-fi. Outland is no exception and while the film is heavily flawed, it's a decent sci-fi movie with lots of twists and turns to keep you engaged.

The miniatures and models look fantastic and still hold up today in my opinion. It inhabits that Alien mining operation look throughout and Peter Hyams did a great job on an aesthetic point of view. It's not as detailed as Alien, but what is?

The story is also pretty well written and many have labelled it as High Noon in space. It definitely has that western feeling especially with the showdown climax and your typical western pistols have been replaced with shotguns.

Sean Connery delivers a great performance and I would say this is one of his best post Bond films along with The Name of the Rose.

Despite these positives there are quite a few negatives. The explosive decompression scenes are quite dated and are unintentionally hilarious with peoples heads inflating like balloons. The child actor who plays Marshall O Neill's son is quite possibly the worst child actor ever! It takes you out of the movie for a while but thankfully it's only a brief scene.

If you haven't seen this I would recommend Outland, especially if you're a fan of Alien or any other industrial sci-fi movie from that era. It's quite overlooked so definitely give it a look.

Outland (1981)

Plot In A Paragraph: Marshall O'Neil (Connery) stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the people there, when he finds himself marked for death.

I still vividly remember watching this with my dad, the night he rented it on video. It was the first Connery movie I had watched since Diamonds Are Forever. As nothing he made in between that time interested either of my parents for them to rent the video or watch it on TV.

Essentially this is High Noon in space. A heavily tanned Connery is the new Marshal who does what a man must do. There are a number of parallels. Killers are on their way to kill the Marshal, who is abandoned abandoned by his deputies, and with none of the residents willing to stand by his side. As the arrival time approaches, Connery enters the cafeteria/saloon and speaks to the townspeople, repeating the classic Cooper line, "I could use a little help," receiving none. He must decide between fleeing and joining his wife and son, or staying and facing almost certain death.

Away from the parallels of High Noon, the plot here is an intriguing one, The miners were being given an illegal drug, which increased their output for 11 months and then drove them insane. Connery actually delivers a good performance, that seems to have been forgotten about by the masses, which is a shame as it still holds up today, and Connery does some great acting in a scene where he doesn't utter a line of dialogue, as he watches a video of his wife. Connery was not happy at this movie going over schedule, as he lost a major extended cameo role in Chariots of Fire due to it.

All in all, I find Outland to be an enjoyable movie, with good pacing and a good atmosphere, that I usually watch every couple of years.

Outland did fair business for a Connery non Bond movie grossing $17 million at the domestic box office. Slightly more than its $16 million budget.

Let me say up front that any film with exploding people advances to the head of the class. "Scanners" ...awesome. "Robocop" ...grossalicious. "Spinal Tap" ...ahh, a moment of silence for Mick Shrimpton.

"Outland" shines (or should I say 'pops') with the best of them. And it's a great film to boot. More of a western than a scifi--its story has been compared to "High Noon"--it might be light on spaceships and laser battles, but it's definitely heavy on mood and atmosphere. If you like tense, dark, claustrophobic mood films like "Alien", "Das Boot" or even the recent "Pandorum", this is worth checking out.

Sean Connery plays a great character, not quite the perfect hero as James Bond whom he had played a few years prior, but instead he plays a very human, fallible and slightly vulnerable (if not scared) character reminiscent of the great Jimmy Stewart or Gregory Peck in their roles as reluctant heroes. So don't expect Sean to clean house the way Schwarzenegger might. Here he's clearly outnumbered and outgunned which adds to the chills of this suspenseful story.

Director Peter Hyams was at the peak of his game. Films like this, "Capricorn One" and "2010", all filmed within a 7-year stretch, exhibit the same dark, heavy vibe perfect for science fiction. Again let me repeat, you won't get a ton of flashy action scenes, but what you will get is a thick, suspenseful mood.

If you like old school scifi like the films I've mentioned, or if you like westerns, or if you like moody thrillers, I think you'll like this. You might like it so much your head will explode. And then you too will be awesome.

One of the best, if not the only, space opera thriller ever, directed by a very sci-fi oriented film director Peter Hyams, remember him with the terrific CAPRICORNE ONE and the lesser 2010, plus several films made decades later: STAY TUNED, END OF DAYS, A SOUND OF THUNDER.... Plus many films with nothing to do with science fiction, thrillers for most of them. So here, Sean Connery is excellent in the marshall role for this HIGH NOON in outer space. Very well done, very exciting. That's one of the best of the director, besides CAPRICORNE ONE, before he loses most of his ambition with the likes of JCVD for instance.

Outland is brilliant. So many good moments in the movie -the first time you see someones head explode from change of pressure, the bloodied elevator as it returns from the bottom of the mining shaft and the overall excellent visionary style of the mining colony. Connery is perfectly cast as the marshall who cannot be bought and Frances Sternhagen brings much needed warm relief from the terror with her smart, down-to-earth manner. Hyams directs the film with excellent vigour and his choice of filters and lighting, (especially the scene in the prostitues room which is blood red from the emergency lighting), gives an instant impression of heat, fear and so cool relief from the space shots. It could quite easily be overlooked as just another sci-fi flick but I think it established much more the benefits of bringing earth-realism to outer-space than any other film in it's day.(Probably best to watch it, as I did, when you are 10 years old!!)