Aggiungi una trama nella tua linguaJealous, harried air traffic controller Max Fiedler, recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only ... Leggi tuttoJealous, harried air traffic controller Max Fiedler, recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only to win her back, but to gain a little revenge.Jealous, harried air traffic controller Max Fiedler, recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only to win her back, but to gain a little revenge.
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Recensioni in evidenza
Dabney Coleman plays almost the same type of character as in "Nine To Five" and Nell Carter plays a hilarious voodoo lady!
If you could go back in time to 1981 and you wanted to go see a movie, and let's say Stripes and Neighbors were both sold out, I'd recommend Modern Problems.
Do not take this movie seriously! It is not a Hollywood masterpiece but it has some very funny scenes.
This is a satisfying movie to watch if you ever wanted revenge after being dumped.
Guys: It is worth watching if for no other reason than to watch Barry (Mitch Kreindel) get his just desserts in the restaurant.
Girls: It is worth watching if for no other reason than to see how true love can obliterate a man's insecurities.
I have to mention Dabney Coleman because I think he gives one of his best ever comedic performances. He's not too far removed from the part he played as the Boss in 9 to 5. And it is fun to watch him get his come-uppance.
All in all, this is not a great movie, granted. But I could think of a lot worse ways to spend two hours on a Sunday afternoon.
Chevy plays Max Fielder, an air-traffic controller who's life is constantly in the toilet and bad luck follows him everywhere. He's very paranoid and possessive over his girlfriend, so much so that she dumps him for some total dork.
On his way home from a disastrous night out his car is sprayed with radioactive gunk from a leaky government truck. He is soon blessed/cursed with telekinetic abilities, which he uses to get revenge on those who make his life miserable.
It could have been really fun but it's just...weird. Ken Shapiro (who?) does not have the same edge in his direction as Harold Ramis, Michael Ritchie or John Landis and he doesn't know how to fully use Chevy's brand of humor. There are some laughs to be had though, but their not so memorable.
The DVD is in 1.85:1 anamorphic widescreen but it's mostly all shot in soft focus so there's nothing outstanding here. The sound is plain old Mono and it's alright if nothing else, though the dialogue has very heavy use of ADR. A trailer and TV spot are included. Oh...and that theme song playing over the menu, opening and closing credits? Yuck!
Coming from the feature is a cruel, rude and mean-spirited vibe (which was done better in Martin Scorsese's 1985 dark comedy 'After Hours') that sees Chase in quite a dreary cloud of sappiness and finding himself in one degrading mishap after another and to cap it off his girlfriend has just left him because of his clingy nature. One night while driving his car behind a truck, the context in the tanker (nuclear waste) ends up on him giving the abilities of telekinesis and a nice green glow. He then begins use this power in ridding any sort of obstacles that get in the way of reuniting with his ex-girlfriend (which is beautifully played by Patti D'Arbanville).
With a better script (which includes plenty of sexual innuendo), it could have been so much more, but while the cast (featuring Dabney Coleman, Nell Carter, Mary Kay Place and Brian Doyle-Murray) do the best. The one-joke script lets them down. The humour is mainly off the mark, as it never rises above the superfluous material and characters are not particularly engaging (especially Chase's loathsome character). It's a story were the humour contributes, rather than just being there for the sake of it, however it's a awkward mess of staged ideas and plastered visual gags. The special effects are modest, pacing is flat, style seems bland and the film looks quite murky. There's a real lack of passion, but director Ken Shapiro is saved by a few amusing (brisk, but enjoyable) comedic inclusions. But in the end these peculiar touches just weren't enough.
Far from a laugh-riot with a little too much dead space, but 'Modern Problems' remains barely a passable throwaway.
Lo sapevi?
- QuizChevy Chase was nearly electrocuted during a stunt in the sequence in which he is wearing "landing lights" and dreams that he is an airplane. The lights' wiring short-circuited through his arm, back, and neck, which caused him to lose consciousness.
- BlooperAfter Max levitates the bar of soap, the soap lands in the sink. In the close-up, two holes for the string can be seen.
- Citazioni
Brian Stills: Well, I'll be a striped-ass ape! Max Fiedler!
Max Fielder: Brian? Wow!
Brian Stills: How are you, you old egg-sucker? Damn, you look good. How long's it been? Not since high school, huh? Say, where are my manners? This is Dorita. She's from Port-au-Prince.
Max Fielder: Hi.
Lorraine: Hi.
Dorita: How do you do?
Max Fielder: Oh, Lorraine, this is Brian Stills, an old friend of mine from, uh, high school. Brian, this is my ex-wife, Lorraine.
Brian Stills: Pleased to meet you, Lorraine.
Lorraine: Nice to meet you, Brian.
Brian Stills: [Points to wheelchair] Admiring the old skateboard? I got my ass blown off in Nam. Crazy damn thing. I was loving this little girl. She was hiding ammo, for the Cong under the bed. I lit a cigarette, woke up in the hospital with medals all over the place.
Lorraine: God, talk about sex with fireworks.
Max Fielder: Jesus, Lorraine.
Brian Stills: No, it's funny, really.
- Curiosità sui creditiAlternate takes (without audio) are shown of the main characters during the end credits.
- Colonne sonoreGonna Get It Next Time
Performed by The Tubes
Arranged and produced by David Foster
Courtesy of Capitol Records
Lyrics by Adrienne Anderson
Music by Dominic Frontiere
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- Modern Problems
- Luoghi delle riprese
- Long Island Expressway, New York, Stati Uniti(Max driving his new Lancia Beta Coupe down the L.I.E. passing Exit 16)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
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- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 26.154.211 USD
- Lordo in tutto il mondo
- 26.154.211 USD