VALUTAZIONE IMDb
5,3/10
1007
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWitnessing her Mother's murder as a child has an odd effect on a woman when she weds.Witnessing her Mother's murder as a child has an odd effect on a woman when she weds.Witnessing her Mother's murder as a child has an odd effect on a woman when she weds.
- Regia
- Sceneggiatura
- Star
Robert Walker Jr.
- Michael 'Mike' Grant
- (as Robert Walker)
Kenneth Robert Shippy
- Eric
- (as Kenneth R. Shippy)
Raymond H. Shockey
- Man
- (as Ray Shockey)
Warren A. Stevens
- Client
- (as Warren Stevens)
Clement von Franckenstein
- Lawyer
- (as Clement St. George)
Recensioni in evidenza
If you go into this movie believing it to be a horror - as I did - you will be disappointed. It might pass as a thriller, but this is mostly drama, and character study.
15 Years ago, Olivia's mother - a hooker - was killed by one of her customers. Now 20 and married to Richard, Olivia is still haunted by her mother's death. Richard is a bit of a brute, and when he refuses Olivia getting a job, she decides to follow in her mother's footsteps - not to make money, but to avenge her mothers death by killing men who picks her up.
One night she is spotted by Michael Grant, an engineer, while taking pictures of a bridge he is working on. Getting acquainted, Olivia enjoys his sensitivity and they start seeing each other while Richard is at work. Olivia is totally nuts, and I found her annoying at times. The film just gets worse towards the end and without spoilers I guarantee you're not going to like how this plays out.
I found the film slow and uninteresting, so chances are I'm going to forget this in an instant. Not that it would matter...
15 Years ago, Olivia's mother - a hooker - was killed by one of her customers. Now 20 and married to Richard, Olivia is still haunted by her mother's death. Richard is a bit of a brute, and when he refuses Olivia getting a job, she decides to follow in her mother's footsteps - not to make money, but to avenge her mothers death by killing men who picks her up.
One night she is spotted by Michael Grant, an engineer, while taking pictures of a bridge he is working on. Getting acquainted, Olivia enjoys his sensitivity and they start seeing each other while Richard is at work. Olivia is totally nuts, and I found her annoying at times. The film just gets worse towards the end and without spoilers I guarantee you're not going to like how this plays out.
I found the film slow and uninteresting, so chances are I'm going to forget this in an instant. Not that it would matter...
It's hard to understand the negativity around Olivia. Yes it's completely mis-soled as a flesh and fear stalk and slash, it is in fact a sweet love story about a child escaping her damaged past with a bit of horror, social realism and domestic terror thrown in.
Of course compared with Crimes Of Passion or Track 29 is lacks thy the fireworks but there are lots of little moments where the camera lingers on bridge lights or the parrots which Ulli Lommel adds to give it a strange stylish flourish.
The cast (apart from Robert Walker) are universally great especially Suzanna Love in the title role, even the bit parts are played with utter sincerity and a fair amount of talent.
White of the Eye is a similar film which has a much better reputation but Prozzie (Olivia or Double Jeopardy) has oodles to recommend it, in fact it's almost a precursor to David Lynch's Lost Highway without the surrealism.
The only criticism, much like Olivia or Jenny, the film doesn't quite know what, or indeed who, it wants to be.
I saw this for the first time recently n I still cannot fathom why I got pulled into seeing this. It's not a bad film but erotic dramas n thrillers ain't my cup of tea.
Nevertheless, the lead actress' beautiful face kept me going. Suzanna Love was truly attractive n her brief nudity was an icing on the cake.
Plot wise it is a bit far fetched but some scenes r pretty atmospheric.
I really wanted to know how the husband survived n how he tracked her down.
Also did she purposely migrate to Arizona so that she can bump into her lover.
I like Ulli Lommel's film The Bogey Man so much that I have 3 different copies of it; I even have 2 of it's poor sequel. I also collect many of the 88 Films releases, so when this came out I just had to buy it.
