Gelosissimamente... tuo

Sheesh, I have read a lot of the reviews posted here and many are unfavorable...bad acting, poor directing, (not so) special effects, mono sound, blah photography....so I understand that after I post my (favorable) review I will probably not be able to run successfully for high public office. Of course, that deal was sealed long ago...its only a matter of time until they dig up and publish my history of my porn site visits in Google archives...so what the heck, here goes.

I could NOT stop laughing. Did the other reviews mention casting? It is brilliant...who better to cast as a moody, feckless scorned lover (who happens to be an air traffic controller) than Chevy Chase...add to his performance that of Mitch Kreindel as the more feckless foil and you have a recipe for doubled-over laughter that would make you glad you wore your depends that day, if only they had them back in the 80's when this film was first screened. I loved the telekinesis device, especially the moment when an airplane ashtray complete with roaring engines and laden with cigarette butts, flies across the airport employee lounge and crashes in flames into a wall poster featuring some alpine peak. This is our first clue that Chevy has developed special powers, the rest is charming and fun (thanks to the great cast including Dabney Coleman, Mitch Kreindel, Patti D'Arbanville, and Nell Carter). Detractors will say (have said) otherwise. All that critical nit picking is only detail. Years later, when I think of this film, I smile. How bad can that be?

Being a Chevy Chase fan I might cut this one a little more slack, but even so there's no denying there's more cold side-effects than are hot ones in this early, but quite minor leading Chase vehicle (which two years later the very successful and iconic 'Vacation' would follow).

Coming from the feature is a cruel, rude and mean-spirited vibe (which was done better in Martin Scorsese's 1985 dark comedy 'After Hours') that sees Chase in quite a dreary cloud of sappiness and finding himself in one degrading mishap after another and to cap it off his girlfriend has just left him because of his clingy nature. One night while driving his car behind a truck, the context in the tanker (nuclear waste) ends up on him giving the abilities of telekinesis and a nice green glow. He then begins use this power in ridding any sort of obstacles that get in the way of reuniting with his ex-girlfriend (which is beautifully played by Patti D'Arbanville).

With a better script (which includes plenty of sexual innuendo), it could have been so much more, but while the cast (featuring Dabney Coleman, Nell Carter, Mary Kay Place and Brian Doyle-Murray) do the best. The one-joke script lets them down. The humour is mainly off the mark, as it never rises above the superfluous material and characters are not particularly engaging (especially Chase's loathsome character). It's a story were the humour contributes, rather than just being there for the sake of it, however it's a awkward mess of staged ideas and plastered visual gags. The special effects are modest, pacing is flat, style seems bland and the film looks quite murky. There's a real lack of passion, but director Ken Shapiro is saved by a few amusing (brisk, but enjoyable) comedic inclusions. But in the end these peculiar touches just weren't enough.

Far from a laugh-riot with a little too much dead space, but 'Modern Problems' remains barely a passable throwaway.

This movie is not Chase's best but well worth watching for any of his fans. Some of the things he does with his powers make me laugh just thinking about them. Two highlights in particular are the restaurant scene and the ballet scene.

Dabney Coleman plays almost the same type of character as in "Nine To Five" and Nell Carter plays a hilarious voodoo lady!

If you could go back in time to 1981 and you wanted to go see a movie, and let's say Stripes and Neighbors were both sold out, I'd recommend Modern Problems.

Do not take this movie seriously! It is not a Hollywood masterpiece but it has some very funny scenes.

This is a satisfying movie to watch if you ever wanted revenge after being dumped.

Jealous, harried air traffic controller Max Fiedler (Chevy Chase), recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only to win her back, but to gain a little revenge.

The bloody nose scene goes from mildly amusing to rather revolting, and that made it something I could have done without. But that was the only really bad part of the film.

Fans of Chase may not have seen this one, as it is not well known. Younger fans (those who now know him best from "Community") will definitely not have heard of it. Check it out. Please.

"Modern Problems" was one of those movies that got a lot of play on HBO when I was a kid in the early 80s, and since I was a big Chevy Chase fan at the time, I watched it over and over again. Nearly 30 years later, the film had all but faded from my memory except for a few random bits so when it turned up on Fox Movie Channel over the weekend I decided to give it a shot.

90 minutes later I'm sitting here thinking to myself "Wow, this was pretty bad wasn't it?", and I'm not sure if the film hadn't aged well, or if it simply wasn't a very good film to begin with. All I can say is that I remember enjoying it a heck of a lot more as an easier-to-impress 12 year old.

Chase plays Max, a stressed out Air Traffic Controller who's got serious relationship problems. He's recently broken up with his live-in girlfriend, and his ex-wife (Mary Kay Place), whom he apparently has kept a friendly relationship with, is now "schtupping" (that's an exact quote) an old friend of his from high school (Brian Doyle-Murray, aka Bill's brother). As if that weren't enough, a chance meeting with a leaky Nuclear Waste truck on the highway one night splatters him with radioactive goo, and he wakes up the next morning with telekinetic powers.

You'd think that this would be a license to do a totally go-for-broke slapstick comedy but oddly enough very little is made of Max's newfound abilities till the film is almost over. Chase isn't his usual wild-and-wacky self either, preferring to mope around mooning over his girlfriend (Patti D'Arbanville). Eventually the dysfunctional foursome (Chase, D'arbanville, Doyle-Murray, and Place) go off to Murray's beach house to spend the weekend, joined by one of Murray's clients, an insufferable self-help author played by Dabney Coleman. Coleman is the funniest thing in the film, as his constant jabs and insults finally poke Chase's character into a full on telekinetic meltdown that can only be stopped by a voodoo ritual (?) performed by Murray's Haitian housekeeper (Nell Carter).

"Modern Problems" tries to be quirky and wacky but spends most of the film falling flat on its face. It's got a decent cast and an interesting premise, but its greatest sin is that it casts a gifted comic like Chase and then tells him to be morose and unfunny for much of the run time (till he finally explodes towards the end).

There are a few good bits (Chase using his power to give a guy a massive nosebleed in the middle of a swanky restaurant is a highlight, as is the entire "voodoo" scene) but otherwise "Modern Problems" isn't very "modern" anymore. Easily skippable even for hardcore Chevy Chase fans.