Dodici rintocchi di terrore

My, this has always been one of my faves of the genre. It is really quite ridiculous, but fairly 'twisty' for a run-of-the mill slasher. Kip Niven is in my opinion, very good as the killer who switches personas to fit in different environments in order to kill on his timetable. Grant Cramer, who was destined for nothing more than soap fame, has a handsome yet creepy face, especially after he forces that red hose over it. Roz Kelly does look truly unattractive - but then look at her audience! Those 'LA punkers' bobbing and weaving in the audience are unintentionally reminiscent of George Romero's creations...check out their 'dancing'!

Yet I have always found the best part of the film to occur in the beginning, the first time the killer calls into the radio show. He announces that his name is "Evil" in a very odd voice courtesy of a voice manipulation machine. He is dead serious, and Roz on the other end is slightly chilled, but tries to play along: "Yeah, you're bad, you're real bad." At which point he cuts her off, still deadly serious: "NOOOO! Just EVIL!!!" It's truly hilarious if you appreciate that sort of thing.

Enjoyable for the genre.

I just wanna point out that this is the year 2022, and in all horror circles this is considered a cult classic. The music alone is worth a watch. People that review these movies need a revoke on their horror card.

This Golan-Globus production is a bit slicker than most non-major-studio slashers of the era, and the polish helps it move along painlessly--except for the onscreen victims of course. Roz Kelly plays an obnoxiously self-absorbed radio celebrity hosting a New Year's Eve "New Wave" bash--we get a lot of generic rock music located somewhere between lesser 70s power pop and 80s lite metal. (The musicians in the presumably fictitious bands playing probably grew their hair out and tried to be "the next Poison" a few years later.) Before her hosting duties begin, she gets a call from an anonymous, vocally distorted man who insists she call him "Eeeeeeeevillllll" and says he's going to kill on the hour each other before midnight, at which point it will be her turn. Trouper that she is--or perhaps just too abrasive to care--our protagonist goes on with the show, while the killer gradually approaches the venue, killing people on the way.

The story is pretty thin, such as it is. There's a late hint of something unsavory going on between the heroine's son and husband (it's unclear whether he's the boy's father), both of whom have cause to hate her guts, but the film doesn't have the nerve to really "go there." It aims mild satire at both the Hollywood and punk scenes, but those caricatures are too familiar to be effective. Roz Kelly was said to be a piece of work offscreen--she acknowledged she was known as "pushy," which is maybe what got her sacked from her most famous role on "Happy Days"--so this role seems tailored to her as a glam, flashy but unsympathetic entertainer who is oblivious to others (even at her own peril) and bosses everybody around. The villain's "scary voice" on phone calls is ridiculous, his dialogue worse, his motivation flimsy, but then you don't go into a movie like this one expecting much psychological depth.

Despite the fair number of deaths, none of them are particularly memorable in deed or staging; the only good idea is a climactic scene in which someone is very unhappy to find themselves dangling from the bottom of an elevator as it rockets up and plunges down the shaft.

In short, more watchable than some more poorly-produced slashers of the time, but just OK, with both a protagonist and antagonist that are a little too effectively annoying as personalities.

Punks lead us to the biggest New Year's bash going on to bring in 1981. Roz Kelly plays Diane Sullivan or Blaze who is going to be the host for the New Year's Eve party in Los Angeles. Three other time zones are linked in to the party from New York City, Chicago and Aspen, Colorado. A dark and mysterious stranger (Kip Niven) calls the show and tells Blaze that he will kill at the stroke of midnight, then leading to the cops trying to catch the madman before he kills in each time zone.

I enjoyed the movie even though there was no question as to who the killer is, but there are a couple twists later in the movie, that yeah I could see coming, but I still enjoyed it. I thought Niven did very well as the homicidal maniac and makes me perhaps want to watch it again sometime. The acting in general was I thought above what you see in average slashers. In addition I thought the music was very good by bands like Shadow and Made in Japan. Catchy title song with same name as movie as well.

Must say the ending was sort of setting up for a sequel and it never came. Not sure if the writers set it up for a sequel and the movie did not perform well enough at the box office to have a sequel made. Anyways, you may find it passable entertainment if you give it a chance.

Yet another entry in the "psychotic killer on the loose" genre. The premise of this one is somewhat original, but apart from that it has nothing else to distinguish it from dozens of similar films, so you're just sitting there waiting to see how it will tie everything up in the end. It does come up with an unexpected, out-of-left-field plot twist, but the "motivation" part is fumbled. Still, if you're tolerant of low-budget early-80s thrillers, you'll probably have an OK time. (**)