The British blu ray comes with an enticing cover (film is entitled Prozzie) and is part of 88's Slasher Classics Collection. This, however, is NOT a slasher movie, much more a psychological thriller with a bit of sex and horror thrown in. I prefer the first half of the film, which is set in London. It's pretty dark and has a few Lommel touches reminiscent of The Bogey Man. But when the action moves to Arizona the plot becomes pretty silly & unbelievable. This film grew on me after a second viewing, so I'm glad I hung on to my Blu Ray copy as I had contemplated selling it.
As a child, Olivia witnesses the brutal murder of her prostitute mother by a client; fifteen years later, she is in an abusive marriage, and, suffering from schizophrenia, hears her dead mother's voice instructing her to become a hooker. Olivia (Suzanna Love) kills her first customer, but falls for American engineer Mike Grant (Robert Walker Jr.), who treats her with kindness and compassion.
When Olivia's husband Richard (Jeff Winchester) catches his wife in a passionate clinch with Mike, he attacks the engineer, but accidentally falls from London Bridge into the Thames during the altercation, after which Olivia disappears into the night.
Four years later, Mike is working at Lake Havasu City, Arizona, where London Bridge has been reconstructed. There, he bumps into a condo saleswoman called Jenny, who he recognises as Olivia. They rekindle their love affair, unaware that Richard is still alive, and has tracked Olivia to her new home in the desert.
Theories abound about the exact meaning of the nursery rhyme 'London Bridge is Falling Down', an enduring playground favourite amongst young children. Ulli Lommel's Olivia (AKA Prozzie AKA Double Jeopardy), which centres around the famous bridge, is also something of a puzzler. I suspect that the director was trying to use the bridge, so out-of-place in Arizona, as a metaphor for Olivia herself - but it's a clumsy conceit that Lommel is unable to make work.
The awkwardness of Lommel's uneven script is compounded by ham-fisted direction, terrible acting, and badly executed scenes of violence, Lommel even resorting to borrowing from his own (utterly diabolical) Bogeyman II, with a ridiculous death-by-electric-toothbrush scene (it didn't work there, and it's just as unbelievably dumb here as well).
An obvious low budget certainly doesn't help matters, the film looking cheap and nasty throughout, but even if Lommel had been able to 'build it up with silver and gold' I doubt if he could have made Olivia anything but another rather forgettable clunker.
When Olivia's husband Richard (Jeff Winchester) catches his wife in a passionate clinch with Mike, he attacks the engineer, but accidentally falls from London Bridge into the Thames during the altercation, after which Olivia disappears into the night.
Four years later, Mike is working at Lake Havasu City, Arizona, where London Bridge has been reconstructed. There, he bumps into a condo saleswoman called Jenny, who he recognises as Olivia. They rekindle their love affair, unaware that Richard is still alive, and has tracked Olivia to her new home in the desert.
Theories abound about the exact meaning of the nursery rhyme 'London Bridge is Falling Down', an enduring playground favourite amongst young children. Ulli Lommel's Olivia (AKA Prozzie AKA Double Jeopardy), which centres around the famous bridge, is also something of a puzzler. I suspect that the director was trying to use the bridge, so out-of-place in Arizona, as a metaphor for Olivia herself - but it's a clumsy conceit that Lommel is unable to make work.
The awkwardness of Lommel's uneven script is compounded by ham-fisted direction, terrible acting, and badly executed scenes of violence, Lommel even resorting to borrowing from his own (utterly diabolical) Bogeyman II, with a ridiculous death-by-electric-toothbrush scene (it didn't work there, and it's just as unbelievably dumb here as well).
An obvious low budget certainly doesn't help matters, the film looking cheap and nasty throughout, but even if Lommel had been able to 'build it up with silver and gold' I doubt if he could have made Olivia anything but another rather forgettable clunker.
Lo sapevi?
- QuizUlli Lommel and Suzanna Love found London Bridge in Arizona while preparing for Revenge of the Boogeyman (1983). Lommel started writing a story that would involve London Bridge in London and Arizona's London Bridge.
- ConnessioniEdited into Ulli Lommel's Zodiac Killer (2005)
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Dettagli
Botteghino
- Budget
- 500.000 USD (previsto)
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